The Art of Deception on One’s Journey Leads to a Lack of Resolution and Personal Fulfillment
During the play Macbeth, the protagonist, Macbeth, takes part on a very long and perilous journey. But it didn’t have to be that way. In Macbeth, Shakespeare develops the idea that, while taking part in a journey filled with evil deeds, blame, and deceit, one slips further and further into insanity, losing sight of their former self in the process. That, through a combination of the two, one is unable to grow as an individual, and as each deceitful deed takes its toll, one’s mental state begins to deteriorate. Each deed making it more and more difficult for one to regain the lost pieces of their sanity.
Macbeth starts out the play as an honourable
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She is delighted by the idea of becoming monarchs, and eventually tells Macbeth to seize the opportunity while King Duncan is staying at their place. Macbeth, up until this point, has managed to talk himself into and out of killing the king, which shows that his morals are still present, but they are beginning to slowly erode. This is made evident when Lady Macbeth ultimately talks Macbeth into committing the treasonous act of murder. And thus the cracks on the eggshell become more plentiful and defined as Macbeth makes the conscious decision to kill King Duncan, and follows through. Leading up to and after the course of murdering the king, Macbeth is struck by stress and grief and he begins to lose his clarity of thought, which is made clear by his perception of the floating dagger and his conversations with Lady Macbeth afterwards about turning the oceans red with Duncan’s blood if he were to try to wash his hands. For once the cracks on the eggshell are present, they cannot be fixed, just as Macbeth, once making the conscious decision to commit murder, can never go back to living his former life as mere thane of Glamis. He was able to get away with the murder by blaming the guards and even Duncan’s very own sons as a way of not having to face up to the consequences of killing the …show more content…
Three witches tell him he will be king, his wife convinces him to kill Duncan to become king, Macbeth commits the act of murder, Macbeth becomes a tyrant who abuses his power especially towards those whom he fears, he has his best friend murdered, goes to the witches by his own will to ensure his sense of security, doesn’t mourn the loss of his wife, and is ultimately slain by Macduff. Macbeth’s character starts out very similar to that of Banquo, so by using Banquo as comparison, it becomes that much more clear how much the guilt caused by the facade he’s tried to uphold regarding killing the king has caused him. Each evil deed he commits turning into two more, two more acts of evil that Macbeth has to live with, and hide from others through deceit and blame. With each evil deed he holds onto, another piece of sanity is lost. But this guilt doesn’t go away, he’s merely prolonging facing his problems until the last possible instant he can, in which he still doesn’t face them, and as a result, going by what was believed at the time, Macbeth was sent to hell for his sins against the crown. That if one blames others for their own wrongdoing, they will carry that guilt, and it will have negative affects on their state of mind and their
Here, Macbeth realizes that if something is not done to Banquo, his sons will become Kings. Macbeth can not have this. He had already worried that his soul will go to hell for what he had done. His fear become evident in this scene also, "But to be safely thus: our fears in Banquo Stick deep;" [Act III, S I, L 53-54] Macbeth has Banquo murdered,
As a result of Malcolm and Donalbain's suspicions resulting in their departure to England and Ireland Macbeth became king: this was the ultimate power that he and Lady Macbeth had as their goal (well, actually it was more of Lady Macbeth's goal), and now he eventually had received it. Nothing was going to take away this ultimate power from Macbeth, and he would do anything to keep it. Macbeth's ruthlessness results in him ordering three murderers to murder his best friend, Banquo. The power of being king has taken over Macbeth's life, and he is a victim of his own greed for power. He is a tyrant. Not only does Macbeth murder Banquo (not directly, of course), he also murders (actually he has people murder) Macbuffs family.
Macbeth’s ambition is to remain king for as long as possible and he will kill anybody who stops this from happening. Macbeth feels as if he was given a childless rule, and that his legacy will not continue on in fears his rule will be taken away by someone outside his family. Macbeth states, “For Banquo’s issue, I have filed my mind; For them the gracious Duncan have I murder 'd, put rancors in the vessel of my peace only for them, and mine eternal jewel given to the common enemy of man. to make them kings, the seeds of Banquo kings”(Shakspeare 3.1.64-69). Macbeth had committed murder, poisoned his own mind, and destroyed his soul only to end up benefiting Banquo’s heirs. Macbeth, being the paranoid character that he is, feels threatened by this and orders both Banquo and Fleance to be killed. In Act 3, Macbeth says that, “and mine eternal jewel, given to the common enemy of man, to make them kings, the seed of Banquo kings!” (Shakspeare 3.1.67-9). Seeing this choice of act, leads Macbeth’s blind ambition doing all he can, in order to remain where he is, even if he is ‘blind’ to what it going on and fails to truly understand the concept of his choices in killing Banquo, which only further deteriorates his mind because of his thirst for power, causing
Yet, Macbeth time and again interprets his guilt as a sign of cowardice and moves on to spill more blood to consolidate his hold over an ill-gotten throne. The torment and anguish inherent in these lines that are imbued with the seeds of guilt eventually metamorphose into a full blown sense of guilt and shame that continues to torment his soul. As the play progresses, the consequences of Macbeth’s deep seated guilt assume such gargantuan and vivid proportions that they actually get personified as the apparition of Banquo that materializes before Macbeth, as he sits amidst the most exalted of Scotland .... ... middle of paper ...
Macbeth, one of the darkest and most powerful plays written by Shakespeare, dramatizes the disastrous psychological effects that occur when evil is chosen to fulfill the ambition for power. Throughout the play, Macbeth’s character loses mental stability and becomes enthralled with the idea of being king. Empowered by the three witches, this situation consumes Macbeth’s consciousness until his mental state becomes deranged. This mental deterioration is evident in what he says and does as he evolves into a tyrannical ruler attempting to protect himself from enmity and suspicion. In an attempt to fulfill his ambition for power, Macbeth displays mental deterioration and becomes increasingly bloodthirsty.
After Macbeth committed a dreadful crime at the start of the play, he realizes that by killing even more people he can get what he wants whenever he wants. Macbeth reaches a point where he is too busy fulfilling his own ambitions that he was not fulfilling his obligations as king. “Those he command move only in command, / Nothing in love…” (5.2.22-23). His obsession with power caused him to murder his good friend Banquo, and Banquo’s son. Macbeth’s out of control ambition has caused him to lose his emotion. He progressively sta...
After murdering Banquo, Macbeth begins to fear other powerful men around him, such as Macduff. The witches provide Macbeth with Apparitions that tell him his fate for the future as king. The second Apparition, a bloody child tells Macbeth that no individual born from a woman can harm Macbeth. Macbeth then replies “Then live Macduff; what need I fear thee? But yet I’ll make assurance double sure and take a bond of fate. Thou shalt not live, that I may tell pale-hearted fear it lies, and sleep in spite of thunder” (4,1,93-97). Even though Macbeth gains the knowledge that no individual born from a woman can harm him, he acts cowardly to protect himself. Macbeth turns to murder instead of facing the powerful Macduff himself. As Machiavelli said men act cowardly, and Macbeth demonstrates just that by murdering anyone who seems to pose even a slight threat towards him as king. Macbeth believes murdering Macduff will allow him to “sleep in spite of thunder.” Macbeth uses this metaphor of sleep by saying the people who sleep are innocent and the ones who don’t sleep are guilty. Macbeth believes if Banquo is dead, he can sleep as an innocent person. Macbeth presents a cowardly character who believes murder is the “right” way of handling his problems. As a result of Macbeth murdering more and more people out of fear, his people will think of him as a cowardly king. Macbeth wants his people to think he is a strong king, but by killing good people out of fear, individuals will have their idea of Macbeth’s character alter into being a
The play identifies how Macbeth faced guilt after he killed his King, “Is this a dagger which I see before me, The handle toward my hand? Come, let me clutch thee. I have thee not, and yet I see thee still. Art thou not, fatal vision, sensible To feeling as to sight? or art thou but A dagger of the mind, a false creation Proceeding from the heat-oppressèd brain? I see thee yet, in form as palpable.” Macbeth is hallucinating a dagger in which was caused by the guilt he feels after killing King Duncan. Macbeth also states, “I’ll go no more.I am afraid to think what I have done. Look on ’t again I dare not…..What hands are here? Ha, they pluck out mine eyes.Will all great Neptune’s ocean wash this blood Clean from my hand? No, this my hand will rather The multitudinous seas incarnadine….” Macbeth’s emotions are everywhere. After he killed King Duncan he immediately regretted it as he explains that no water, not even Neptune’s ocean can wash the blood and guilt off his hands. Macbeth not only faced guilt but he also losses his sanity. Macbeth hallucinates Banquo’s ghost making him scared and on edge, “[to the Ghost]. What man dare, I dare. Approach thou like the rugged Russian bear, The armed rhinoceros, or th’ Hyrcan tiger; Take any shape but that, and my firm nerves Shall never tremble. Or be alive again And dare me to the desert with thy sword. If
These are factors that contribute greatly to both protagonists’ downfall. Macbeth's guilt prevents him from fully enjoying his position as king. Macbeth's guilt begins to consume him, which starts the hallucinations and paranoia. Shakespeare emphasizes this when Macbeth hallucinates that Banquo is in his seat. “Re-enter GHOST OF BANQUO/: Avaunt! and quit my sight! let the earth hide thee!/:Thy bones are marrowless, thy blood is cold;/:Thou hast no speculation in those eyes/:Which thou dost glare with!”(3.4.94-98). It is obvious that the apparition of Banquo is the embodiment of Macbeth’s guilt, which is why he nearly reveals the truth about King Duncan’s murder. These hallucinations are all because of the burden of his guilt, which leads to his
Macbeth takes his first step toward becoming evil when he is confronted with the knowledge that he will be king. When the witches tell him "All hail, Macbeth! that shalt be king thereafter!" he makes the mistake of letting his ambition overrule his judgment. If his judgment had remained intact in the face of the witches' powerful prophecy, he certainly would have decided not to let his actions be dictated by a prophecy given to him by three strange witches who evade most of the questions he asks. With great trepidation and considerable pressure from Lady Macbeth, he commits his second mistake by proceeding to murder King Duncan. Driven by a persecution complex that starts with the knowledge that Banquo is meant to be the f...
After a long and hard battle, the Sergeant says to King Duncan, “For brave Macbeth,-well he deserves that name,- disdaining fortune, with his brandish’d steel, which smok’d with bloody execution , like valour’s minion carv’d out his passage till he fac’d the slave;” (1.2.16) . This quote shows that Macbeth is viewed as a valiant soldier and a capable leader. However, it does not take long for the real Macbeth to be revealed- a blindly ambitious man, easily manipulated by the prospect of a higher status. His quest for power is what drives his insanity, and after having been deemed the Thane of Cawdor, Macbeth’s ambition can immediately be seen. In a soliloquy, Macbeth says, “Present fears are less than horrible imaginings; my thought, whose murder yet is but fantastica, shakes so my single state of man that function is smother’d in surmise, and nothing is but what is not” (1.3.140). Macbeth has just gained more power, and his immediate thought is of how to gain an even higher status as king. He imagines how to kill Duncan, and then is troubled by his thoughts, telling himself it is wrong. This inner struggle between Macbeth’s ambition and his hesitation to kill Duncan is the first sure sign of his mental deterioration. Although Macbeth does kill Duncan, he questions whether or not he should to do so, which is far different from how Macbeth feels about murder later in the play. Macbeth becomes king, and this power leads
Macbeth is swaying between the forces of good and evil. He wants to stop killing but he also wants to become king and in his mind the only way to do that is to kill whoever is in his path, saying “I am in blood/ Stepped in so far that, should I wade no more,/ Returning were as tedious as go o'er.” (3.4.168-170). Macbeth is already deep into this situation and if he were to turn back now, it would cause him greater hardship than relief. Macbeth has been dealing with this inner conflict ever since he was told by the weird sisters that he is fated to become king. This conflict ties everything together, between fate versus free will and sane or insane. Macbeth started the play as being a glorified war hero, however as time moved on he transformed into a bloodthirsty tyrant. Macbeth has gone through so much that he has shifted into a guilty man haunted by nightmares and hallucinations but will not stop until he gets what he came for. Macbeth has gone so far into the void of guilt that his name has now fell into infamy, as shown by quote by Young Siward saying “The devil himself could not pronounce a title/ More hateful to mine ear.” (5.7.10-11). Macbeth had already grown a name for himself while he kept his innocence, however with all the killings macbeth has made, he has done nothing but shame his name. Macbeth name to others is more hateful and there is nothing that Siward would rather do than to end Macbeth’s life, thus ending all the guilt and evil inside
A combination of Macbeth’s ambition and paranoia lead to many senseless murders. He killed his best friend Banquo out of fear and he senselessly murdered Macduff’s family. The hallucination of Banquo’s ghost is a representation of Macbeth 's guilt, all of Macbeth’s guilt is manifested in the ghost. Macbeth states that he feels guilty because of the murders. “Ay, and since too, murders have been performed Too terrible for the ear.” (III, iv, 80-81) Seeing the ghost of Banquo is the breaking point for Macbeth. The ghost also causes him to think more irrationally which leads to the murder of Macduff. Also, after the murder of Duncan, Macbeth is full of regret and guilt. The voices he hears reflect his mental state. “Methought I heard a voice cry, “Sleep no more!” (II, ii, 35) His innocence was killed and he knows that he has to live with this guilt for the rest of his life, hence Macbeth will never sleep peacefully ever again. After each successive murder, Macbeth becomes more and more inhumane. “I am in blood Stepped in so far that, should I wade no more, Returning were as tedious as go o 'er.” (III, iv, 143-145) Macbeth claims that after committing a murder, there is no turning back. He killed his best friend due to his ambition and fear. The third murder was outright moralless and unnecessary, he compulsively killed Macduff’s wife and children. Macbeth shows no remorse in his murders, he becomes an absolute monster towards the end of the play. As Macbeth loses his human morales, hallucinations appear to remind him of the sins he
Shakespeare uses the title character of Macbeth to effectively develop the theme of guilt and conscience in his play. Several times in the play we see Macbeth’s character crumbling as a result of a guilty conscience. At the beginning of the play he meets the witches with Banquo, and this prompts the first step toward killing the King. This helps in developing the theme because we get the idea that Macbeth does not trust the witches, nor does he fully believe them. Unfortunately his ambitious nature gets the better of him and causes him to listen carefully to how he might acquire his kingship. Macbeth feels guilty that he is thinking about killing the King because he’s basing his entire thought upon belief in the ‘evil creatures’. We see this when Macbeth has a soliloquy in which he says, “Cannot be ill, cannot be good” and also asks himself why the thought of becoming King makes his “seated heart” knock against his ribs.
Macbeth further reinforces his evil nature as he acts surprised and outraged after Duncan’s death (II, iii, 107 – 109). Macbeth, instead of listening to his conscience, suppresses his guilt and continues with his ambition. This proves his vaulting ambition and how it has taken over Macbeth. Macbeth continues to murder Banquo and does so out of fear of losing the throne.