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The presentation of love in much ado about nothing
Portrayal of women in Shakespeare's work
Portrayal of women in Shakespeare's work
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Recommended: The presentation of love in much ado about nothing
If a written work is supposed to make readers laugh, there will always be characters in it who are witty. Much Ado About Nothing is a comedic play chock full of wordplay and abusive remarks between characters. Benedick and Beatrice, characters from Much Ado About Nothing are the perfect archetypes of witty humor. Thakee Chowdhury is a reader of this play, who had his laughs reading their interactions as they display his favorite type of humor: wit. Thakee is witty like Beatrice from Much Ado About Nothing. Thakee’s humor is his most defining characteristic. One of the best ways he makes people laugh is through his wit. Most of it comes from insulting people but only in jest. For example, a friend requested help with drawing a line graph, and …show more content…
One of the most important relationships in the play is between her and Benedick. In the beginning of the book where Leonato and a messenger are conversing, Leonato says, “You must not, sir, mistake my niece. There is a kind of merry war between Signior Benedick and her: they never meet but there’s a skirmish of wit between them,” (I.i). He is telling the messenger that Beatrice, his niece, is not a bad person for insulting Benedick, but rather that she is competing in a game of wits against him. It is established from the start that Beatrice likes to insult Benedick. An example of one of those insults is during the mask party, where the two of them are talking with their identities being disguised. Beatrice says, “Why, he is the prince's jester: a very dull fool, only his gift is in devising impossible slanders.” (II.i). The incognito Benedick asks her what she thinks about him, and she responds bluntly with her opinion on him. She pulled no punches with her insult and did so in a subtle way, a key trait of wittiness.
Other characters are perceptive of Beatrice’s wittiness, especially those on the receiving end. Benedick knows as much about her wit as he does about his own wit. While he is talking to Don Pedro about his quarrel with Beatrice, he says, “She speaks poniards, and every word stabs: if her breath were as terrible as her terminations, there were no living near her; she would
The 3 deliberately have a conversation about Beatrice love and affection for Benedick, causing him to question whether or not what is being said is true or not. As Leonato starts to speak, he says… By my troth, my lord, I cannot tell him what to think of it, but that she loves him with enraged affection, it is past the infinite of thought. (3.4.107-110). Typically saying Beatrice love for him is by far more than any man can comprehend by far even withstand having knowledge of. By this time Benedick seems to question whether or not this is credible, but hearing it from Leonato he thinks it has to be true because he has never spoken any words other than the
William Shakespeare is known for his use of dramatic irony and complicated story lines. In Much Ado About Nothing, he also adds in the element of disguise to what the characters know, or what they think they know. There are multiple characters trying to ensnare others in different facades, whether it be for better or for worse. The deception and illusion in the play can either assist the characters or completely shatter the situation, but in both cases, Shakespeare advises us to infer about what we hear or see before we jump to conclusions.
Beatrice and Benedick show their apparent distaste for each other right from the first scene. Beatrice mocks Benedick to the Governor of Messina, claiming that she always beats him in a battle of wits and the last time they crossed paths Benedict’s “five wits went halting off, and now is the whole man governed by one” (1,1,50). Clearly relishing resuming their ‘merry war’, Beatrice cuts Benedick down at the first opportunity, telling him “I wonder that you still will be talking, Signor Benedick, nobody marks you” (1,1,105). Incredulously, Benedick retorts, “what my dear lady distain! Are you yet living?” (1,1,95). So, the dynamic of the two is set and it goes on from there in the same vein. Yet, the reader, even at this early stage may ponder if the lady doth protest too much.
Telling her gentlewomen that Benedick loves Beatrice is her secret and it just so happens that Beatrice overhears, because it was. all planned that she should overhear. In this scene, Hero is dominant. in the conversation and says whole paragraphs instead of a few words that she says sporadically throughout the play, like in Act 1 scene 1. where she only says one line in the whole scene, "My cousin means Signor Benedick of Padua. " Page 5, line 27.This is because she needs.
Rossiter, A.P. "Much Ado About Nothing." William Shakespeare Comedies & Romances. Ed. Harold Bloom. New York: Chelsea House Publishers, 1986.
She seems to be unprovoked, but very rigid in her opinion of him. In Leonato's house, the discussion of Beatrice and marriage leads her uncle to conclude that, "Thou will never get thee a husband if thou be so shrewd of thy tongue.... ... middle of paper ... ...
In the play of `Much Ado About Nothing', Beatrice is portrayed as a witty and strong willed woman who talks a great deal, appearing determined not to marry. However, Don Pedro concocts a plot that brings her together with Benedick and they marry at the end.
With its entangled plots and eloquent use of words, Much Ado About Nothing is a story that has the ability to entertain the masses, both young and old. Shakespeare’s use of figurative language along with situation creates such vivid imagery that carries the drama from beginning to end. For example, when we look at Act 1 Scene 1 of the play, we are quickly introduced to the sharp tongued Beatrice as she verbally annihilates her unseen co-star Benedick.... ... middle of paper ... ...
Beatrice is an extremely crucial character in ‘Much Ado About Nothing’. She is one of the reasons that many plans and schemes fall into place to provide us with the outcome that the play finally reaches. Shakespeare depicts Beatrice as a very strong character who knows what she wants and how she wants to achieve it. Her characteristics of sharp wit and her ability to be acutely opinionated allow her to be a notable contrast from the other women in the play, whether this be in a positive or a negative way.
Shakespeare makes sure that Beatrice comes off as a woman who is not afraid to speak her mind to anyone. This is portrayed in the beginning of act one, when the mail messenger comes to announce that the soldiers are on their way to Messina. They start a conversation about Benedick and he tells Beatrice that Benedick is a "lord to a lord, a ...
Rossiter, A.P. "Much Ado About Nothing." William Shakespeare Comedies & Romances. Ed. Harold Bloom. New York: Chelsea House Publishers, 1986.
At the beginning, Benedick’s attitude is negative towards women in general. He swears he will never marry, as he is very critical of women and does not trust any of them not to cheat on him. He seems to oppose with Beatrice in a competition to outwit, outsmart, and out-insult each other. Obviously he has been in some sort of past relationship with Beatrice because when he meets her at the masked ball, she describes him as a selfish pig. We can infer that Benedick has some kind of deep feelings for her because after she insults him he is hurt and says, “Will your grace command me any service to the world’s end? I will go on the slightest errand now to the Antipodes that you can devise to send me on. I will fetch you a toothpick from the furthest inch of Asia . . . do you any embassage to the pigmies, rather than hold three words’ conference with this harpy” (II.i.229–235). This blatantly means that he does not wish to talk to her.
Shakespeare, William. Much Ado about Nothing. Ed. Paul Werstine, Barbara A. Mowat, and Gail Kern. Paster. New York: Simon &ump; Schuster Paperbacks, 1995. Print.
This is part of her “merry war” with Benedick. Beatrice appears to loathe Benedick and vice versa; they engage in many “skirmishes of wit.” However, although Beatrice appears hardened and sharp, she is vu...
From the very start of the play Beatrice shows her independence but openly admitting to everyone that she does not, by any chance, want to be married, especially to Signior Benedick. Whom it was hinted at throughout the play had a past with Beatrice and the “relationship” ended up with her being hurt and him going off to battle. She makes it clear in their battle of wits after he says “….But it is certain I am loved of all ladies, only you excepted; and I would I could find in my heart that I had not a hard heart, for truly I love no one.” (A1; S1; L122-125). After hearing Benedick say that she then replies with “A dear happiness to women. They would else have been troubled with a precious suitor. I thank God and my cold blood I am of your humor for that. I had rather hear my dog bark at a crow than a man swear he loves me.” (A1; S1; L126-130). This was basically her way of telling Benedick that she does not want someone to swear the love her when in reality the love is not actually there. She would rather not deal with the nonsense of someone who is not true to their word. Even at another moment in the play, Leonato says to h...