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Portrayal of women in literature
Portrayal of women in literature
Women and their relationships in dracula
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In Victorian England, women were seen as the weaker sex. The whole gender was assumed to be less intelligent, more fragile, and almost always in need of a man to be the knight in shining armor. This theme can be seen in Bram Stoker's Dracula, in which two women are shown in completely different lights, suggesting that Stoker himself was a forward-thinker of his time. Lucy and Mina are two characters that have been best friends since childhood. They were raised together and care very much for one-another, though they differ in views and barely ever act in the same ways. While Lucy showed the conventional stereotypes of the Victorian English woman, Mina broke free of that role, and went beyond hackneyed cliches to be a well-rounded and respected …show more content…
Mina was the first to be heroic towards Lucy, when she essentially scared Dracula away while he was drinking from Lucy’s neck (79). Lucy had a need to be saved because Dracula could easily control her. Each time she sleepwalked, it wasn’t simply her medical condition. The action was a product of Dracula’s control over her every night. His powers dominated her mind so easily because Lucy wasn’t a particularly intelligent character, and definitely didn’t have a strong mind and will. She even found it hard to make the decision of who she should marry and wrote to Mina, “why can’t they let a girl marry three men, or as many as want her” (50), to whine about the number of suitors that adored her, instead of just being happy that she was in love with Arthur. The men in the novel are also constantly trying to save Lucy, even though they don’t do the best job of it. She was given a total of four blood transfusions throughout the novel, each coming from a different man but starting with Arthur (106). Even though the transfusions were obviously just temporary solutions to Lucy’s ailings, the men continued to feel heroic each time they gave her blood, because they’d saved the “poor girl” for the time being. When men weren’t saving or doting on Lucy, she was talking about them in glorious ways and declaring them as …show more content…
Mina was treated as an intellectual, especially by Van Helsing, who claimed twice in the novel that “She has a man’s brain--a brain that a man should have were he much gifted” (201), suggesting that Mina was smarter than most men. Van Helsing also called Mina clever and brave on many occasions, though he only ever described Lucy as being poor and sweet before her death. The group that was hunting Dracula by the midpoint of the novel is made of Mina and five men, though Mina was generally the one to take charge when they hit a stand-still in their chase of the monster. She was the one that first suggested Van Helsing hypnotise her to discover Dracula’s location, and when the information she provided wasn’t enough, Mina researched maps and contemplated strategies to surmise what actions her enemy may have been taking in order to make a swift return to his home (304). When she presented this information to the men, they all seemed speechless, except for Van Helsing, who addressed her as their teacher. This was when her mind was muddled by Dracula’s infection, and even with that, Mina was able to form plans that the men of her party never would’ve come up with. Mina’s bravery showed on many occasions, but most prominently when she spoke about herself after drinking Dracula’s blood. She showed a great understanding for her situation, and
As a matter of a fact, when Lucy dies, the men feel great distress and have nowhere else to turn but to Mina. In order not to show weakness in front of the other men, the Englishmen each individually “express [their] feelings on the tender or emotional side,” and confess their anguish for Lucy’s passing (Stoker). To the men, Lucy was only a companion whom they barely knew, but to Mina, Lucy was a lifelong friend. Mina’s loss of Lucy was profound, however, she held her emotions in check and through strength and perseverance she never shed a tear. Moreover, Mina is often portrayed as stronger physically than Jonathan when Dracula emits his wrath upon them. Even though Mina is the one suffering, Jonathan cannot physically handle Dracula’s wrath as he turns “white as death, and shook and shivered,” even though he has yet to sacrifice anything and Mina has sacrificed almost everything and continues to persevere (Stoker). Jonathan’s signs of aging signify that even though Jonathan is a man and supposed to be strong, the stress and anguish derived from the events lately has taken a physical toll on him. However, Mina is the one directly affected by Dracula and aside from the effects of Dracula’s hypnotic spell, Mina was portrayed as happy and youthful. Last but not least, Catherine Eckel, a member of the National Science Foundation and Virginia Polytechnic Institute and State University, conducted a study involving
The best quote in the entire book ," Why can't they let a girl marry three men, or as many as want her, and save all this trouble? But this is heresy, and I must not say it."This quote is important because it shows the significant roles of women throughout the book.The quote stood out to me so much because it represents the Victorian era of women. Lucy and Mina were less equal to the men and couldn't go and know about the plans to kill Dracula.The women in the book played no part in the killing of Dracula. " Why can't they let a girl marry three men ", she is saying that she can't do what the men do because they aren't seen as them.Dracula targets them and makes them his prime. It was Mina's hard work, persistence and pureness that in the
Mina is also vastly unlike the contemporary female Gothic tropes due to her financial independence. Although Mina could be described as the ideal Victorian lady, Stoker also managed to include qualities associated with the much feared and controversial New Woman in her. She and Lucy mock the independence of the New Woman and joke that the New Woman will try to introduce the inversion of gender roles that contemporary society feared;
“Dracula, in one aspect, is a novel about the types of Victorian women and the representation of them in Victorian English society” (Humphrey). Through Mina, Lucy and the daughters of Dracula, Stoker symbolizes three different types of woman: the pure, the tempted and the impure. “Although Mina and Lucy possess similar qualities there is striking difference between the two” (Humphrey). Mina is the ideal 19th century Victorian woman; she is chaste, loyal and intelligent. On the other hand, Lucy’s ideal Victorian characteristics began to fade as she transformed from human to vampire and eventually those characteristics disappeared altogether. Lucy no longer embodied the Victorian woman and instead, “the swe...
Stoker uses 5 women in total to portray the Women discourse. The first is Mina Murray, a sensible young woman engaged to the main protagonist of the novel, Johnathon Harker. Mina is a highly educated woman for her time and was very fortunate to have a job as a teacher. Ms Murray, as well as being in the women discourse, is also one half of another very important discourse by Stoker: East meets West, or in other words, Traditional vs. . Mina represents the West and the good side of Women, abiding by the laws of society. The East and the evil is represented by Dracula’s three brides.
Dracula accentuates the lust for sexuality through the main characters by contrasting it with the fears of the feminine sexuality during the Victorian period. In Victorian society, according to Dr.William Acton, a doctor during the Victorian period argued that a woman was either labelled as innocent and pure, or a wife and mother. If a woman was unable to fit in these precincts, consequently as a result she would be disdained and unfit for society and be classified as a whore (Acton, 180). The categorizing of woman is projected through the “uses the characters of Lucy and Mina as examples of the Victorian ideal of a proper woman, and the “weird sisters” as an example of women who are as bold as to ignore cultural boundaries of sexuality and societal constraints” according to Andrew Crockett from the UC Santa Barbara department of English (Andrew Cro...
...ny other novels of the time, Stoker’s Dracula purposely highlights the superiority of men, while simultaneously belittling women. After only a few pages of this novel, the reader should understand just how helpless the females become. No matter what the issue or controversy, they are unable to find any sort of solution, successful or not, without the help of the male characters. Stoker even goes as far as almost teasing Mina, by allowing her to aid in the hunt for Dracula, yet giving her trivial duties. Lucy on the other hand creates the novel’s most blatant case for male superiority. She is forced to constantly depend on four men for her survival. All blood transfusions she received were from men and even that could not save her life. Stoker manages to make a bold statement by pinpointing the inferiority of the two female main characters in the novel.
Bram Stoker’s novel Dracula, is a highly controversial work of fiction that is still being read for the first time today. Dracula touches many different categories including; sci-fi horror to 1800’s English romance literature. This is the main reason why the novel Dracula can be analyzed in many different ways using many different literary theories. The theory which stuck out most to me while reading this novel was the Feminist Theory. The Feminist Theory cannot be used to analyze Dracula as a whole novel, but it can be used in order to analyze the different female characters throughout the book. Therefore, Bram Stoker’s Dracula can be analyzed through the feminist theory by focusing on the characters Mina Harker, Lucy Westenra, and the three brides of Dracula.
In Bram Stoker's Dracula , Mina is intrigued by the idea of the "New Woman". This "New Woman" is not subject to men and the rules of society in Victorian England. This notion of the "new woman" is that she is more independent and isn't subject to the man but is instead an equal. Mina says "... I suppose the 'New Woman' won't condescend in future to accept. She will do the proposing herself." By this, she envisions women will forego tradition and take over some of the roles previously done only by men.
In reading Bram Stoker's Dracula, I find the treatment of the two main female characters-- Lucy Westenra and Mina Harker-- especially intriguing. These two women are two opposite archetypes created by a society of threatened men trying to protect themselves.
...sitive depiction of their sexual relationship. For Mina, however, renunciation of Dracula's evil must include the renunciation of her own physical needs and desires. The roles played by social mores and conceptions of gender and sexuality are, in the end, more than incidental. Indeed, the difference between Victorian England and 1990s America causes the subtle -- but significant -- valuation of the connections between good and evil and women and sexuality in two in many ways similar texts.
The Victorian England setting and culture of “Dracula” by: Bram Stoker attributes to many stylistic components and character behaviours in the novel. One of which is the behaviour and actions characters express that are a result of sexual repression. In Dracula, sexual repression is best expressed by the character’s desire to create. This desire is exemplified by the way Dracula creates other vampires, Lucy’s sexual desires, and the men’s expression of aggression. The creation of other Vampires is evident through events including Dracula’s aggressive encounters with Lucy and Mina, and the fact the Dracula is building up a Vampire army. Lucy’s sexual desires are exemplified through her longing to have sex with multiple men and how she compares
Mina Murray was engaged to Jonathan Harker and when Dracula kept him prisoner, the Count wrote letters to Harker’s boss and pretended to be Jonathan and to inform his boss and his fiancé that things were going good with his business trip. The Count was giving Mina and Jonathan’s boss false hope and keeping Harker prisoner at his castle. Dracula would even dress up in Harker’s clothes and mail the letters so it would not arise any suspicion. The Count seemed to only focus on turning women into vampires and he used the men to lure the women into his trap. Therefore, that is why he was keeping Jonathan alive. Everything Dracula did was made with lots of forethought. Such as when Lucy a young woman who also was a friend of Mina was mysteriously getting ill and sleep-walking during the night no one knew what was happening to Lucy because she would get sicker after they discovered she was sleepwalking. Lucy was sleep walking because she had gotten bite by Dracula and every night he called to her so he could feed off her again. He also made sure she was alone and waited a few days before attempting to suck her blood again. Although, Dracula was a smart man in his cunning actions he could not hide the fact that something evil was
As the saying goes, “Women can do everything Men can do.” In the Gothic Novel Dracula by Bram Stoker, there is a constant theme of sexuality, from both male and females in society. In the Victorian era, the roles of male and females have caused a lot of tension. After reading Dracula, some would argue the roles men and women hold in society. As mentioned in Dr. Seward’s Dairy from Val Halsing., “Ah, that wonderful Madam Mina! She has man’s brain—a brain that a man should have were he much gifted—and a woman’s heart. The good God fashioned her for a purpose, believe me, when He made that so good combination” (Stoker and Hindle, 2003 250). A women’s mind is not the always the first thing on a males mind. Some would overlook what a woman really has to offer.
Throughout the novel, there is no love connection between Dracula and Mina and the only relation they encounter is as he attempts to seduce her to her death in spite of the men meddling with his plans of destruction. In the novel, Mina resented Dracula for what he had done to her good friend Lucy Westenra. (Stoker Dracula) (Coppola "Bram Stoker's Dracula") While comparing differences between the novel and the film adaptation, a standout modification would be the change of Lucy Westenra and Mina Harker’s personality and character traits by Coppola in the film. The biggest factor in this change is as a result of the time in which both were produced.