Literary Analysis Of Truman Capote's In Cold Blood

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In Cold Blood, a non-fiction book written by Truman Capote and published in 1966, describes profoundly the terrifying murders of the Clutter family in the city of Holcomb, Kansas. Through several years of research, Truman Capote was able to gather enough information about the murder that took place in 1959 to recreate the murder itself with a different standpoint. With no notes taken or recorded interviews, Capote was capable of retelling this event through the use of his memory only, which in his time and still today, generates some questions about whether the story can be considered to be true or not.
According to the World English Dictionary, non-fiction is “writing, dealing with facts and events rather than imaginative narration.” In Capote’s In Cold Blood, this may not always be the case. It is a fact that most of the events narrated are true, yet several literary styles and techniques are utilized to create a more suspenseful and eerie mood. Literary devices such as foreshadowing and imagery help the writer create suspense, which keeps the reader interested throughout. In the book’s opening, there are two examples of foreshadowing that plainly foretell the continuation of such suspicious moods: “Mr. Clutter seldom encountered trespassers on his property; it was not a place that strangers came upon by chance.” (Capote 13) and “Then, touching the brim of his cap, he headed for home and the day’s work, unaware that it would be his last” (Capote 13). Here the reader begins to suspect strangers will come to their community and at least one of the family members will be killed. Capote was also accused of having made up a couple of scenes in the book to keep the mystery intact, and to keep the readers’ interest at its highest at a...

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...ven hate, just greed itself, clearly showing Smith’s psychological disorders. Unfortunately an all-American family respected by the whole community had to pay for the greed of such a man.
With time, a new type of book genre came about. This was called the “creative non-fiction novel”, or in other words, literary non-fiction. The information narrated is factually accurate, but with close attention to the literary style used. As Gutkind Lee once said in his novel The Best Creative Nonfiction, “the primary goal of the creative non-fiction writer is to communicate information, just like a reporter, but to shape it in a way that reads like fiction.” Truman Capote’s In Cold Blood fits right into these guidelines, making it easier to distinguish between fiction and non-fiction. In the final analysis, it is a non-fiction book with fiction characteristics fused into it.

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