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The importance of reading comprehension strategies
The purpose of reading comprehension skills
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Literary Analysis:
“The Yellow Wallpaper” and “The Cask of Amontillado” Should one trust the accounts of the main characters in “The Cask of Amontillado” and “The Yellow Wallpaper?” “The Cask of Amontillado” is written by Edgar Allan Poe. In the “Cask of Amontillado,” a man named Montresor tells of a time when he uses deception to murder a man that he perceives has done wrong against him. “The Yellow Wallpaper,” written by Charlotte Perkins Gilman, is in the format of journal entries that are written by a woman whose mental health is deteriorating. The deterioration of her mental health leads her to suffer from hallucinatory thinking. How reliable are the narrators? Reliability encompases the honesty the narators exhibit twoards the readers,
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In “The Yellow Wallpaper,” the woman’s mental health is deteriorating, resulting hallucinatory thinking. I believe the woman’s impaired mental health to be a result of the forced seclusion that she receives at the hands of her husband. The woman describes the wallpaper in her room: “There are things in that wall-paper that nobody knows but me, or ever will. Behind that outside pattern the dim shapes get clearer every day. It is always very numerous. And it is like a woman stooping down and creeping about behind that pattern (Gilman 22).” The fact that the woman suffers from hallucinations has a considerable impact on the reliability of the information. She could be hallucinating more than the movement of the wallpaper. One does not know definitively how much of her account is hallucinatory and how much is real. In “The Cask of Amontillado,” Montresor has taken extreme measures ,murder, to rid himself of the cruelty he is receiving form Fortunato. Montresor states that “ A wrong is unredressed when retribution overtakes its redresser. It is equally unredressed when when the avenger fails to make himself felt as such to him who had done the wrong” (Poe 11). This demonstrates how Montresor feels he has no option but to take matters into his own hands and murder Fortunato. This is not thinking that comes from one of a sound state of …show more content…
In “The Cask of Amontillado,” Montresor uses deception to lure Fortunato to his death. Montresor deceives Fortunato into thinking that he has recently purchased Amontillado. Montresor says he believes he was not actually given Amontillado. He says this knowing that Fortunato’s pride will lead him to insist that he come to Montresor’s vaults and check the authenticity of the Amontillado for him. Montresor intoxicates Fortunato further while they are walking in the vaults. Once they get to the crypt where the Amontillado is said to be, Montresor chains Fortunato to a slab of granite and closes up the entrance to the crypt. Montresor leaves Fortunato to die from dehydration and starvation. In “The Yellow Wallpaper,” the woman honestly tells her husband ,John, of the things she is experiencing. During their first few days in the new rental property, the woman tells John of her feeling that something is queer about the house. John responds by saying it is nothing more than a draught and closes the windows. As the story progresses, John says that the woman seems to be getting well. The woman starts to say that she is, “better in body perhaps” (Gilman 23) and is cut short by her husband who cares not to face the reality that her mental health is indeed deteriorating. After John is told by his wife that she sees things in the wallpaper, he
Montresor is a man who feels pride in himself and in his family, so when Fortunato—an acquaintance of Montresor— “venture[s] upon insult,” Montresor “vow[s] revenge” against him (1). Montresor hastily decides that he must kill Fortunato, even though his use of the word “venture” implies that Fortunato had not yet insulted him, but nearly did. Montresor’s impulsive need for revenge causes him to formulate a plan to murder his acquaintance. He keeps Fortunato intoxicated by “presenting him…[with] wine,” he “fetter[s] him to the granite,” and he “plaster[s] up… [a wall of] new masonry” to trap Fortunato in the catacombs (39, 71, 89). All of these acts are signs that the need for revenge has made Fortunato insane. A person who has any sense of morals would not commit crimes such as Montresor’s. His impetuous decision to exact revenge caused him to lose his
A main theme presented in “The Cask of Amontillado” by Edgar Allan Poe is that Montresor shows obsession with the murder of fortunato. This is exemplified by Montresor’s precise planning, carefulness and slowness of speed in the process.
Charlotte Perkins Gilman’s powerful story, “The Yellow Wallpaper”, is about a woman who was driven to madness by her depression and controlling husband. The story is told by the wife, in first person, and is based on Gilman’s own life experience. Gilman suffered from post-partum depression after her daughter was born and was prescribed the “resting cure” which is resting and isolation. In the story, the narrator’s husband puts her in isolation because he believes that will cure her of her depression and breakdowns. He won’t let her do anything, so she turns to writing in her secret journal to try and cure her depression. Since she has nothing to do all day, she turns her attention to the yellow wallpaper in the room. She becomes obsessed with it and begins to see a woman trapped inside the pattern. The wallpaper dominates the narrator’s imagination and she becomes possessed and secretive about hiding her obsession with it. The narrator suspects the her husband and sister are aware of her obsession so she starts to destroy the wallpaper and goes into a frenzy trying to free the caged woman in the pattern of the wallpaper. The narrator becomes insane, thinking that she also came out of the wallpaper, and creeps around the room, and when her husband checks on her, he faints because of what she has become, and she continues to creep around the room, stepping over body.
Kate Chopin’s “The Story of the Hour” and Charlotte Perkins Gillman’s “The Yellow Wallpaper” is viewed from a woman’s perspective of the nineteenth century. They showed the issues on how they were confined to the house. That they were to be stay at home wives and let the husband earn the household income. These stories are both written by American women and how their marriage was brought about. Their husbands were very controlling and treated them more like children instead of their wives. In the nineteenth century their behavior was considered normal at the time. In “The Story of the Hour” and “The Yellow Wallpaper” both women explore their issues on wanting to be free of the control of their husband.
As the story begins, Fortunato believes he and Montresor are friends or at the very least friendly. However, Montresor is secretly plotting Fortunato’s murder. Montresor believes that Fortunato has given a “thousand injuries” and it is not until he “insults” Montresor that Montresor springs into action. Unfortunately, it is never explained if these injuries and insults really happened or if they are a delusion. Montresor makes an unreliable narrator and one gets the feeling he suffers from a psychological disorder, such as delusional paranoid personality disorder. This disorder causes the victim to become obsessed with a delusion “involving a phenomenon that the person’s culture could conceivably regard as plausible.” They often believe “they have been injured by friends or strangers, and they tend to see other persons as enemies.” Montresor gives the impression he and Fortunato have known each other for an extended amount of time. Montresor knows more about Fortunato than Fortunato knows about Montresor; possibly because Fortunato is constantly drunk.
The setting is an important part of any story, whether it be a poem or a novel. The setting consists of all the places and/or things surrounding the character at any moment through any literary or visual media. A literary setting is often full of details and vivid imagery due to the lack of visual aids that are present in videos and movies. These details often take paragraphs to describe single settings to give the reader an imaginary vision of what the area would look like. Edgar Allan Poe is no exception to these rules and he clearly writes out the setting for his short stories and poems. Poe does an excellent job of using details to describe the setting of his stories and shows great care in choosing the wording of each description he makes to display his exact intentions for each descriptive setting. In the short story, “The Cask of Amontillado,” by Poe, the setting has a direct correlation with the mood in the story. The further into the story you read, the deeper and darker the surroundings of the two main characters get, just like the main plot of the story.
In literature, women are often depicted as weak, compliant, and inferior to men. The nineteenth century was a time period where women were repressed and controlled by their husband and other male figures. Charlotte Gilman, wrote "The Yellow Wallpaper," showing her disagreement with the limitations that society placed on women during the nineteenth century. According to Edsitement, the story is based on an event in Gilman’s life. Gilman suffered from depression, and she went to see a physician name, Silas Weir Mitchell. He prescribed the rest cure, which then drove her into insanity. She then rebelled against his advice, and moved to California to continue writing. She then wrote “The Yellow Wallpaper,” which is inflated version of her experience. In "The Yellow Wallpaper," the main character is going through depression and she is being oppressed by her husband and she represents the oppression that many women in society face. Gilman illustrates this effect through the use of symbols such as the yellow wallpaper, the nursery room, and the barred windows.
Charlotte Perkins Gillman and Edgar Allen Poe are both well-known and greatly respected writers in history with similar, but unique writing styles. They both use an unreliable narrator to mislead the reader, but slowly drop hints that something is a little off. In Gilman’s The Yellow Wallpaper she tells a story narrated by a woman in the late 19th century who has been ordered to get as much rest as possible because of her “temporary nervous depression.” As the story progresses, she starts to slowly lose her sanity from being condemned in her room for so long, and eventually develops a scary obsession with the wallpaper. Poe’s short story, the Cask of Amontillado, is narrated by an Italian man named Montresor who has vowed to get revenge for
The short story, " The Yellow Wallpaper", written by Charlotte Gilman, and "The Cask of Amontillado" written by Edgar Allan Poe, are stories in which the plots are very different, but share similar qualities with the elements in the story. "The Cask of Amontillado" is a powerful tale of revenge, in which the narrator of the tale pledges revenge upon Fortunato for an insult. "The Yellow Wallpaper" is a story about a woman, her psychological difficulties and her husband's therapeutic treatment of her illness. She struggles over her illness, and battle's her controlling husband. The settings in both stories are very important, they influence the characters, and help with the development of the plot.
Poe’s first-person narration style in “The Cask of Amontillado” allows the reader to experience the story from a different level and the ability to look at the story from a different light. An unusual perspective. From the mind of a killer, the narrator and main character making him familiar with the reader. Poe focuses more of the thoughts and emotions of the main character rather than physical attributes of Montresor which made for a more intimately disturbing story for the reader.
Accordingly, Poe is well responsive to this psychological trait of the human brain. Likewise, Poe employs the perception of perversity and remorse in “The Cask of Amontillado.” The reason of burying Fortunato is not only vengeance, but also a robust reaction that is described in “The Black Cat”. There is a passionate yearning in Montresor to hurt Fortunato even if he has not made any harm to him. Although Montresor asserts that he has been injured several times by Fortunato, he cannot defy calling him “respected, admired, beloved,” admitting his “good nature,” and also calling him “noble” (Little 212). These expressions confirmed that Fortunato is a good quality person and the expression “injuries” used in the first phase of the story is simply a hyperbole that Montresor’s psyche has fabricated. Furthermore, wickedness does not come unaccompanied, but it carries itself a sense of remorse. Even if Montresor reflects himself as the diplomat of his family for deafening down rivals, he suffers remorse while walling up Fortunato. Consequently, Poe’s clasp of unreasonableness and culpability of the human mind is
Comparing the Narration of The Cask of Amontillado and The Black Cat by Edgar Allen Poe
Because Montresor narrates the story in the first person, the reader is able to perceive his thoughts and understand his motivations and justifications for his ruthless murder in a manner which a third person point of view would not allow. Montresor’s personal narration of the events of the story does not justify his crime in the audience’s eyes, but it does offer a unique opportunity for the audience to view a murder from the perspective of a madman killer. It is Poe’s usage of this unique angle that causes the story to be so captivating and gruesomely fascinating. As the story opens, Montresor explains why it is necessary that he “not only punish but punish with impunity” to avenge for Fortunado’s insult to him. This justification for his crime is a piece of information that the audience is able to learn only because they are permitted inside the mind of the protagonist. In the final scene, when Montresor is carrying out his murder pl...
Montresor in "The Cask of Amontillado" is similar to the narrator in "The Tell-Tale Heart" in that his obsession with consuming the soul of Fortunato influences his every action. However, it is with Fortunato himself that he is obsessed. He feeds off of Fortunato's pain, unlike the narrator in "The Tell-Tale Heart" who's obsession is with destroying a menacing inanimate object. Montresor's entire conspiracy is focused around making Fortunato suffer, and for him to know just who is causing this suffering. This is why he goes to such lengths to put together this intricate strategy. It could have been so much easier to kill Fortunato in some easier, quicker way. Instead, he dedicates himself to torturing Fortunato. He creates a plan that leads Fortunato into the depths of the catacombs beneath his home, and kills him in an excruciating manner.
Poe starts out with a man, by the name of Montresor, wanting revenge on another man, named Fortunato. Most of the story takes place deep in the Montresor family catacombs. As Montresor lures Fortunato into the catacombs, he chains Fortunato up to a small hole in a wall, bricks it over, and leaves Fortunato to die. Even through the traits of anger, hatred, and revenge, as the story progresses on, Montresor, the main character in “The Cask of Amontillado”, starts to show signs of feeling guilty for wanting to murder Fortunato.