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Macbeths power dynamic
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Despite however strong-willed someone may think he is, everyone is subject to peer pressure. Peer pressure, especially when coming from a loved one or a family member, can cause people to make decisions that are contrary to their moral compass. Throughout the play Macbeth by William Shakespeare, the actions of the character Lady Macbeth have a direct influence over Macbeth’s decision making, and his varying degrees of trust in her advice lead him to do things that he believes are morally wrong. In the play, Macbeth receives a prophecy from three mysterious witches, revealing to him that he will one day become the king of Scotland. Upon hearing this news, Macbeth’s wife, Lady Macbeth, urges him to take immediate action and kill the current king, King Duncan. Although he is initially hesitant, Macbeth gives in under …show more content…
Lady Macbeth is strategic in her control of Macbeth, exploiting the weaknesses and prejudices of everyone around her. Lady Macbeth extorts her husband, tapping into Macbeth’s darkest desires and unleashing a chain of events that proves to be cataclysmic. While one might argue that Macbeth’s victims, most notably Banquo, and to a lesser extent, Duncan, possess more control over Macbeth’s actions, it must be taken into account that this influence only becomes present within a post-mortem state. The spirits which haunt Macbeth are a manifestation of his own guilt, and the burden that Macbeth feels is nothing but a product of his own conscience. In other words, Macbeth is more so influenced by the idea of the ghosts, rather than the actual people they were. Moreover, the theme of guilt weighing down on someone to the point of breaking is even reflected in Lady Macbeth herself, who, by the end of her character arc, has been driven to insanity and, ultimately, self-destruction. In essence, to go against your own morals is to become unhinged from your own
Lady Macbeth used peer pressure in order for her to gain power as a queen. After reading the letter Macbeth took the time to send to her, Lady Macbeth doubts her husband. “Yet do I fear thy nature;/ It is too full o’th’ milk of human kindness/ To catch the nearest way. Thou wouldst be great,/ Art not without ambition, but without/ The illness should attend it” (1, 5, 13-17). Lady Macbeth finds out the fate of her husband, but she still doubts him. In the letter he calls her many nice names, but she ignores them and goes straight to the thought of her having power. She says her husband is too nice to even do anything to ensure his fate comes true. This shows Macbeth has to prove to his wife he will actually do something to prove his loyalty
In the Shakespearian tragedy Macbeth, though Macbeth manages to murder the Scottish king Duncan to actualize the prophecy of the three witches, yet the guilt emanating from such nefarious acts and intentions continues to foreshadow Macbeth’s life throughout the plot. The very moment Macbeth approaches lady Macbeth with hands dipped in the blood of Duncan, his deeps seated guilt oozes forth as he says, “Methought I heard a voice cry ‘Sleep no more;/Macbeth does murder sleep (2.2.45-46)”. Thereby, from this moment onwards, Macbeth is shown to be strongly stung by an unrelenting and continually nagging sense of guilt that makes him engage in strange and suspicion generating acts and manners. Yet, Macbeth time and again interprets his guilt as a sign of cowardice and moves on to spill more blood to consolidate his hold over an ill gotten throne. The torment and anguish inherent in these lines that are imbued with the seeds of guilt eventually metamorphose into a full blown sense of guilt and shame that continues to torment his soul.
The play identifies how Macbeth faced guilt after he killed his King, “Is this a dagger which I see before me, The handle toward my hand? Come, let me clutch thee. I have thee not, and yet I see thee still. Art thou not, fatal vision, sensible To feeling as to sight? or art thou but A dagger of the mind, a false creation Proceeding from the heat-oppressèd brain? I see thee yet, in form as palpable.” Macbeth is hallucinating a dagger in which was caused by the guilt he feels after killing King Duncan. Macbeth also states, “I’ll go no more.I am afraid to think what I have done. Look on ’t again I dare not…..What hands are here? Ha, they pluck out mine eyes.Will all great Neptune’s ocean wash this blood Clean from my hand? No, this my hand will rather The multitudinous seas incarnadine….” Macbeth’s emotions are everywhere. After he killed King Duncan he immediately regretted it as he explains that no water, not even Neptune’s ocean can wash the blood and guilt off his hands. Macbeth not only faced guilt but he also losses his sanity. Macbeth hallucinates Banquo’s ghost making him scared and on edge, “[to the Ghost]. What man dare, I dare. Approach thou like the rugged Russian bear, The armed rhinoceros, or th’ Hyrcan tiger; Take any shape but that, and my firm nerves Shall never tremble. Or be alive again And dare me to the desert with thy sword. If
Macbeth first feels forced externally, the source of it coming from his wife, Lady Macbeth, who wants for Macbeth to kill Duncan so that he can become king. At first, Macbeth feels apprehensive and tells his wife, “We will proceed no further in this business” (1.7.33). Lady Macbeth begins to pressure him further, even going to the extent of questioning his manhood, saying, “Wouldst thou have that/Which thou esteem’st the ornament of life, And live a coward in thine own esteem, Letting ‘I dare not’ wait upon ‘I would’, Like the poor cat i’th’adage?” (1.7.41-45). In her response, Lady Macbeth calls her husband a coward and accuses him of just fantasizing about becoming king without doing anything, instead of killing Duncan to become king right away. She also makes a reference to an old Latin proverb that loosely translates to, “The cat would eat the fish, but does not want to wet her feet”. After hearing th...
As Macbeth becomes less dependent on his wife, she loses more control. She loses control of her husband, but mostly, of herself, proving her vacillating truth. Lady Macbeth’s character gradually disintegrates through a false portrayal of unyielding strength, an unsteady control of her husband and shifting involvement with supernatural powers.Throughout the duration of play Lady Macbeth’s truly decrepit and vulnerable nature is revealed. Lady Macbeth has been the iron fist and authority icon for Macbeth, yet deep down, she never carried such traits to begin with. This duality in Lady Macbeth’s character plays a huge role in planting the seed for Macbeth’s downfall and eventual demise.
Lowe argues that Macbeth constantly presses the witches to reveal more, and acts under his own accord to commit the act of murder. The witches merely state that Macbeth will become king; they do not order him to kill Duncan. Lowe concludes that Macbeth is a culpable human, acting on his own ambition with help from the Witches. Macbeth, from a causation standpoint, reveals that the initial meeting with the Witches caused the downfall of Macbeth. Lowe states “Metaphorically speaking, the witches give Macbeth a flame, but Macbeth lit himself on fire and kept feeding that fire until he was completely destroyed. Thus, it can hardly be argued that Macbeth is a pawn of fate, a victim of circumstance. Rather, Macbeth creates his own tragic circumstance, freely murdering his way to his demise” (Lowe, 2005). Lady Macbeth also forces her own will upon Macbeth, calling him a coward to prick at his sides. The threat of being considered a coward in the eyes of his lover is more important than the problems anf implications of committing a murder. Macbeth values his self worth and personal gain than the life of his friends and allies. The murder of Banquo is what ultimately leads to his demise, says Lowe. Macbeth’s guilt takes the form of a ghost, coercing Macbeth into admitting his involvement in the murder of Banqou. This leads to the separation of Macbeth’s troops, whom later come to kill him in the final act. The Witches’ “prophecy” of kingship and grandeur, Macbeth’s senseless killings, and ultimately his guilt and remorse, are enough to make Macbeth believe he is acting out his
Guilt plays a strong role in motivating Macbeth, and causes Lady Macbeth to be driven over the edge of sanity - to her death. Throughout the story, there are many different types of guilty feelings that play a role in Macbeth’s fatal decisions and bring Lady Macbeth to commit suicide. Although there are many instances that show the power guilt has played on the main characters, there are three examples that show this the best. One is, just after the murder of the great King, Duncan. Guilt overcomes Macbeth where he can no longer think straight. A second example is soon after that, where all the guilt Macbeth feels at first, changes into hate after he decides that Banquo must be killed as well. The last example is just about at the end of the play, when we see Lady Macbeth sleepwalking, and then later committing suicide; this all because of the burden of her guilt. All of these examples build the proof that in this play, guilt plays a very large role in the characters’ lives.
While Macbeth is losing his morals, Lady Macbeth is developing hers. After Macbeth reveals his plot to kill Banquo, she is reluctant to add another murder to those already committed: “You must leave this”(3.3.40). In act three, another prophecy foretold by the witches comes true. The paradox “fair is foul and foul is fair” characterizes the changes the protagonists undergo in acts one, two, and three. Throughout the play, Macbeth, the “fair” one, becomes overcome by guilt and becomes “foul”.
Macbeth’s provocative or violent actions on the challenges placed before him cause him to build an effect of downfall and dismay throughout the play. Originally, Macbeth handles his challenges in different ways and manners and is constantly changing his procedure. From handling situations carefully to not caring, Macbeth and his violence resulted in guilt and selfishness which he had to overcome. By the end of the play, Macbeth had become a selfish, greedy king and the challenges as well as experiences he encountered shaped him into who he is. He was shaped by the guilt of killing Banquo and Duncan, just to become powerful and a king. For example, in Act 3 Scene 4, Macbeth faces adversity when his mind creates a ghost of Banquo, who he just found out was killed. In Macbeth, the uprising of adversity was often handled in various manners. By dealing with his own challenges, Macbeth transforms his handling of adversity from being cautious to thoughtless, which reflected his character and the transformation he portrayed throughout the
Macbeth's wife, Lady Macbeth, is one of the most frightening and powerful female character in the play. Both of them are trying to seek the throne and become king and queen.
A combination of Macbeth’s ambition and paranoia lead to many senseless murders. He killed his best friend Banquo out of fear and he senselessly murdered Macduff’s family. The hallucination of Banquo’s ghost is a representation of Macbeth 's guilt, all of Macbeth’s guilt is manifested in the ghost. Macbeth states that he feels guilty because of the murders. “Ay, and since too, murders have been performed Too terrible for the ear.” (III, iv, 80-81) Seeing the ghost of Banquo is the breaking point for Macbeth. The ghost also causes him to think more irrationally which leads to the murder of Macduff. Also, after the murder of Duncan, Macbeth is full of regret and guilt. The voices he hears reflect his mental state. “Methought I heard a voice cry, “Sleep no more!” (II, ii, 35) His innocence was killed and he knows that he has to live with this guilt for the rest of his life, hence Macbeth will never sleep peacefully ever again. After each successive murder, Macbeth becomes more and more inhumane. “I am in blood Stepped in so far that, should I wade no more, Returning were as tedious as go o 'er.” (III, iv, 143-145) Macbeth claims that after committing a murder, there is no turning back. He killed his best friend due to his ambition and fear. The third murder was outright moralless and unnecessary, he compulsively killed Macduff’s wife and children. Macbeth shows no remorse in his murders, he becomes an absolute monster towards the end of the play. As Macbeth loses his human morales, hallucinations appear to remind him of the sins he
In the beginning of the play, Lady Macbeth is overly whelmed by the letter she receives about Macbeth. This pushes her to the extreme and causes her to react outrageously. " Come, you spirits that tend on mortal thoughts, unsex me here…make thick my blood…take my milk for gall, you murdering ministers…come thick night." (I;v;40-50) All these images of darkness and horror reveal the true character of Lady Macbeth; she feels the need to become wicked. Her attitude is even more horrific when she calls on evil spirits to come and possess her, taking control of her actions. This sort of behavior causes the audience and reader to assume Lady Macbeth is a psychopath, and therefore would have reason to hold her responsible for having a major impact on her husband and driving him off, enlightening a twisted sinister and threatening dark side of him.
In Shakespeare’s Macbeth, he chronicled the story of Macbeth’s rise to power and all he encountered during that journey. One theme that is present throughout the entirety of the play is guilt. As the story progressed, it can be seen that guilt affects each character differently depending on their role in the play. However, every person deals with the guilt in their own way. Everyone is influenced by a feeling of regret at some point in their lives, and the way they deal with it will affect them in the long run. It can be seen taking a drastic toll, particularly on the characters of Macbeth and his wife, Lady Macbeth. Ultimately, the presence of guilt in someone is determined by how easily they let it affect them.
To begin, Macbeth experiences an internal downfall due to his ambition where he battle between his desires and moralistic values. Initially, the idea of attaining power over Scotland by killing King Duncan sparks a sense of fear and paranoia in Macbeth, however, his conscience struggles to take over his ambition: "that we but teach/ Bloody instructions, which being taught, return/ To plague the inventor. [...] I have no spur/ To prick the sides of my intent, but only/ Valuing ambition, which o'erleaps itself/ And falls on th' other-" (1.7.8-28). At this moment, Macbeth contemplates on killing King Duncan as he visualizes the long term consequences of committing the crime. The reader can grasp his moral judgement as he understands that by proceeding with the murder, he is only causing his own demise and punishing himself. With that b...
By embracing evil, Lady Macbeth and Macbeth have committed unnatural actions that disturb them. Their guilt does not leave them in peace, and slowly degrades their health. Macbeth's guilt causes him to act strangely in front of his guests, and it disturbs him deeply. Macbeth's guilt is deeply mutilated, and it only affects him when he hallucinates "Take any shape but that, and my firm nerves / Shall never tremble" (III.iv.124-125), and as soon as his visions disappear he feels better "Why so, being gone, / I am a man again.- Pray you sit still" (iii.iV.130-131), not something normal considering the actions he has committed. His guilt paralyzes him when he does feel it, but most of the time he is guiltless, and that encourages him to commit more murder. Although his guilt does not ultimately destroy him, it is a factor that brings his own men against him, since through his guilt he reveals the actions he has committed.