Literary Movements: Jack Kerouac, Carr, And Allen Ginsberg

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Most literary movements can be traced back to a specific time and place. It begins with a few writers defying the previous movement’s rules.The renaissance began with two. The romantics: five. Following suit, the Beat generation was born when a few friends in and around Columbia University joined together to start a literary revolution. The Beats were defiant, free, and unattached. They believed poetry didn’t have to follow rhyme and meter to have meaning. They believed in throwing out the general rules of literature. They were a “generation of crazy, illuminated hipsters suddenly rising and roaming America” (Kerouac 13), who wrote their own style of literature while on their bohemian travels. The Beats were the founders of the American counterculture …show more content…

Jack Kerouac, Lucien Carr, and Allen Ginsberg were all enrolled in Columbia University, somewhat begrudgingly. Columbia was a traditional school with traditional values. Carr was attracted to the “restricted” section of the library, Ginsberg was attracted to Carr, and Kerouac would drop out twice. These rebellious qualities brought these boys together. They shared a kindred spirit, a hatred for society. These three got involved in pranks, consumed illegal substances (courtesy of their friend William Burroughs, a fellow Beat), and discussed literature, “vowing to live by truth to the end” (Ginsberg 12). They called themselves the “New Vision.” Ginsberg, Carr, and Kerouac were only a few of the “first wave” of Beat generation, but they can be credited as its true …show more content…

He was the son of Louis Ginsberg, a poet and schoolteacher, and Naomi Levy Ginsberg. Naomi was a paranoid schizophrenic, and a communist, who often took her son to communist meetings during the Great Depression. His family was Jewish and were Russian immigrants (Gladysz 1). In a time of general disgust at anything other than “normal” with race, mental illness, and political ideology, it was not easy for Ginsberg. These factors all set him outside of the norm, especially among the WASPs of Columbia. His father’s poetry was not famous, but at least relatively well known in the tri-state area. Allen Ginsberg hated it. It followed rhyme scheme and pattern, and was not unique in any way for the post-WWII time period. His father did pique his interest in poetry, however, which affected his learning. He knew all about the structure of poetry, which made him useful when it came to defying it. He could write well, and in order to challenge something it is best to have an in-depth knowledge of it. His later poetry reflected his understanding of syntax and literary devices, though used in different ways. In his poem named after his hometown, Paterson, he muses
“if in antechambers I face the presumption of department store supervisory employees, old clerks in their asylums of fat, the slobs and dumbbells of the ego with money and power to hire and fire and make and break and fart and justify their reality of wrath and rumor of wrath to wrath-weary

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