Last Scene Underground And Menoret's

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The final manifestation of disenfranchisement in the Middle East is the disenfranchisement of the youth. In some of the region’s countries, especially in Iran and Saudi Arabia, there are many laws that impact the youth more than they would impact any other group. In Varzi’s Last Scene Underground, and Menoret’s Joyriding in Riyadh, both authors try to portray how the laws of Iran and Saudi Arabia have dramatically curtailed the freedom and rights of their countries’ youths. When examining Menoret’s work, he explains how the Saudi religious police are quick to investigate and quell any youth gatherings that occur in the city. A gathering of young peoples is seen as a threat by the state because the government is scared that the youth might be …show more content…

In addition, when Hooman post flyers to recruit actors for his play in calculated locations in Tehran, the Komiteh, Iran’s police force, manage to tear down or paint over all the posters. These systematic efforts by Iran’s police apparatus to immediately quell any form of expression that the youth have shows the constant sense of mental siege and hostility that Iran’s youth faces. Finally, when Hooman and Leila both spend a weekend together in a cabin in the woods, they had to pretend that they were married because it would have been unlawful for an unmarried couple to be alone together. These Iranian laws that target the young people leave them marginalized to the point where every idea, action and or expression is heavily regulated and at times subdued by the state. This sense of marginalization is key in Iran because all Iranian youth regardless of ethnic or religious background, which was seen in the novel through Leila who was an Armenian Christian, is disenfranchised by the state to keep dissension and free thought

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