Langston Hughes And Bob Dylan

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Literature and Composition Langston Hughes and Bob Dylan Langston Hughes and Bob Dylan are two poets from different eras in modern American poetry. Although Bob Dylan is more characterized as a songwriter, I see much of his work as poetry. In this essay, I will discuss Hughes’ poem “Harlem [1]” and Dylan’s “Times They Are A-Changin”’ as commentaries on are culture, but from different backgrounds. Both poets use social protest to make their points. Langston is talking of times that were not particularly good in any way for African Americans. In the poem “Harlem [1]”, he speaks of a time when black people were considered lower than the average American citizen. He remembers how they were not accepted when he was younger; and for him and his race, he feels things haven’t changed; and even if they had, how could the past be forgotten or forgiven? Sure, we remember. Now when the man at the corner store Say’s sugar’s gone up another two cents. And bread one, And there’s a new tax on cigarettes- We remember the job we never had, Never could get, And can’t have now Because we’re colored. (768) In this verse of the poem he is talking about how African Americans have viewed the world from Harlem and live and unjust life, how can they forget that. Bob Dylan speaks of social protest throughout his poem. He is proclaiming to the world that we shall all come together and forget the past for a united future. He is saying that everything that has been normal is about to change. Come gather round people Wherever you roam And admit that the waters Around you have grown And accept it that soon You’ll be drenched to the bone. If ... ... middle of paper ... ...wrote this poem at the age of 47. He was old enough to make a safe judgement call that not much more could improve for his race in his own lifetime, and if it did, it could not change the fact that for most of his life he couldn’t feel equal to the white race. Dylan was 29 when he wrote his poem in 1979. When you compare 1949 to 1979, incredible differences and obstacles have been hurdled. In 1979, black Americans were equal, not “separate but equal.” I think Hughes might have taken the same view as Dylan if he were alive then. Also Dylan, at 29 and having his life not even half over, gave him more of a hopeful view on how America and Americans could become. Hughes was looking for more of a revenge on how his race was treated. So we stand here On the edge of hell In Harlem And look out on the world And wonder What are we gonna do In the face of what We remember. (768) In conclusion these poets have both proved to be dedicated to changing our society, but in opposite ways. Hughes takes the angry resentful view and Dylan takes the reconstructing positive one. The individual styles work for these remarkable artists.

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