Tribal literature represents a prevailing, emerging trend in the Indian literary scene. This literature is by nature oppositional because of its arching preoccupations with the location of Dalits in the caste-based Hindu society, and their struggles for self-esteem, justice and equality. Tribal literature is perched to obtain a national and an international occurrence as well as to pose a key challenge to the established ideas of what constitutes literature and how we read it. Mahasweta Devi’s writing offers insight, an asset of perceptive; amass of meaning and a base of discourse. Holding the writer’s hand, we can see an entirely diverse world, with her assistance we can seek to comprehend the potential of human accomplishment. Gloom, failure and discontent chiefly in the matter of human relationships do not, however, give rise to complete chaos and anarchy. We perceive the struggles of the protagonists, as gallant efforts that finally bring grandeur to the individual and add dignity to the courage of liberty. The Dalit/Tribal discourses on human rights in free India based on Ambedkar and Periyar movements infiltrated into literary works of Indian writers and have been gathering momentum. The post-Independence, post-Emergency period witnessed literary works exposing atrocities on Scheduled Castes and Tribes. Though the focus of these writings during the early period was on caste terms, contemporary literary discourse treats it in turns of human rights. Writers in regional lan¬guages, especially in leftist states of West Bengal and Kerala, were in the forefront expressing concern for the human rights violations to the oppressed, especially, Dalits and Tribals. Dhouli is a short story taken from Outcast: Four Stories by Mahasweta.... ... middle of paper ... ...itute intensifies a trauma to accept that the pariahs in reality are astounded victims strained by the will of privileged. It’s a need to correct the outlook of common people that the prostitutes cannot be the outcaste because the people who cross the threshold of their rooms are the men from common homes. When the men folk are not accused, why the whores are always to be blamed? Sharing the same periphery with others, why they are so distant? Dhouli’s voyage is a fervent journey to unfurl the history of the human spirit that has been striving for deliverance and bliss from long back still tries to seek life through buoyancy and fortitude. Works Cited Devi, Mahasweta. Outcast: Four Stories. tr. by Sarmistha Dutta Gupta. Calcutta: Seagull Books, 2002. (All textual citations in this paper are from this edition of the book and followed by page number in parentheses)
Outcast United, written by warren St. John, illustrates the numerous struggles refugees face and how they can look past complex differences and come together with a little help from Luma Mufleh and her soccer program. The outcast united is used symbolically to indicate the union of a town, a team and a coach in a spontaneous social experiment. It is a story about refugees from Sudan, Congo, and Burundi among other countries who were resettled in a small town named Clarkston. In this book, St. John tells a true story of refugee families that moved to Clarkston, Georgia. As all of the families struggle to make their new and better life in the small town of Clarkston, Georgia, Luma Mufleh changed the refugee community of Clarkston for the better
Almost everybody feels a sense of alienation or isolation at some point in their life. Maybe it was when you were a young kid at a playground in school, being left out of activities. Or maybe this feeling is being experienced by an adult who is having economical or social issues. Whatever the source is for these feelings, it is not a pleasant one, and one we tend to try and avoid as much as possible in life. In the two stories I’ll be discussing, “ The Yellow Wallpaper” by Charlotte Perkins Gilman, and “Desiree’s Baby” by Kate Chopin, there are two characters who experience feelings of alienation, isolation and oppression quite heavily. The effects of alienation and oppression are hindering to women’s independence and well-being. This is seen in the situations of two women we are going to be focusing on for this paper. Alienation and oppression can hinder the well-being and happiness of the individual experiencing it. It can also have long lasting psychological effects and cultural effects as you’ll see in this research paper.
the Tribal Twenties.” Twentieth-Century Literary Criticism. Vol. 210, (1994): n. pag. Web. 20 May 2009.
NA. "Who Are Dalits? & What Is Untouchability?" — Portal. NCDHR, n.d. Web. 09 May 2014.
Outcasts are commonly given a negative connotation, but in reality, they are not always awful people. Throughout Of Mice and Men, the main theme is loneliness and is the main focus in all of the symbols. In “The Rules of the Game”, Waverly is exposed to her mother’s Chinese roots and is pressured into living her life according to them. During “The Outcasts of Poker Flat”, the characters are given obstacles and kicked out of their own homes, which causes a theme of depression and solitude. In these stories, all three characters are portrayed as an outcast because of people ‘judging them by their cover’.
In the novel Of Mice and Men by John Steinbeck there are many outcasts. An outcast is someone rejected by society because they are different from what the world views as acceptable. Two examples of outcasts in this story are shown through Crooks and Lennie. Both of them display important topics on the subject of discrimination and it affects them harshly throughout their lives.
Divakaruni, C. B. (1995). "The Disapperance." Compact literature: Reading, reacting, writing. (pp. 584-589). Boston, MA: Wadsworth Publishing Company.
Singh, Hira. 2008. “The real world of caste in India,” The Journal of Peasant Studies 35 (1):
“Everybody feels like an outcast because the world is so large and every fingerprint is so vastly different from one another and yet all these standards and beliefs, and dogmatic systems of judgment and ranking in almost all the societies of the world” -Ezra Miller. All around us, cliches and standards are seen throughout culture. This is because judgment is a constant challenge in today's society. If one dress, acts or plays out of the considered normal, then those people are put into rankings and are distanced from everyone else. In today’s world, the experience of being an outcast is universal.
From beginning to end, the novel, “The God of Small Things”, authored by Arundhati Roy, makes you very aware of a class system (caste) that separates people of India in many ways. This separation among each other is surprisingly so indoctrinated in everyone that many who are even disadvantaged by this way of thinking uphold its traditions, perhaps for fear of losing even more than they already have, or simply because they do not know any other way. What’s worse, people seen as the lowest of the low in a caste system are literally called “untouchable”, as described in Roy’s novel, allowing, according to Human Rights Watch:
Migration of the human population began over a million years ago beginning in Africa and later across Asia and Europe. Since the beginning of human existence, migration has continued through both voluntary migration within one’s country or elsewhere and through involuntary migration, which includes the slave trade and human trafficking. The movement of labor to capital can simply illustrate modern migration, in its purest form. Because of the constant migration of humans across the globe, the assimilation of many cultures was forced. This in turn led to inherent problems such as cultural alienation and cultural fragmentation to exist within society. In each of the short stories, “One Out of Many” written by Nobel laureate V.S. Naipaul and “The Old Chief Mshlanga” written by Nobel laureate Doris Lessing, the authors are able to successfully express the subject matter of cultural alienation and fragmentation through careful analysis of class and race in each of the stories respective societies.
Of the themes which dominate the representative writings of the forth world literatures include the theme of resistance, rebellion, opposition, assertion, challenge, sacrifice, suffering and displacement. All these general ideas are interconnected with the common concept of ‘freedom’ and an aspiration for which is truly a driving force for the indigenous people. In this paper an attempt has been made to look into the theme of resistance and how it contributes to the development of the spirit of self-determinism as it is reflected and re-presented in the Fourth World literatures with special reference to dalits’ writings in India in order to appreciate and advance the common cause of freedom in the larger interest of Humanity.
Susan Bayly. (1999). Caste, Society and Politics in India: from the Eighteenth Century to the Modern Age. Cambridge University Press
The measured dialogue between Reader and Editor serves as the framework through which Gandhi seeks to discredit accepted terms of civilization and denounce the English. These principle characters amply assist in the development o...
It is a literary genre that focuses on the psychological and moral growth of the protagonist. Growing up as a boy from the Parayar caste, in the milieu of Christian, Hindu and Muslim communities, K.A. Gunasekaran narrates the familiar tale of caste oppression and prejudice prevalent in the villages of Tamil Nadu. As the narrative unfolds, the reader is shown how the ‘low’ caste negotiates differently with the three religious communities. The deep pain of the Paraya surfaces through the risible anecdotes that ridicule the grievously unjust practices of the ‘upper’ castes. The book emphasizes the fact that Indian villages are doubly caste-conscious and cruel, and that Dalit emancipation rests in better education for the community. Gunasekaran writes in an earthy and colloquial style to capture the innocence, cruelty and drama of a South Indian