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There is so much more to life than what you see alone. Many people live their time on Earth without ever grasping the ability to envision a deeper level of meaning. To live solely on physical vision alone is to live no life at all because human beings are much more complex than people like to believe. We possess the capability of knowing the difference between visualization and interpretation. Within this story, we discover a notion that is spoken of too often but rarely ever practiced. We follow the turning points of a man’s life when he steps into the shoes of someone less fortunate than him and learns the true meaning of being able to see. In “Cathedral”, Raymond Carver uses characterization, irony and symbolism to show the realization of a world beyond what the human eye can perceive.
Carver uses characterization to display the contrasting state of mind between the main characters, the narrator and Robert. “My idea of blindness came from the movies. In the movies, the blind moved slowly and never laughed. Sometimes they were led by seeing-eye dogs. A blind man in my house was not something I looked forward to” (Carver 88). With the narrators dialogue and thoughts, we begin to see his envious, overcritical and ignorant persona arise. It seems that the narrator is oblivious to the close minded concepts he has about both relationships and life. “They’d married, lived and worked together, slept together - had sex, sure - and then the blind man had to bury her. All this without his having ever seen what the goddamned woman looked like”(Carver 90). The narrator’s description of Robert’s marriage exhibits his superficial idea of what a true relationship is. Although the narrator believes he has an intuitive understanding of life and...
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...Carver uses characterization, irony and symbolism to build a connection between seeing and understanding. Life was not meant to be in black in white, nor was it meant for people to live it with no percipience. We hold the potential to embody this bond between what we see and what the real connotation of it is. But it is up to us to decide whether we use this knowledge and open our mind to new possibilities. We watched as the narrator blindly sailed through life not looking at underlying issues or discovering what something really looks like. To truly live a full life, you have to be able to see past the two-dimensional life most people lead. Carver shows how the negative traits of mankind can be expressed without even knowing it, but it is never too late to break free from our own “cathedral” and lead a life worth living.
Works Cited
Raymond Carver, " Cathedral"
He constantly complains that “a blind man in my house was not something [he looked] forward to” (362). The close friendship between the narrator’s wife and Robert provokes his insecurities. This friendship has lasted for ten years and during those years, they have exchanged countless tapes regarding experiences they have gone through. Because of this, her husband feels “she [has] told him everything or it seems” (363) about their relationship. Upon the arrival of his wife’s friend, the husband is ultimately uncomfortable around Robert because he does not know how to communicate with or act around him.
I don’t know if I connected the experiential dots with any dexterity regarding John Milton’s Paradise Lost until I visited Disney World recently. It wasn’t until Mickey Mouse, Cinderella, Cruella De Vil, Jafar the evil sorcerer, the Beauty, and the Beast came down Main Street, U.S.A. that I was more able to appreciate the prodigiousness of the procreative masque within Paradise Lost. Panorama grabs the viewer; and, with a mere touch of the remote control, it thrusts him/her into Eden, Main Street, or Pleasantville. Panorama doesn’t settle for facile spectatorship; it invites the viewer into the action and synchronizes the viewer’s pulse with the pulse of its [panorama’s] own creative slide show. To ignore that invite is to not only avoid the tree of knowledge, but to refuse its existence. That tree was not put in the garden to be ignored but to be avoided – a challenge of our obedience towards a sovereign, a tempter of our curiosity, a pulse quickener.
Carver provides an easy, visual outlook of the protagonist throughout the short story, which helps keep a better understanding during the simple yet intense experience. As the story continues, the protagonist enhances his mood as he aids Robert to visualizing a cathedral. This experience creates an impact on others because it is a great reason why one should never judge someone for something beyond their control. Also, helping someone, as Robert does for Bub, can be a life changing experience. Despite the blind man being physically blind, the husband is the one with the disability to see from someone else’s perspective.
Carver writes about three different characters with a focus on the development of the narrator himself. Although the reader never know her name, the narrator’s wife plays a small role in the story. She introduces the reader to the blind man. When the wife is in the room with both of the men, things seem to go wrong between the two men. The narrator seems to be almost nervous and upset with the wife for paying so much attention to the blind
Carver tells the story in first person of a narrator married to his wife. Problems occur when she wants a friend of hers, an old blind man, to visit for a while because his wife has died. The narrator's wife used to work for the blind man in Seattle when the couple was financial insecure and needed extra money. The setting here is important, because Seattle is associated with rain, and rain symbolically represents a cleansing or change. This alludes to the drastic change in the narrator in the end of the story. The wife and blind man kept in touch over the years by sending each other tape recordings of their voices which the narrator refers it to being his wife's "chief means or recreation" (pg 581).
By becoming close with Robert, the man in this story experienced what was necessary to gain an understanding of what life is like for the blind. The man began to draw the cathedral to try and help Robert visualize what one looked like. What he didn't realize at the time was that Robert was helping him to visualize what blindness felt like. Bibliography: Carver, Raymond. "Cathedral".
I see a place, a mythical place, it is not a house, it is certainly not a home it is a concoction of all its surroundings, it embodies a mystique of feelings unspoken, locked in ones heart by a key that one wishes that no one will find. Only in Hollywood can such a picture be presented to an audience that would see something that was opulent and gaudy, large but not homey, cold but not warm. You sense that something so beautiful, this mansion, like a person you fall in love with has flaws and yes, those secrets, those secrets. As time goes on the participants in our little tragedy start to see the flaws and those secrets unravel like a fine piece of silk that has snagged on a splinter. We see the secrets start as almost a little ripple on the water that was tickled by the wind. Was Desiree the poor abandoned child of those raucous Texans? Let us forget that for is not the child an angel sent by Providence to bring pleasure to our lives just as Moses brought pleasure to Pharaoh's daughter?
The ability of both men (Bub and Robert) to perceive situations provides contrasting imagery. The author utilizes both men’s understanding of “sight”, but most importantly their relationship with Bub’s wife. This is shown when Bub recollects the time his wife convinced him to listen to one of Robert’s tapes. Bub tells us that the tape started off as “a few minutes of harmless chitchat” (Carver 518). This statement causes contrasting imagery in the reader, as he/she experiences this “harmless chitchat” from both men’s perspective. Bub believes that this “harmless chitchat” is unimportant. However, the reader knows that Bub and his wife are having relationship problems that can be improved through unconditional conversation. The tapes demonstrate that Robert, despite his blindness, has the ability to understand Bub’s wife on a deeper level because he truly listens. The relationship between Bub and his wife provides a mental image distilled in the readers mind. This is an image of a problematic relationship, which Bub ultimately ignores. The cathedral scene r...
In Raymond Carver’s story “Cathedral” the narrator learns what it means to “see” through someone who cannot. To see is to be able to view the things around us while putting aside preconceived notions or fear about these objects or people. In order for this to occur once must overcome what they feel is out of the ordinary and learn to accept things as they are. At first the narrator is doesn’t accept the man and uncomfortable around Robert. The narrator soon comes to understand this when he puts aside his fears, and judgments that he can see more than what meets the eye, and the freedom that comes along with this seeing.
The unnamed narrator of Raymond Carver’s “Cathedral” poses as an unreliable narrator for his unaccepting nature towards blind people along with his ignorant perception of many realities in his life that Carver presents for the reader to take into question. The narrator holds prejudice against Robert, a blind man whom the narrator’s wife worked with ten years earlier and eventually befriends. Unperceptive to many of the actualities in his own life, the narrator paints an inaccurate picture of Robert that he will soon find to be far from the truth.
Carver’s purpose of having the narrator of the short story use imagery allows for the reader to be able to understand each and every moment he lives while explaining the blind man’s, Robert, visit to his home. In Cathedral, the narrator tells the story very detailed and descriptive. For instance, when the narrator describes his wife’s arrival with Robert, “I saw my wife laughing as she parked the car. I saw her get out of the car and shut the door…She went around to the other side of the car to where the blind man was already starting to get out…he was wearing a full beard!” Here, the author makes the narrator describe the scene and details it as if he is describing it to a blind person. Most of the short story uses imagery which makes clear images in the reader’s mind to unders...
In literature, blindness serves a general significant meaning of the absence of knowledge and insight. In life, physical blindness usually represents an inability or handicap, and those people afflicted with it are pitied. The act of being blind can set limitations on the human mind, thus causing their perception of reality to dramatically change in ways that can cause fear, personal insecurities, and eternal isolation. However, “Cathedral” utilizes blindness as an opportunity to expand outside those limits and exceed boundaries that can produce a compelling, internal change within an individual’s life. Those who have the ability of sight are able to examine and interpret their surroundings differently than those who are physically unable to see. Carver suggests an idea that sight and blindness offer two different perceptions of reality that can challenge and ultimately teach an individual to appreciate the powerful significance of truly seeing without seeing. Therefore, Raymond Carver passionately emphasizes a message that introduces blindness as not a setback, but a valuable gift that can offer a lesson of appreciation and acceptance toward viewing the world in a more open-minded perspective.
This theme goes hand in hand with the theme portrayed in Hills Like White Elephants. In the story the narrator, whose name is never mentioned, has something against his wife’s blind friend, Robert, due to the fact that he cannot see. Robert visits the narrator and the narrator’s wife for company. It seems that the narrator had a preconceived idea that all blind people are boring, depressed, stupid, and are barely even human at all based on the fact that they cannot see the world. Robert, although he is blind, is a caring and outgoing person who is extremely close with the narrator’s wife. The fact that Robert is extremely close with the narrator’s wife should be reason enough for the narrator to accept him as a person, but he is a cold and shallow person with no friends. His relationship with his wife is lacking good communication and seems very bland. Robert’s wife recently passed away, but their relationship was deep and they were truly in love with each other. The narrator was blind to how a woman could work with, sleep with, be intimate with, and marry Robert as has he talks about how he felt sorry for her. The narrator is superficial and does not understand true love or
Raymond Carver's "Cathedral" depicted the interaction between a narrow minded husband, with a limited understanding of the world around him, and a blind visitor, named Robert, that proved to be the catalyst that dramatically changed the husband's view on the world, while they went from being strangers to becoming friends. In the beginning of the story, the husband disliked the concept of his wife bringing her blind friend over to stay since he never had met a blind person before and did not understand it. However, as the story progresses, the husband, through interaction and observation, begins to dispel his fears and misconceptions of Robert and his blindness. With the help of Robert, the husband gains a revelation that changed his view and opened his eyes to the world.
Jonathan Safran Foer’s novel Everything is Illuminated explores the way in which people deal with their own personal reality through three different narratives. Through these narratives the characterization and intentions of these characters are revealed. Within Everything is Illuminated coping mechanisms aid in developing how each of the characters interact as well as how the plot evolves. Yankel, Grandfather, and Alex all have a different conception of reality and cope with each differently.