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History of fashion introduction
History of fashion introduction
History of fashion introduction
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"At 17 Leslie Hornby took hold of the world. At 21 she let it go, she was the original waif, a 60’s phenomenon a superstar. She was Twiggy" (Vogue). Leslie Hornby was the revolutionary woman who changed the idea of beauty in the eyes of the fashion industry and the entire world.
Twiggy exemplified the androgynous mod look that swept America as it had Britain and much of Europe in the 1960’s. She healthily maintained a 5 ft 6 1/2 inch 90 lb body. Based on her thin figure, a nickname of "Twiggy" was derived. Twiggy’s popularity not only produced many people who tried to look like her but also drastically increased the hourly wages of models.
She paved the way for current top models like Kate Moss, Elle MacPherson, and Linda Evangelista.Twiggy was major trendsetter in America during the sixties even though she was born in England. She was found by Nigel Davies in a salon, while working as a shampoo girl. He saw her potential and immediately took her to get a haircut at a Mr. Leonard’s trendy salon in London. Mr. Leonard put her picture in his shop window, and a short time later that picture was featured in the London Daily Express with a caption that read "This is the face of 1966" (Wilson).
Davies, who preferred to be called Justin De Villeneuve, was quite an interesting character with his past resume containing ex-model, ex-antique dealer, and ex-hairdresser. After he discovered her, he (age 25) became Twiggy’s (age 15) agent and boyfriend. He took her to Paris and a short while after her popularity grew, she was put on the cover of Elle Magazine, as well as Paris Match and the British edition of Vogue. During Twiggy’s peak success in Europe, De Villeneuve set up Twiggy Enterprises Ltd. where he gathered a line of clothes, false eyelashes, cosmetics, dolls, and posters all endorsed by Twiggy. The business brought in millions.
Since Twiggy was so young, Justin ran the entire business. She only had to agree to what she liked and put her name on it. The thought of a Model taking advantage of her success to start an enterprise was completely revolutionary. Once again Twiggy paved the way for models like Cindy Crawford, Claudia Schiffer, Kate Moss, and Naomi Campbell all of which opened highly successful restaurants, and made exercise tapes, clothes, calendars, posters, and many other products.
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If these models are exemplars of ideal beauty, then the measure for women is that to be beautiful, starvation level is required. It appears that the media and the fashion industry would have the public believe that ultra thinness symbolizes beauty when in reality, the standard represents infertility, and premature death. The public has to realize that Twiggy was different. Her slenderness was natural, and everyone should not set their physical goals to that of hers, because it is physically impossible.Twiggy is revolutionary. She is the pivotal woman who changed the image of the ideal woman, and the face and body of fashion models. Her popularity allowed her to drastically increase a models income.
She showed the world that models no longer were just a pretty face but also shrewd businesswomen with enterprises of their own. Twiggy paved the way for the top models of today, and will always be remembered. Her body matched Diana Vreeland's description of the perfect contemporary woman: "the straightest legs, knees like little peaches, tiny narrow supple feet, rounded arms, and beautiful wrists and throat. She was both modern and romantic. She was perfect." (Vogue).
Twiggy is synonymous with the late 1960’s modeling industry, she is also held as being the first super model. Twiggy was also the first model noted for her androgyny; her straight figure her; thin and gawky , full of teenage angst and budding on the verge of womanhood made her an instant star with mass appeal to the youth of that area. England and America took hold; Twiggy’s career was merchandised very well; having her own clothing line, pens, posters, and cosmetics
Part 1: Throughout a person’s life span they will experience right from wrong. As a person grows, their parents use real-life examples to teach them the differences. This is known as cognition. Cognition is defined as “all the mental activities associated with thinking, knowing, remembering, and communicating” (Myers, 2014). Cognition deals with behavior resulting from mental processes. How and what people learn, will show through their actions and behaviors. The 1981 film, Mommie Dearest, directed by Frank Perry displays the cognitive concept being derived from the actions of Joan Crawford.
In the 1960's, women had the idea it was better being skinnier (department store buyers reported that most women had shrunk 3 or 4 dress sizes), more feminine (30% of women dyed their hair blonde), and much
Gender roles and stereotypes can many times intertwine because of our western culture has taught us since the first radio broadcast show, “Father Knows Best” which was based on the father, Jim who was the ruler of the household and the wife would do whatever he said. Gender roles in the 1950’s were that the men worked hard, brought home the money, and had all the power in the home. Women were seen as the homemakers who can’t make their own decisions and are portrayed as a week. According to an article called Gender Roles in 1950’s America, “men were expected to be strong, masculine, and good decision makers, which served as a natural counter-balance for the feminine and maternal role of women” (White, Retrieved
Werle, Simone. Fashionista A Century of Style Icons. New York: G.P. Putnam's Sons, 1977. Print.
“My lips and fingers were blue because I was so thin that my heart was struggling to pump blood around my body”, said teen model fashion Georgina (Carroll 1). The new skinny has become excessively scrawny. Is it definitely not normal for today’s society models to walk around with blue fingers starving themselves until their organs start failing! As for the model agencies, they couldn’t care less of the pressure and dangerous practices they put the models through in order for them to stay thin for the runway. Even fashion Designers continue to produce the smallest couture sample sizes and scout for the slimiest bodies to wear the designs not aware of the consequences of the pressure they not only put on models, but on the society girls to look like these starving models. And when the models continue to get offers from the most important fashion industries like Prada, it motivates them to keep doing what they are doing to stay in the shape they are in (Carroll 1). But little did the outside world know what this pressure had on the models and what they were doing to their bodies to peruse their modeling careers.
The most fashionable, sought after magazines in any local store are saturated with beautiful, thin women acting as a sexy ornament on the cover. Commercials on TV feature lean, tall women promoting unlimited things, from new clothes to as simple as a toothbrush. The media presents an unrealistic body type for girls to look up to, not images we can relate to in everyday life. When walking around in the city, very few people look like the women in commercials, some thin, but nothing similar to the cat walk model. As often as we see these flawless images float across the TV screen or in magazines, it is hard to remember they are not real and hardly anyone really looks similar to them....
Fashion models don’t need to be thin, they need to be diverse and healthy at whatever weight that is. Not everyone is supposed to be thin, some women are big boned and curvy, others are naturally slim and small boned, some are tall, others are short, some are light skinned and others are darker. So many diverse looks exist in the world today and the fashion industry need to change their perception of perfect. Body image in our society is out of control. We have young men and women comparing themselves to unrealistic models and images in the media and feeling bad about the way their own bodies look because they somehow don’t measure up. (Dunham, 2011) The struggle for models to be thin has led to models becoming anorexic or bulimic, untimely deaths, and inferiority complexes. Even worse is the fact that they influence a whole generation of young women who look up to these models and think “thin” is how they are supposed to be. They influence what we buy, how we eat and what we wear. Why has this specific group captured our attention so much? Why do we seem to be so fascinated in their lives, to the point where we try to look and act just like them? The media is largely to be blamed for this, many people believe the media has forced the notion that everything supermodels do is ideal. Others believe that the society is to be blamed because we have created a fascination with their lives. There are many opinions, and I agree with both of these specific opinions. We allow ourselves to be captivated by these people's lives, and the media portrayal of their lives seem to also enthrall us. (Customessaymeister, 2013) Despite the severe risks of forcing models to become too thin, designers, fashion editors, fashion brands and agencies still ...
The ability to become reflective in practice has become a necessary skill for health professionals. This is to ensure that health professionals are continuing with their daily learning and improving their practice. Reflective practice plays a big part in healthcare today and is becoming increasingly noticed.
See Gigi Hadid often as Topshop’s newest face The world of fashion has known Topshop for its eloquent take in street wear and ready-to-wear garbs. In almost every corner of the world, Topshop is very much famous as a fashion pillar for pieces that are mainly editorial and yet reachable to the general buying public. Topshop's black and white garments, the grandiose in their fur pieces, the shimmering golden bangles, the sleek stilts and the corporate slash high-fashion pegs have been an instant craze to women in the global scale.
Step out into the everyday world as an average American and you will witness an entanglement of varied body size, and shape. Now, enter the world of the media, a world in which you are formally introduced to high fashion, where flashing lights, money, glamour and riches crash around you, satiating every crevice of your being. Here, you will find two unified body types, divided into two categories of shape in women; thin, and thick. Naturally, any woman who wishes to someday strut down the catwalk in Zac Posen, or pose in Marie Claire wearing Dolce and Cabana must have a body that fits one of these required molds, right? It is a well-known reality that many women who cannot reach by healthy means, or do not already have, the desired body type for fashion industries, will develop an eating disorder to starve their way into the position. However, most fail to address the issue of obesity that curdles on the other end of the physical spectrum; the plus size modeling industry. This statement not only boils the blood of millions of American Women, but begs the question: If extremely thin models promote eating disorders, should we prohibit advertisers, especially those in fashion, from using plus size models, as they may promote obesity? To put it simply, no. Plus size models do not promote obesity because they only provide thicker, much larger women, confidence and appreciation for their body without pressuring them to take unhealthy means to shed pounds; they do not encourage overeating and lack of exercise.
Skinny was not the most beautiful thing to people, and it was not as big of an issue as it is now. So where did the ideals change from curvy being beautiful to skin-and-bones skinny being beautiful? In the 1960 's, popular figures like Twiggy promoted being skinny as beautiful, around the same time the Barbie doll became popular with young girls (Bahadur). Sure, many people are actually born skinny. But some are born big-boned and cannot help that they are that way - and they should not have to worry about it. However, we as a society have changed these ideals because we are constantly exposed to the media 's rendition of what being beautiful should mean and accepting it. The fact that being bigger used to mean that someone was wealthy just goes to show that our culture has completely thrown this principle away. But, however appalling the issue may be, there are solutions to this terrible problem that is still on the rise and hope that it will get better. Instead of letting these vulnerable people look at magazine covers and wish they were in different skin, our duty as a society is to promote the embracement of beauty and self-confidence in everyone. Motivational speakers, many of which have had their own share of self-esteem issues in the past, need to be brought to the surface and get their messages out in the open even more than they already are. Jessica
In one particular circumstance, on the second and final day of my placement, a patient entered the pharmacy to collect their prescription items. As the patient came in, the pharmacist told me that I would be responsible for giving the
Fashion icon, Diana Vreeland enriched the world with her brilliant imagination accompanied by her glamorous presence. Diana Vreeland by Eleanor Dwight reveals how the cosmopolitan heir became the 20th century’s most influential fashion editor through determination and creative talent. Vreeland’s biography encapsulates her “pizzazz” as it chronicles her personal history and professional progress.
Regarding physical qualities, everybody has their own idiosyncrasies or quirks, things which make them peculiar and yet interesting. These features make us who we are and even if we consider them as flaws, they still make us beautiful somehow. The 1957 film, Funny Face, was actually a tribute to the late Audrey Hepburn’s rather unusual, quirky facial features—her large nose, thick eyebrows, slightly crooked teeth, being doe-eyed—which all summed up to her being the epitome of a truly beautiful woman that she was (De La Hoz 6). Audrey Kathleen Ruston Hepburn embodied both essential aspects of inner and outer beauty which does not equate to being flawless. Voted as the “Most Beautiful Woman of All Time” in 2006 by New Woman magazine, it is evident that women today still look up to her as a truly beautiful woman (Keogh 2). She was one of the greatest film stars of the 20th century—some of her notable films were Funny Face, Roman Holiday, Breakfast at Tiffany’s—and at present, she is still a timeless Hollywood star and fashion icon. Furthermore, she was a philanthropist for the UNICEF organization—her only motive being to serve a cause she believed in (Spoto, 201). This innate, natural beauty she possessed clearly translated into how she presented herself to the world through her sense of style (Ferrer, 155). How she dressed clearly embodied who she was, which many women all over the world still aspire to be and which designers continue to try recreating. Audrey Hepburn’s timeless, individual style continues to influence the fashion world today.