Mass media is a form of communication; it plays an important role in modern culture, it influences our lifestyles choices, ways of thinking and idealization towards aspects that play part in society. The representation of social groups portrayed in media has taken a turn for the worst in particular aspects; race and ethnicity alongside culture are constantly modified in the media. It influences how people receive the information of social groups; they base their ideas by what they are feed on.
Terms such as the Spicy Latina, harlot and domestic have been around since the beginning of the Mexican-American war that took place back in 1984, the triumph that came alongside the American victory was stained with manipulation and racist ideology. It unleashed in its path the awaking of serotypes towards the Hispanics - consequently affecting all Latinx. Not only has it managed to wipe out the recognition of 22 different cultures, languages and beliefs, but also as a result it has normalized the hyper sexualization of Latin and Hispanic women in mass media. Females are reduced to
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The producers accentuate her fiery appearance, small curvaceous figure and toned body parts, sexualizing the women’s body. The male gaze theory coined by Laura Mulvey would be applied in this scenario as it depicts the world and women from a masculine point of view, displaying females as objects of male pleasure. Body image contributes to the sexualization and objectification of women in mass media; Latina and Hispanic women are not only subjective to the male gaze, but also a racialized gaze, as they are portrayed as ‘exotic’ and ‘sexual creatures’, they are presented as curvaceous, sensual, feisty and sultry females. It denies the social group their cultural identification as the media slowly but effectively form their identity by sexual and racial
In his essay "Selena’s Good Buy: Texas Mexicans, History, and Selena Meet Transnational Capitalism,” Coronado (2001) argues that Selena embodies displaced desires that need to be situated in their historical content. By looking at how Texans and marketers reacted to Selena’s death, Coronado was able to show us how Selena’s death can be looked at form a psychoanalytic lens. The working class’ obsession with Selena can be seen as a fetish of sorts. A fetish is caused by trauma and can be applied socially to a irritable social construct. In other words, Selena could be a social fetish; the Latinx working class abruptly lost someone who was representing them in mainstream media, leading to the trauma. In this theory, Selena is no longer seen as a person who contributed hugely to the rise of colored people in mainstream media, but as
In Josefina Lopez’s play Real Women Have Curves, a group of Hispanic women discuss their sex appeal in terms of their body image. They judge their psychological aspect of sex appeal based on how well their physiological aspect of body image agrees with society’s ideals. In Michel Foucault’s Discipline and Punish, he explains that society is an amplified Panopticon that causes its members to observe one another and themselves. This theory explains these women’s compulsion to peruse their bodies to make sure that they fit within society’s standards of sexiness. Although these women are described in a collective manner, Lopez delineates each woman’s character distinctively. Their differing characters are greatly influenced by the opposing cultural values of Latinas working in sweatshops and that of White-American feminists. According to Patricia Hill Collins’ Black Feminist Thought, these conflicting cultural values develop oppositional knowledge in these women, which alters their perception of the female sex appeal. Hill Collins also explains that when individuals communicate their diverse ideas in a unified manner, it precipitates a unanimous definition to a society. This theory supports why the Latinas in Lopez’s play demonstrate a progression towards similar ideologies. In summary, using Foucault to explain the idea of self-surveillance, and Hill Collins to explain oppositional knowledge developed by contrasting the cultural values of White-American feminists and Latinas working in sweatshops, it is possible to describe the social phenomena of defining female sex appeal in terms of body image in Lopez’s play.
The Latina women, even throughout the era resistance cinema, have not been able to make much progress in overcoming the degrading stereotypes that Hollywood has created for them. Despite the many advances that minorities have made in the cinema in recent years, Latina actresses still take on the roles of the "dark skinned lady" and other such stereotypes with strong sexual connotations. It is often debatable whether or not the role of the Latina has undergone dramatic changes since the days of Dolores Del Rio and Carmen Miranda dancing with the fruit baskets on top of their heads. However, in recent years there has been an emphasis by various Latinas in the film industry to combat such stereotypical roles and redefine themselves through the film medium, especially by means of documentaries. It is hopeful that the existing portrayals of Latina women as the sex object and desirable mate will gave way to a range of opportunities in cinema with roles of a more powerful and influential nature.
The case is made that woman are more noticed by men when they have the big butts and fake hair. The female actors in the movie do not make much attempt to discredit this accusation, furthermore accepting the rhetoric that all males like the fake girls they see in the magazine and that’s the reason all women do this. This is a seamless example of how popular culture has continued to view woman and how woman continue to fall victim to the stereotypes of popular culture. During the exchange of ideas about the female stereotypes there are references made about famous Hollywood elites such as Beyoncé which places more light on the fact that popular culture plays a huge role in female
As showed in the film, Latino American often misrepresented and underrepresented both in front of and under the camera. American Hispanic often portrayed as lazy, unintelligent, greasy and criminal. Hispanic women often pictured comfortable sexuality as prostitution in film production; while Hispanic actors limit to criminal characters such as drug dealers, gangster, and provide the power for the white American. Audiences have less interaction with Latino in their real world might be easily framed by media images regarding the race and ethnicity. The lack of Hispanic history and culture understanding allows these media portrayals to change and form unfavorable behavior and attitude against Latino communities.
The usage of media is huge in nowadays. People rely on different kinds of media to receive information in their everyday life because they are thirsty for the diverse and informative content. However, inaccurate portrayals of people from different races always appear in the media and audience will exaggerate those portrayals by their inflexible beliefs and expectations about the characteristics or behaviors of the portrayals’ cultural groups without considering individual variation (Ting-Toomey and Chung, 2012); in fact, it is also called as stereotypes. According to a study by the Center for Integration and Improvement of Journalism at San Francisco State University (Stein, 2012), racial stereotyping continues to occur in media and the mainstream media's coverage of different cultural groups is full of biased reporting, offensive terminology and old stereotypes of American society. It specifically emphasizes that majority of the stereotyped characters in media will only bring out the dark side of their cultural groups which many of them might not be true, especially for the portrayals of black community: African American.
Mass media has become one of the most common ways to get information in society today. A poll done by The National Hispanic Media Coalition shows that about 66 percent of Americans watch major network and cable newscasts, while only 30 percent rely on Facebook, Twitter, and other social networks to get their news and information (Rutgers). However, media does not only provide viewers or listeners with news, but it also moves the stereotypes, beliefs and values of the society to reproduce the existing order of social life (Bryn Mawr). Regardless of whether people believe what they see and hear in the media, people are aware of the stereotypes and images that surround minorities. The negative representation of minorities are conveyed to the public through many forms of media, such as: the news, film, music videos and other forms of media. One of the minorities that is portrayed negatively in the media is the Hispanic race. Over a span of many years, the media has consistently failed to represent and accurately depict Hispanics, and this misrepresentation continues in the media today.
I chose these four journal writings because I believe they are the strongest pieces I have written from the second half of the semester. The main focus of these journals was based on readings under the women as objects topic. The oppression of women has led to females being objectified and used as gratification for men. A woman’s body and appearance have become a commodity, especially in the media. Films, television shows, music and advertisements use women’s bodies to attract their audience and sell products. The movie watched in class “Killing Us Softly 4,” highlights this fact while presenting how women are represented throughout the media. The media has set and perpetuated a particular standard of beauty that is restrictive, but for some many women completely unattainable. The women represented in the media are young, thin and have western or European characteristics. Where does that leave the majority of women that do not fall under this category? This leads to women developing eating disorders to achieve an ideal body image that is manufactured through Photoshop and other picture editing systems. Women of color, women with disabilities or any woman that does not follow this standard is not represented within the media. When a few women do break this mold and become famous, they are set at a different standard. These women’s differences become the highlighted feature of their fame. However, the one constant in the media when it comes to women is the objectification and sexualization of women. This sexualization can lead to aggression or violence against women and the perpetuation of rape culture. The images viewed in the media directly impact how women view themselves and how others view women. By examining the issues women f...
Led by Laura Mulvey, feminist film critics have discussed the difficulty presented to female spectators by the controlling male gaze and narrative generally found in mainstream film, creating for female spectators a position that forces them into limited choices: "bisexual" identification with active male characters; identification with the passive, often victimized, female characters; or on occasion, identification with a "masculinized" active female character, who is generally punished for her unhealthy behavior. Before discussing recent improvements, it is important to note that a group of Classic Hollywood films regularly offered female spectators positive, female characters who were active in controlling narrative, gazing and desiring: the screwball comedy.
The idea of male gaze in cinema is best addressed by Laura Mulvey in her article “Visual Pleasures and the Narrative Cinema”. One idea she looks at is the notion that women are related to the image, and men assume the role as bearer of the look. She quotes “In their traditional exhibitionist role women are simultaneously looked at and displayed, with their appearance coded for strong visual and erotic impact so that they can be said to connote to-be-looked-at-ness.” The traditional exhibition role is what Sarah Polley must overcome in order to express female and national identity in a position of strength. In order to do this she must alter some the traditional constructions associated with the gaze in cinema to bring in order to critique the gaze that is male.
Telenovelas(novelas) are a big part of Latino culture. They are the most well-liked genre of television show aired on the prime-time TV throughout the Latin-Americas.1 This style of melodramatic narrative got its start in radio broadcast circa 1960. Popular radio scripts were quickly adapted to meet television standards and distributed to Latin American countries by means of broadcast syndication. The themes of these shows often touched on sensitive issues; concerns shared by Latino cultures around the world. Their immense popularity amplifies the message contained in these shows which sometimes results in social change. This paper will highlight this phenomenon and examine the effects it has
The Oppositional Gaze theory explores black people's right to gaze, both off and on screen because she claims that “There is power in looking” . Hooks looks at black women in particular because they are primarily the ones that are not represented accurately or realistically in the media. She even says; “even when representations of black women were present in film, our bodies and being were there to serve - to enhance and maintain white womanhood as object of the phallocentric gaze.” As recognised in the Sports Illustrated magazine, white women are seen as the ideal women and more attractive and desirable by the white male gaze theory. Black women like Serena Williams have gained power from avoiding such messages that enforce racial superiority, white supremacy, and gender inequality.
Even though Elif Shafak’s style is not that of a traditional narrative, through the use of stream of consciousness, repetition of passages, and the integration of the gaze dictionary, she effectively provides insight on the major thematic issue of the gaze. The Gaze has a structure in which the stories and characters are physically separated but connected through the theme of the gaze. The stories range from 17th century Siberia to modern Istanbul. In the novel, an obese lady and a dwarf fall in love with each other. The two are attracted to the uniqueness of the other that separates them from society and labels them as freaks.
How do semiotics and the male gaze help understand Fashion imagery? In today’s society we are bombarded by images and are visually saturated, everyday consumers see advertisements and images that are in place to sell them products and lifestyles. Consumers have become more accepting and comfortable with the techniques and use of semiotics and male gaze. The disruption and growth of social media supports and enhances the ever changing consumer behaviour.
Feminism is a movement that supports women equality within society. In relation to film, feminism is what pushes the equal representation of females in mainstream films. Laura Mulvey is a feminist theorist that is famous for touching on this particular issue of how men and women are represented in movies. Through her studies, she discovered that many films were portraying men and women very differently from reality. She came up with a theory that best described why there is such as huge misrepresentation of the social status quos of male and female characters. She believed that mainstream film is used to maintain the status quo and prevent the realization of gender equality. This is why films are continuously following the old tradition that males are dominant and females are submissive. This is the ideology that is always present when we watch a movie. This is evident in the films from the past but also currently. It is as if the film industry is still catering to the male viewers of each generation in the same way. Laura Mulvey points out that women are constantly being seen as sexual objects, whether it is the outfits they wear or do not wear or the way they behave, or secondary characters with no symbolic cause. She states that, “in traditional exhibitionist role women are simultaneously looked at and displayed, with their appearance coded for strong visual and erotic impact so that they can be said to connote it-be-looked-at-ness.”(Mulvey pg. 715). Thus, women are nevertheless displayed as nothing more than passive objects for the viewing pleasure of the audience. Mulvey also points out through her research that in every mainstream movie, there is ...