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Works of alberti
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Leon Battista Alberti was born in 1404 and passed away in 1472. He was born into a wealthy family. His fathers family was one of the most wealthiest and highest ranking families in Florentine. His fathers name was Lorenzo, there isn’t anything on his mother so it is said that he was an illegitimate child. He studied literature, law and Greek where ever he went with his father. However, from an early age he would teach himself diverse scientific and artistic interests, such as music, sculpture, painting, physics, architecture, and mathematics. He worked as an architect mostly in Florence, Rimini, and Mantua. Not only was he an accomplished architect, he was also a humanist( trained to be so), musician, and art theorist. When he was in Florence somewhere between 1434 and 1436, his interest for visual art really started to show. The first essay in …show more content…
He also created a great bronze equestrian statue of the military commander Gattamelata, one of the revivals of an ancient Rome type, and the first such sculpture to come down from the Renaissance. Donatello learned metallurgy and the fabrication of metals and other substances. He apprenticed with Florence sculptor and metalsmith Lorenzo Ghiberti in 1403, then a few years later when Ghiberti created the bronze doors for the Baptistery of the Florence Cathedral, Donatello assisted in creating the cathedral doors. Some say that Donatello and Brunelleschi actually stuck up a friendship and traveled Rome to study classical art. The experience gave Donatello a deep understanding of classic forms and ornamentation, this important knowledge would eventually change the face of the fifteenth century Italian art. the association between Donatello and Brunelleschi is what most likely influenced him into the Gothic style that was seen in his early
Leonardo da Vinci was a famous painter, sculptor, and inventor that lived from 1452-1519. He was born in a small Italian town of Vinci and lived on a small estate that his father owned. Leonardo kept the name of the town that he was born in for his last name. Since his mother did not marry his father, he could not inherit his father’s land, nor did he have much going for him as a wealthy businessman. When people think of Leonardo da Vinci, they mostly associate him with art and paintings, such as his famous Mona Lisa and The Last Supper. Leonardo believed that art was correlated to science and nature. Da Vinci was largely self-educated and he filled endless notebooks with examinations and suppositions about pursuits from aeronautics to anatomy.
In the early years of the Quattrocento, the Calimala guild decided to erect a second set of bronze doors showing scenes from the Old Testament. As with most large commissions at that time, a competition was held to find the artist who could create exactly what the guild was looking for in this work of art. Seven of the best sculptors in Tuscany were given one year to complete a panel showing the Abraham’s sacrifice of Isaac. However, the real competition was between Filippo Brunelleschi, the future architect of the Cathedral’s dome, and Lorenzo Ghiberti. Opposing stories state that the Calimala guild asked Brunelleschi and Ghiberti to create the panels together. Brunelleschi could not see the panels to completion because he agreed to complete another commission outside of Florence. Ghiberti claims that he won with a unanimous vote from the judges and Brunelleschi was never a part of the creation of the second set of doors. Lorenzo Ghiberti cast one en...
A good deal is known about Donatello's life and career, but little is known about his character. Donatello was born in Florence, Italy in 1386 and died in 1466; he was never married and had no children. He was a master of sculpture in bronze and marble and is considered to be one of the greatest Italian Renaissance artists of his time. The first sculpture is of Donatello?s David, 1425-1430. Its material is bronze and stands 5? 2 ¼? and is currently located at Museo Nazionale del Bargello, Florence. The sculpture is a nude and is contrapposto. The scene being depicted is after the clash with Goliath. Donatello?s statue of David was the first large scale, free-standing nude statue of the Renaissance. The sculpture helps to strike a balance between classicism and the realism by presenting a very real image of a boy in the form of a classical nude figure. Although Donatello was inspir...
He Created the dome on the Florence Cathedral. He also did a bunch of other stuff around Florence as well as in other city-states. One thing that was extra present in his cathedral's were domes. He also had some mathematical contribution such as linear perspective. He had a bunch of other artistic contributions. One of them is perspective Which is drawing objects so that they appear 3D. Another is vanishing point which is when everything vanishes at a point.
This project put Ghiberti’s name out there, and it really got his career started. In the 1410s and ‘20s were the years Ghiberti’s really expanded. He had accomplished a lot of work for the baptistery doors by 1413. Also during this time he got married to Marsilla, a 16 year old daughter of Bartolomeo di Luca. They had two sons who came to work in his business and they continued his work after their father’s death.Michelangelo called “truly worthy to be the Gates of Paradise” for their beauty. At first, their were to be 28 figural panels like the earlier sets of baptistery doors, but they brought it back down to 10. The 10 panels were Genesis: Creation of Adam and Eve, Cain and Abel, Abraham and Isaac,Joseph, Moses, Joshua,David, and Solomon. These two works of The Gates of Paradise and Florence Baptistery doors opened up conflict and competition between Donatello and Nanni di Banco. These two young sculptors made the stone statues on Lorenzo's first figure. Lorenzo Ghiberti had many works that weren't as famous. All of his works include St.John the baptist, North Doors, Porta nord del baptistery di Firenze, Pilate washing his hands,Sacrificio di
Donatello was the son of Niccolo di Betto Bardi, a Florentine wool carder. It is not known how he started his career but probably learned stone carving from one of the sculptors working for the cathedral of Florence about 1400. Sometime between 1404 and 1407 he became a member of the workshop of Lorenzo Ghiberti who was a sculptor in bronze. Donatello’s earliest work was a marble statue of David. The “David” was originally made for the cathedral but was moved in 1416 to the Palazzo Vecchio which is a city hall where it long stood as a civic patriotic symbol. From the sixteenth century on it was eclipsed by the gigantic “David” of Michelangelo which served the same purpose. Other of Donatello’s early works which were still partly gothic are the impressive seated marble figure of St. John the Evangelist for the cathedral and a wooden crucifix in the church of Sta. Croce.
Donatello was born in Florence, Italy in1386. The full name of Donatello is Donato di Niccolo di Belto Bardi (“Donatello” par 1, 2, 3). His dad was a wool comber (“Donatello” par 1, 2). There was not much information found on his mom. He had a first job and that in the workshop of Lerenzo Ghilberti, a gothic sculptor, between 1404 and 1407(“Donatello” par 1, 2, 3). After that job he worked at a Florence Cathedral in 1407. At the Cathedral he decorated tombs and pulpits and made portrait busts and monuments (“Donatello” par 1, 2). An inspiration for his work was by ancient visual examples (“Donatello” par 1). He achieved his full intensity in the beginning of the 15th century (“Donatello” par 1, 2, and 3). In the later part of his life he studied Roman Ruins and became a Humanist (Blood par 1).
Francesco Landini was a famous medieval composer. He was born in 1335 in Fiesole, Italy, near Florence, Italy. Francesco’s father was Jacopo the Painter, and Francesco was blinded as a child by smallpox. Landini won a laurel wreath for winning a poetical competition as a child. He played the flute, rebec, and the portative organ, which was a small organ-like instrument popular for secular music. Francesco composed mostly ballatas, which were songs with one voice accompanied by one or more instruments. He composed only secular music, and has only 140 surviving works. Even though he was a musical composer, Francesco Landini also wrote Italian and Latin poems. He was an inspiration to most later secular music composers. Francesco died in 1397
Andreas Vesalius was well known for his dissections in the 1500’s. Growing up in Brussels he was captivated by the anatomy of animals. Throughout his childhood Andreas dissected many small animals trying to uncover life’s mystery. This curiosity regarding anatomy came very naturally, due to the fact that he was born into a family of physicians. Vesalius started his formal education at the University of Louvain; then traveled to Paris to continue his studies in medicine. During his life time, Vesalius was an accomplished physician, and professor of anatomy. He also received his degree as a doctor of medicine at the age of twenty-two. Vesalius writings and teachings set the foundation of anatomy we know today, hence why he received the title; founder of modern anatomy.
One of the ways he did this was by crafting a lot of works: “The world remained so full of his works, that it may be affirmed right truly that no craftsmen ever worked more than he did.” (377) Vasari praises Donatello’s various works throughout the biography. The collection of works that Vasari mentions, suggests that Donatello was more than just a sculptor because he produced and sold many designs. This was similar to a baker or merchant in Renaissance Florence that was constantly selling his or her own product to others. Furthermore, Donatello’s many works were studied and praised by future Renaissance artists. One of the most influential and well known is Michelangelo Buonarroti. At the end of the biography, Vasari leaves the reader with an intriguing quote by Don Vincenzo Borghini that Borghini stated in a book where he collected drawings from esteemed artists. Borghini states that “Either the spirit of Donato works in Buonarroto, or that of Buonarotto began by working in Donato.” (378). Donatello also had other students such as Bertoldo who “he left all his work to be completed by” (377). Donatello inspired and had other students work under him and taught them his craft. Therefore, Donatello inspired Michelangelo and other artists that became famous and excellent artists in their own right. This shows that Donatello left a lasting
The objective of this essay is to provide an explanation of Leonardo da Vinci’s life and work as an artist in context with his time spent in Milan. Following an initial introduction to Leonardo’s formative years in Florence (and his apprenticeship to the sculptor and painter Andrea del Verrocchio, 1435-88), I will attempt to explain the significance of his presence in Milan with detailed descriptions of his work there. Giorgio Vasari (1511-74) was also an artist and architect, but is perhaps better known for his book on the lives of well known painters, sculptors and architects (published 1550; from Cimbue to his autobiography which was included in a revised edition):
Adolphe Appia was born in Geneva on the 1st of September, 1862; His father was one of the Red Cross co-founders, Louis Appia, not much is known of his mother. Adolph is best known for his many scenic designs for Wagner’s operas. Appia created a new perspective of scene design and stage lighting through painting three-dimensional "living" sets because he believed that shade was as necessary as light to form a connection between the actor and the setting of the performance in time and space. Through the use of control of light intensity, color and manipulation, Appia has formed a new trend that was gaining popularity.
In 1401 Ghiberti quickly returned to his home city once he heard of a competition being held for the commission to make a pair of bronze doors for the Baptistery of the cathedral of Florence. Six other artists and himself were given the task of representing the biblical scene of Abraham’s sacrifice of Isaac in a bronze relief of quatrefoil shape, following the tradition of the first set of doors produced by Andrea Pisano.
He moved from Castel S. Giovanni di Altura to Florence in 1417 to become a pupil of Masolino di Panicale. There, he helped upon innovations of art. In 1422 and 1424, he enrolled in the guild of St. Luke of Florentine Painters. After becoming jaded at the medieval art, Masaccio wanted to make art more realistic and true to life. He constantly studied the idea of perspective in an effort to make his paintings appear natural.
Donatello was born in 1386, Florence, Italy, Donato di Niccolò di Betto Bardi, he was also better known as Donatello, was an Italian Renaissance sculptor from Florence. He studied classical sculpture and used this to develop a complete Renaissance style in sculpture, whose periods in Rome, Padua and Siena introduced to other parts of Italy a long and productive career. He worked with stone, bronze, wood, clay, stucco and wax, and had several assistants, with four perhaps being a typical number. Though his best-known works were mostly statues in the round, he developed a new, very shallow, type of bas-relief for small works, and a good deal of his output was larger architectural reliefs.