Literary Analysis Of Aldous Huxley's Brave New World

Brave New World Analysis Paper Brave New World by Aldous Huxley is a fascinating tale of a utopia with no possible way of ever being disrupted. That is, until Alpha-Plus Bernard Marx brings a savage into their type of normalcy. Along with this plot, symbols and countless complex concepts make the book an educational experience worthwhile. Thomas C. Foster’s How to Read Literature Like a Professor helps to show these concepts to an inexperienced reader. Some of the many literary elements the author includes are how all works are connected, how every trip is a quest, and of course, irony. When Huxley first introduces us to Bernard Marx, we learn of his unfortunate physical deformity. Thinking back to the early 19th century, we remember another character with a physical deformity more severe than poor Bernard. Quasimodo, The Hunchback of Notre Dame. The

Basically, he switched what society thought was acceptable behavior and not acceptable behavior and made a book about that. “For you must remember that in those days of gross viviparous reproduction, children were always brought up by their parents and not in State Conditioning Centres,” (Huxley pg. 15). Another example of irony is how John is called a Savage. He is called a because he still lives the old-fashioned way. When you do not conform to society, then you are a savage. Yet John is like the reader: born from and still in contact with his parents, reading Shakespeare in his Shakespare time instead of doing the vulgar acts that everyone else does, and still moreover maintaining his connection with God. Dramatic irony is again used when John falls in love with Lenina, but she is not even sure that John likes her. “‘But doesn’t he like you?’ asked Fanny. ‘Sometimes I think he does and sometimes I think he doesn’t,’” (Huxley pg. 111-112). This situation is ironic because the reader knows that John is deeply in love with her, but she does