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Discuss the decay of the society on the island in Lord of the Flies
Violence in relation to lord of the flies
The human nature of lord of the flies
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The Instinctual Influence of the Lord of the Flies
In the midst of political turmoil and social backlash, individuals of the twenty-first century have continued the work of ancient philosophers to question the morality of the omnipresent and instinctive force known as human nature. The tendencies of humans to desire power by executing their own agendas, to prove economic superiority in the form of materialistic items, and to act out of fear from those racially or ethnically diverse from themselves have fueled speculation as to whether the animalistic instincts from centuries before still shape the motives of humans today. In William Golding’s 1954 novel Lord of the Flies, a group of British schoolboys are victims of a plane attack and are left
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As demonstrated by the slow deterioration of civility and order while the male adolescents are stripped down to a primitive state of being on the island, the human tendencies of bloodlust, fear, and megalomania regulated previously by societal and parental guidance cause the breakdown of the supposed utopian society, revealing how the absence of civilization exposes the darkness of human nature.
Conscious of the lack of adult presence on the island and in an effort to establish a systematic approach to survival, a juvenile named Ralph finds a cream-colored conch and sounds it to call an assembly. As a symbol of civilization, the power of the conch to
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When Simon runs into a feast hosted by Jack’s savage tribe, he is mistaken as the beast and beaten brutally until death. Golding reveals how fear collapses logic as the primitive survival instinct causes the boys not to recognize Simon as human. This drives them to act out of bloodlust in the hopes of gaining security and control, as reflected in Golding’s explanation of Piggy and Ralph’s involvement in the murder: “Piggy and Ralph, under the threat of the sky, found themselves eager to take a place in this demented but partly secure society. They were glad to touch the brown backs of the fence that hemmed in the terror and made it governable” (Golding 152). While the boys fear an external threat that would challenge the stability of their society, the decline of social order occurs due to the internal flaws of humanity. The victimization of Simon is foreshadowed by the words of a sow head, mounted by Jack’s hunters to serve as a gift to the beast. As a symbol of the apparent savagery of the tribe, the Lord of the Flies shares with Simon that he is the beast devastating civility on the island, the text reading, “‘Fancy thinking the Beast was something you could hunt and kill!’ said the head… ‘You knew, didn’t you? I’m part of you? Close, close, close! I’m the reason why it’s no
The murders that took place throughout the novel, “The Lord of the Flies”, have symbolized savagery in a great deal. The killing of the sow shows a turning point into savagery for Jack and his hunters. “There isn’t anyone to help you. Only me. And I’m the Beast. . . . Fancy thinking the Beast was something you could hunt and kill! . . . You knew, didn’t you? I’m part of you? Close, close, close! I’m the reason why it’s no go? Why things are the way they are?” (143). This quote reveals that the beast is within themselves. When the boys lose control over themselves while having a feast, it strikes back leading up to the event of the brutal killing of Simon. “The beast struggled forward, broke the ring and fell over the steep edge of the rock to the sand by the water. At once the crowd surged after it, poured down the rock, leapt on to the beast, screamed, struck, bit, tore. There were no words, and no movements but the tearing of teeth and claws.” (153). Savagery has once again, taken over the boys as they eliminate the only good from the island. When Ralph runs from the hunters as the jungle burns down, he has no time to plan out his next move; he can only run...
Whether people will deny it or not, it is certainly apparent that human nature is all too evil; for there is a demon that lurks in everyone, just waiting to come out. Humans can build civilizations and attempt to deviate themselves from such basic instincts, yet nevertheless, evil is not something that they can run from; it is not something that they can defeat. William Golding knew this, and so in his book, Lord of the Flies, he presents so by portraying a microcosm of a society in the form of little British schoolboys. Their plane, in an attempt to escape from the raging war, came to its own demise as it was shot down, leaving the boys stranded on an island they know nothing of. Ralph, later on the leader of the boys, and with the help of
The nature of Simon’s death by the members of the group thinking that he is the beast, who is going to attack them, becomes very prominent with foreshadowing throughout the novel because it implies that he is going to get defeated by acts of savage displaying his death. A scene that foreshadows this defeat of Simon takes place when he is hallucinating to "The Lord of the Flies" in the jungle." You knew, didn’t you? I’m part of you?.....We are going to have fun on the island! So don't try it on, my poor misguided boy, or else"(158). "Lord of the Flies" declares that Simon will never have the ability to escape him due to him being within all the humans. This enhances that there is no beast, and that the beast on the island is actually the boys themselves. This foreshadowing approaches when "Lord of the Flies" promises to have some “fun” with Simon, which results in him getting hurt by the ‘beast’ (also known
When they are first stranded on the island, the boys use the conch to symbolize order and democracy. The boys use the conch to call assemblies and meetings and only the boy with the conch is allowed to speak. The conch comes to represent the boys’ civilization. As the book goes on, the boys begin to disobey the “conch rules”, and this leads to most of the boys becoming savages. They disobeyed the conch rules by speaking
Simon is perhaps the most important character in the novel for he is the first and only character to come to the realization that the Beast is inside them all, and is not represented by a physical manifestation. Simon is a follower, not a leader. He believes and trusts what Ralph, his leader, says. That’s why he mentions that the beast could be inside all of them once, and immediately discards that because Ralph doesn’t think so. His confrontation with the Lord of the Flies is the only way he can liberate that information to himself. The encounter begins with “Even if he shut his eyes the sow’s head still remained like an after-image.” This represents the beginning of the fixation Simon is having on the head, thinking of it even after he shuts his eyes. Golding then points out that the pig had half shut eyes and were dim with infinite cynicism of adult life. Those details come back a little later. It’s at this point where Simon asks himself a question and answers it aloud. “ ‘I know that.’ Simon discovered that he had spoken aloud”. “He opened his eyes quickly and there was the head grinning amusedly in the strange daylight, ignoring the flies, the spilled guts, even ignoring the indignity of being spiked on a stick.” That sentence shows the continuing evolution of the fixation Simon has in this encounter. The first thing he sees when he opens his eyes is the head, and he ignores every detail around it. This is when Simon comes to the realization that his original conclusion is credible, the one he let be because of Ralph. He looks away, trying to forget the head even exists, but cannot accomplish that task.. He pulls himself back to the head “Might not the beast come for it?”, simply because he believes the Beast is not a physical manifestation, therefore being impossible for it to come. According to Simon, the head seems to agree with him. At this point, he knows the Beast doesn’t exist physically, but he is hesitant none-the-less. The head says “Run away […] go back to the others. It was a joke really—why should you bother? You were wrong, that’s all. A little headache, something you ate, perhaps. Go back, child.” Simon is making excuses for himself through the pig. Here, the fixation on the head is nearly complete.
A part of human nature is inherently chaotic and “barbaric.” These natural impulses, however, are generally balanced by the human desire for leadership and structure. In Lord of the Flies, William Golding discusses what may happen in a scenario in which there is a lack of societal structure and constraints. Golding wants the reader to understand that humans have an innate desire to be primitive- describing it as “mankind 's essential illness”- that is usually suppressed by an equal desire for order. Under extreme circumstances, humans may revert back to their most basic impulses that they usually keep suppressed due to social norms. Throughout the book, the boys’ primitive behavior is heightened by their lack of a leader and, eventually, their
The Lord of the Flies suggests that his presence is the reason for the boys’ descent into savagery and madness, beginning with the children’s fear of the beast’s existence, followed by Jack’s brutality when killing the pig as well as his transformation into a savage, finally culminating in the frenzied murder of Simon at the hands of the children who mistake him for the beast. While they are beating Simon to death, they are also chanting "Kill the beast!" Cut his throat. Spill his blood. (Golding 168) and dancing around him, similarly to a tribe of savages.
One of the most important and most obvious symbols in Lord of the Flies is the object that gives the novel its name, the pig's head. Golding's description of the slaughtered animal's head on a spear is very graphic and even frightening. The pig's head is depicted as "dim-eyed, grinning faintly, blood blackening between the teeth," and the "obscene thing" is covered with a "black blob of flies" that "tickled under his nostrils" (William Golding, Lord of the Flies, New York, Putnam Publishing Group, 1954, p. 137, 138). As a result of this detailed, striking image, the reader becomes aware of the great evil and darkness represented by the Lord of the Flies, and when Simon begins to converse with the seemingly inanimate, devil-like object, the source of that wickedness is revealed. Even though the conversation may be entirely a hallucination, Simon learns that the beast, which has long since frightened the other boys on the island, is not an external force. In fact, the head of the slain pig tells him, "Fancy thinking the beast was something you could hunt and kill! Ö You knew, didn't you? I'm part of you?" (p. 143). That is to say, the evil, epitomized by the pig's head, that is causing the boys' island society to decline is that which is inherently present within man. At the end of this scene, the immense evil represented by this powerful symbol can once again be seen as Simon faints after looking into the wide mouth of the pig and seeing "blackness within, a blackness that spread" (p. 144).
We can see that even Ralph and Piggy have a savage side as they “found themselves eager to take place in this demented but partly safe society.” This demonstrates Goldings view that everyone has a savage side to them. At Simon’s murder the boys, “Leapt on to the beast, screamed, struck, bit and tore.” This clearly shows us that the boys are completely barbaric and have no self-confidence. The reason why Golding did not inform us straight away that Simon was the beast was because he wanted us to try and see things from the boys’ perspective.
In Lord of the Flies by William Golding, Simon and Piggy are among a group of boys who become stranded on a deserted island. Left without any adults, the boys attempt to create an orderly society. However, as the novel progresses, the boys struggle to sustain civility. Slowly, Jack and his hunters begin to lose sight of being rescued and start to act more savagely, especially as fears about a beast on the island spread. As the conflict progresses, Jack and Ralph battle for power. The boys’ struggle with the physical obstacles of the island leads them to face a new unexpected challenge: human nature. One of the boys, Simon, soon discovers that the “beast” appears not to be something physical, but a flaw within all humans
William Golding’s Lord of the Flies portrays the lives of young British boys whose plane crashed on a deserted island and their struggle for survival. The task of survival was challenging for such young boys, while maintaining the civilized orders and humanity they were so accustomed too. These extremely difficult circumstances and the need for survival turned these innocent boys into the most primitive and savaged mankind could imagine. William Golding illustrates man’s capacity for evil, which is revealed in man’s inherent nature. Golding uses characterization, symbolism and style of writing to show man’s inhumanity and evil towards one another.
The book Lord of the Flies was William Golding’s first novel he had published, and also his one that is the most well known. It follows the story of a group of British schoolboys whose plane, supposedly carrying them somewhere safe to live during the vaguely mentioned war going on, crashes on the shore of a deserted island. They try to attempt to cope with their situation and govern themselves while they wait to be rescued, but they instead regress to primal instincts and the manner and mentality of humanity’s earliest societies.
Golding has a rather pessimistic view of humanity having selfishness, impulsiveness and violence within, shown in his dark yet allegorical novel Lord of the Flies. Throughout the novel, the boys show great self-concern, act rashly, and pummel beasts, boys and bacon. The delicate facade of society is easily toppled by man's true beastly nature.
Over millions of years, man has transformed from a savage, simple creature to a highly developed, complex, and civil being. In Lord of the Flies, the author William Golding shows how under certain circumstances, man can become savage. During nuclear war, a group of British schoolboys crash land on an uninhabited island to escape. Ralph the elected leader, along with Piggy and Simon, tries to maintain civilization, while Jack and his group of choir boys turned hunters slowly become savages obsessed with killing. Through characters’ action and dialogue, Golding illustrates the transformation of civil schoolboys into bloodthirsty savages.
William Golding's first book, Lord of the Flies, is the story of a group of boys of different backgrounds who are marooned on an unknown island when their plane crashes. As the boys try to organize and formulate a plan to get rescued, they begin to separate and as a result of the dissension a band of savage tribal hunters is formed. Eventually the "stranded boys in Lord of the Flies almost entirely shake off civilized behavior: (Riley 1: 119). When the confusion finally leads to a manhunt [for Ralph], the reader realizes that despite the strong sense of British character and civility that has been instilled in the youth throughout their lives, the boys have backpedaled and shown the underlying savage side existent in all humans. "Golding senses that institutions and order imposed from without are temporary, but man's irrationality and urge for destruction are enduring" (Riley 1: 119). The novel shows the reader how easy it is to revert back to the evil nature inherent in man. If a group of well-conditioned school boys can ultimately wind up committing various extreme travesties, one can imagine what adults, leaders of society, are capable of doing under the pressures of trying to maintain world relations.