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Personality myself
An essay about personality
An essay about personality
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In the novel, The Land of Stories: The Wishing Spell, written by Chris Colfer, the antagonist of the novel has an unpleasant personality, looks frightening, and has revenge on the top of his mind. The antagonist of the novel is a wolf named Malumclaw. To begin with, Malumclaw’s personality is very unpleasant. In particular, he is very shrewd and short-tempered. In fact, it has been presented in the novel that he has “ exploded” on many people with his anger, and does not take ridiculous behavior from anyone. Also, the wolf is very serious. Meaning, he is a no- nonsense behavior person. Furthermore, he will snap at anyone quite easily, and will not tolerate a break in any deal he makes. Colfer states, “ Deal. But let me warn you, if you …show more content…
He directly states that he will “ snap the neck” of the person whom he has made the deal with. The serious tone the character uses to ensure the person he was talking to understood what he said showed how clear he made his warning. Considering his personality, this quote clearly demonstrates all aspects of his personality through the tone in the quote. When it comes to Malumclaw’s looks, everyone is frightened. From his blood-red eyes to jet-black fur Malumclaw is quite the scare. For one thing, Malumclaw and his pack have jet-black, matted fur. Not to mention his size, which is four times the size of a normal wolf in the Land of Stories. Furthermore, his eyes are blood-red and his snout is wider than most. Lastly, their faces look as though they are ready to kill. As Colfer has noted, “ However, these wolves were unlike any the twins had ever seen before. They were four times the size of any normal wolf of their world. Their fur was jet-black and matted. Their eyes were red, and their snouts were wide.” ( Colfer 120) In other words, Colfer describes Malumclaw and his pack with descriptive language. The style Colfer uses to describe the outside features of the wolves makes the reader feel intimated, as a character facing him would. However, the true motive of Malumclaw comes to play towards the middle of the novel. These wolves are born to be killing machines. So, their ultimate motive is to kill Red Riding Hood. Malumclaw’s father is the Big Bad Wolf. He had been outwitted and chased away by Red Riding Hood, and has never been able to get revenge on her. Now, it is up to his son to avenge him. Colfer states, “ After what you've put us through, we ought to claw your hearts out! I guess we get Red Riding Hood AND Goldilocks tonight!” (Colfer 362). The tone the author uses in this quotation, represents the anger Malumclaw is showing
The cruelty of the character is explicit from this quote. For example, ‘When winter sleet beat down on the roof, the Damall would as soon call for the whipping box as find any other way to hurry time along. (page 4-5)’. From the very beginning of the book the author thrust the readers into a world which is dominated by ruthless cruel characters like Damall. He takes in the young boys in his island and treats them in a harsh barbarian manner. The characterization of Damall sets the pace of the novel as the protagonists are introduced nameless and helpless. In conclusion we can say that the author through powerful characterization has developed the plot of adventure, heroism and friendship very
of the wolves and finds that they are more than the savage and merciless hunters
The reason the Lord of the Flies threatens Simon is because Simon knows that the beast is not a tangible creature that lives in the forest which is dangerous information. In reality, the beast is simply the innate evil that resides in every man. Simon knows this because he realizes that all the information the boys know about the beast does not add up and that such a creature cannot exist so it must be something impalpable but powerful, something that is making them so afraid that it is changing them from the inside out. He questions this “beast with claws that scratched, that sat on a mountaintop, that left no tracks and yet was not fast enough to catch Samneric” and grasps the concept that the more they fear the beast, the more they change (112).
Through the use of figurative language devices, and narration techniques, Golding foreshadows and sets a ritualistic tone for Simon’s death, and to emphasize the boys’ eagerness to kill the “beast.” The role of fear triggers the lost of individualism, instinctual actions, and the overall innate evil of mankind.
case. Leopold and his companions, “pumping lead into the pack” (130), kill the wolf not
Poe, Edgar Allan. "The Tell-Tale Heart." Literature: An Introduction to Fiction, Poetry, and Drama. Ed. X. J. Kennedy and Dana Gioia. 7th ed. New York: Longman, 1999. 33-37.
It has been said that the wolf is one of the most voracious and horrifying animals that exist in nature today. But, in all reality, is that actually true? One is unable to make an assumption such as this without a firsthand experience, or so that is expressed in In The Shadow of a Rainbow and Never Cry Wolf. Authors Robert Franklin Leslie and Farley Mowat make every attempt to convey the true nature of the wolf throughout their journeys, as they prove claims falsely accusing wolves, with documented evidence of complete vigilance. These works of literary nonfiction effectively refute anti-wolf claims made within them through being dangerous to the wildlife, dangerous to humans, and viciousness.
...mselves at her.... Roger ran around the heap... Jack was on top of the sow stabbing downwards with his knife.... The sow collapsed under them and they were heavy and fulfilled upon her” (135). Indeed, the gruesome description is reserved for Jack and Roger; however, it is clear that all the hunters are vehemently piled on top of the sow as they are killing it with ubiquitous violence. In short, humans are elementally violent and Golding expresses this with vivid descriptions of the boys' vigour in several violent situations.
This paper will explore the three elements of innate evil within William Golding's, Lord of the Flies, the change from civilization to savagery, the beast, and the battle on the island. Golding represents evil through his character's, their actions, and symbolism. The island becomes the biggest representation of evil because it's where the entire novel takes place. The change from civilization to savagery is another representation of how easily people can change from good to evil under unusual circumstances. Golding also explores the evil within all humans though the beast, because it's their only chance for survival and survival instinct takes over. In doing so, this paper will prove that Lord of the Flies exemplifies the innate evil that exists within all humans.
“There is a savage beast in every man, and when you hand him a sword and put him in a war situation, then the savage beast inside the man becomes visible.” In the allegorical novel Lord of the Flies, a group of preteen boys are stranded on an isolated island, where they are faced with the task of survival. Golding uses pristine island in which the boys portray their inner selves. As the novel progresses, William Golding explores the causes, effects, and the long discussed subject of savagery versus civilization. The group of boys are obliged to find a way to survive until they are rescued, in which they are faced with the challenge of making realistic decision. As the novel advances, the characters begin to show their various personalities,
...t the group more than the short-term enjoyment that this new attraction presents. He knows that finding the beast will provide the entire group of boys with emotional security due to the fact that they will literally face their ultimate fear: the beast. Because Ralph values the emotional security of the group of boys, he serves as father-figure. He symbolizes someone who will always be looking out for his peers, through thick and thin, just as any father would.
“The Tell-Tale Heart by Edgar Allan Poe.” University of Virginia, n.d. Web. 27 March, 2014.
William Goldning’s Lord of the Flies is an allegorical novel where literary techniques are utilized to convey the main ideas and themes of the novel. Two important central themes of the novel includes loss of civilization and innocense which tie into the concept of innate human evil. Loss of civilization is simply the transition from civilization to savagery; order to chaos. The concept of loss of innocense is a key concept to innate human evil because childhood innocense is disrupted as the group hunted animals and even their own. Through the use of literary techniques these ideas are seen in the passage where Simon confronts the “Lord of the Flies.”
For the characters in Angela Carter's “The Company of Wolves,” danger lurks in the the grey areas, the ambiguous spaces between opposites. The plethora of socially constructed binaries—male and female, passive and active, innocence and maturity, civilization and wilderness, man and wolf—have the ability to be harmful and restrictive, but perhaps more worryingly, they create an ill-defined middle ground between where the rules are vague and fluid, which allows for dishonesty and deception, and Carter foregrounds the resultant proliferation of untruths as the real peril. One vehicle for clear and honest communication, however, is the narrator's changing characterization of the
Poe, Edgar Allan. "The Tell-Tale Heart." Literature: An Introduction to Fiction, Poetry, and Drama. Ed. X. J. Kennedy and Dana Gioia. 7th ed. New York: Longman, 1999. 33-37.