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The use of comedy in hamlet
The use of comedy in hamlet
The use of comedy in hamlet
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Similar to the inner personality that Olivia’s disguise provided, Malvolio’s disguise displays a glimpse at another side of his character out to the audience. Up until this point of the play, Malvolio is seen as a stiff and formal character who has criticism for everything. However, through this disguise, his arrogant and self-loving character is fully confirmed. After he receives a prank letter from Sir Toby and Maria, Malvolio wears a ridiculous costume in his quest for Olivia, and performs the part of a lordly wooer to secure her affections. He also references the letter and exclaims “Remember who commended thy yellow stockings / And wished to see thee cross-gartered” (3.4. 44-7), all of which Olivia knows nothing about and is a delusion of his own. The forged-letter prank causes him to wear yellow stockings that are cross-gartered (which Olivia abhors) and treat Olivia in a very inappropriate manner. By inflaming the passions of the priggish Malvolio with a well-forged love letter, Toby and Maria expose his hidden vanities and social pretensions. After all, he does not desire Olivia for herself, but for the power and status that marriage to her will bring him. Examples of his self-love and self pride can be seen in various examples throughout the play.
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Therefore after inspecting the play, ‘twelfth night’ it is impossible to deny the fact that Malvolio is truly the most foolish character in the play. This undeniable truth was confirmed after exploring how Malvolio thinks he is above others as well as how easily he is
In the early Renaissance era Florence and Siena were rivals in many aspects. The Battle of Montaperti was fought between the two in September of 1260. After their triumph over Florence, Siena used the monetary winnings for the building of the Palazzo Pubblico to serve the city in governmental, spiritual and social needs; it was comparable to the basilicas in ancient Rome in this aspect. The Palazzo Pubblico (fig. 1) was also made to compete with Florence’s already constructed Palazzo della Signoria1 (fig. 2). The city also focused the new funds on the elaboration of the cathedral interior (fig. 3). In 1308, Duccio di Buoninsegna was hired for this reason. Duccio completed the requested polyptych, or multipaneled, altarpiece three years later before the townspeople paraded the Maestà from the artist’s workshop through the town and to the cathedral, its resting point for many years.
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In the play, Olivia has a steward, Malvolio, unpopular with servants, mean, authoritarian, control freak. Malvolio is tricked into believing he is loved by Olivia. Malvolio behaves as if she is in love with him and he is eventually locked up for madness. After reading and reviewing the play, Malvolio’s epiphany moments stood out the most for me. Malvolio, the puritanical, was the head servant in Lady Olivia’s household. Although Malvolio is very efficient, he also very self-righteous, and frowns upon most of the things such as drinking, singing, and fun. He fantasies about marrying his mistress and living higher than his social class.
‘Twelfth Night’ or ‘What You Will’ falls into the subgenre of festive comedy as the spirit of the festival turns the normal hierarchies of the social sphere upside down and unacceptable behaviour becomes acceptable (as established by Barber in 'Shakespeare's Festive Comedy'). The character Feste attacks authoritative figures during the days of the Christmas period. As Feste can be seen as a mock mayor he often makes absurd declarations aimed at Olivia and Orsino as he points out that Olivia's excessive mourning is over-indulgent and ‘fool[ish]’ and notes Duke Orsino's extreme moodiness when he compares Orsino's mind to an ‘opal’ that changes colour. However, as this play takes place in the festive period it lacks seriousness which also reflects the decisions that Orsino and Olivia make in the dénouement. But as love is a motivating force, Olivia and Orsino carry out foolish acts in the final scene which convey the many serious social messages that arise in the play. On the other hand, characters such as Malvolio face difficult situations through the use of mockery which cause ...
In William Shakespeare’s Twelfth Night, Malvolio is considered an outcast by everyone else in the play except Olivia. He doesn’t act the same way that any of the other characters act, and he seems to be a real stickler for the rules, which upsets certain characters more than others. But it is this strict coherence to the rules that allows Malvolio to have such a high position in Olivia’s household. While Malvolio may be considered an outcast to most of the characters in the play, Olivia shows concern for Malvolio and his well-being.
Toni Collette seems to be that rare creature – a born actress. At the age of 11 she faked appendicitis so convincingly that doctors performed surgery on her, even though medical tests all showed there was nothing wrong. She has a face which effortlessly transmits emotion to an audience, and the instinctive ability to inhabit a character so completely that few people actually know what Toni looks like in real life. (Much prettier than on camera, is the general verdict).
Olivia is easily the largest victim to love and disguise. Olivia quickly falls in love with Viola, who is disguised as "Cesario". Olivia realizes how far from manly "Cesario" is, he has very effeminate features and lack of any facial hair. Olivia disregards these features and believes that he maybe just a eunuch. Olivia is obviously blinded by love in this case for a number of reasons; she ignores the evidence that points to "Cesario" as actually being a female. Second she justifies his features as him just being a eunuch, but never really addresses the issue that she is in love with a eunuch who of course would never be able to sexually please her or give her children. Whether "Cesario" is really a woman or if he is a eunuch, the love that Olivia has is futile and unrealistic. When Sebastian, Viola's brother, encounters Olivia for the first time, she believes that this is "Cesario" and gains the courage to ask for his hand in marriage. Once again this is evidence of how blinded by love Olivia is, she believes that Sebastian is the person she is in love with when really he is a stranger and she disregards his comments about not knowing her. Later in...
In Twelfth Night the relationships are anything but romantic. Shakespeare writes from the male point of view which implies an un-easy split between love and physical charm. In Twelfth night the romance is falsely produced by selfish desire. Duke Orsino and Viola stand out from the other relationships. By questioning the relationships between the other couples, Shakespeare highlights the true love between Viola and Orsino and the fake relationship of Malvolio and Olivia which is truly based on Malvolio’s desire of a higher status , despite his status and his personality , Malvolio tries to impress Olivia by dressing up in ridiculous clothes , which does far from his aim , and repulses Olivia.
Malvolio’s weakness is his yearn to be of a higher superiority and his strong belief that he will gain it. Maria uses this weakness to create a plan to make a fool of Malvolio in front of Olivia as well as using it as a way to get their revenge. Maria writes a letter to Malvolio from Olivia. In this letter “Olivia” is pouring her heart out to Malvolio. ‘”I may command where I adore, but silence, like a Lucrece knife, with bloodless stroke my heart doth gore. M. O. A. I. doth sway my life.”’ After Malvolio finally realizes that M. O. A. I. stands for Malvolio, he began to think about his status. He fantasizes about becoming more important than he already is, calling himself ‘Count Malvolio’. The letter then goes on to talk about what Malvolio must do in order to show Olivia that he has read the letter. He is given three commands: one is to wear yellow stockings (this is a colour that Olivia hates), the second is to wear the stockings cross gartered (this is a fashion Olivia also hates), lastly he must smile at all times (this last thing is very inappropriate because of Olivia’s brother’s death).
With Feste's help, we are able to attain a better understanding of the other characters in the play- revealing their true personalities, which are sometimes unseen, not only by us, the audience, but also by the characters themselves. He shows Olivia how unrealistic and excessive her mourning for her brother's death has been, he tells Orsino how foolish he is for languishing in a mood of love-sick melancholy for Olivia and points out how mercurial his personality is, and he makes a fool out of the pompous Malvolio. "Foolery, sir, does walk about the orb like the sun- it shines everywhere" says Feste.
...oth perspectives. They both still being servants are using disguise differently. Malvolio, servant of Olivia and Viola, servant of Orsino, they both have felt love for their masters/boss. They both express it differently, Malvolio loving Olivia uses cheery appearance and Viola loving Orsino hides her love secretly in her disguise. This essay was to prove that disguises and appearance is a symbolic feature for Viola and Malvolio's characters. According to given facts and examples, it was very clear that Viola and Malvolio use disguises as their shield, but they each use it differently.
Twelfth Night or What You Will is one of Shakespeare’s most famous comedies. It has been performed hundreds of times and adapted into a number of modern films. The main plot of the play follows Viola, a girl who is rescued from a shipwreck and enters into the service of the Duke Orsino disguised as a man. Rising quickly in his estimation, Viola begins delivering messages of love on his behalf to Olivia, a noble woman who has no interest in Orsino’s advances. Over the course of the play Olivia falls in love with the disguised Viola, Viola falls in love with Orsino, and Viola’s twin brother Sebastian, who supposedly died in the shipwreck, returns. Following Sebastian’s return the twins are mistaken for each other, leading to both misunderstanding and marriage in the final scenes of the play. Alongside the main plot of Twelfth Night is an almost equally prominent subplot involving Malvolio, a servant of Olivia, who falls in love with her and who falls prey to a prank planned by the other members of the household who despise his abhorrence of fun. In the article “The Design of Twelfth Night” by L.G. Salingar, Salingar examines the plot and structure of the play and addresses the significance of the subplot. The purpose of this essay is to examine both evidence from the play and articles from other authors, with a focus on Salingar, who have written on the subject in order to determine the purpose of the subplot. In his article, Salingar comes to the conclusion that the purpose of the subplot is to provide a comic mirror of the main plot while amplifying the main themes of delusion, misrule and festivity. Salingar presents a solid argument, however he has neglected another lesser but significant element of the sub-plot which illustrate...
Throughout Twelfth Night, disguise and mistaken identity works as a catalyst for confusion and disorder which consistently contributes towards the dramatic comic genre of the play. Many characters in Twelfth Night assume disguises, beginning with Viola, who disguises herself as a man in order to serve Orsino, the Duke. By dressing his protagonist in male garments, Shakespeare creates ongoing sexual confusion with characters, which include Olivia, Viola and Orsino, who create a ‘love triangle’ between them. Implicitly, there is homoerotic subtext here: Olivia is in love with a woman, despite believing her to be a man, and Orsino often comments on Cesario’s beauty, which implies that he is attracted to Viola even before her male disguise is removed. However, even subsequent to the revealing of Viola’s true identity, Orsino’s declares his love to Viola implying that he enjoys lengthening the pretence of Vio...