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The theme of death in poems
Personal essay on sylvia plath
The theme of death in poems
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“Lady Lazarus” is a poem by Sylvia Plath, written in 1962 shortly before her death in early 1963, and published posthumously by her husband, poet Ted Hughes, in 1965 in the collected volume Ariel. “Lady Lazarus” is a poem about suicide as a rebirth, and was in part inspired by Plath's own life and draws heavily on Plath's lifelong struggle with bipolar depression and suicidal feelings, and uses holocaust imagery to paint a bleak portrait of suicide and hopelessness.
Sylvia Plath was born in Boston, Massachusetts in 1932 to a German immigrant college professor and his graduate student-turned-wife. The early years of Plath's life were comfortable, spending much of her time near the seaside. After losing her father in 1940, Plath and her mother found themselves in a more strained financial situation. This led to feelings of betrayal and resentment toward her father, and partially inspired arguably her most well known poem, “Daddy.” Plath was a brilliant writer from a young age and excelled in school, attending Smith College on scholarship. (Poets.org)
As Plath went through late adolescence her depression worsened. It is believed that Plath suffered from bipolar disorder as indicated by her published writing and her journal entries. In an entry dated June 20, 1958, Plath writes “It is as if my life were magically run by two electric currents: joyous positive and despairing negative—whichever is running at the moment dominates my life, floods it” (qtd. by Poets.org) Her depression eventually led to a suicide attempt at age 20, when Plath overdosed on sleeping pills that had been prescribed for her insomnia. Plath received electroconvulsive therapy as treatment for her breakdown, and for a short while it had seemed like she had mad...
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...ul use of symbolism, Plath describes the mind and feelings of a person suffering from bipolar disorder and evokes in her reader the feelings of hopelessness, frustration and despair that often plague those who suffer from the disease, and eventually drove Plath herself to suicide.
Works Cited
The Holy Bible, King James Version. Cambridge Edition: 1769; King James Bible Online, Web. 11 Apr. 2014. .
Plath, Sylvia. "Lady Lazarus." Poets.org. The Academy of American Poets, 23-29 Oct. 1962. Web. 11 Apr. 2014. .
Peter K., Steinberg. "Biography." A celebration, this is. N.p., 1 Dec. 2007. Web. 11 Apr. 2014. .
"Sylvia Plath." Poets.org. The Academy of American Poets, n.d. Web. 11 Apr. 2014. .
Even with the differences in relationship with their fathers, both Sylvia Plath and Theodore Roethke struggled with depression and mental illness due to losing a major parental figure like their fathers at young ages. It is difficult to lose someone and you can see in Plath’s and Roethke’s writings that they had complicated relationships with their fathers that shaped and influenced their
Sylvia Plath a highly acclaimed twentieth century American poet whose writings were mostly influenced by her life experiences. Her father died shortly after her eighth birthday and her first documented attempt at suicide was in her early twenties. She was married at age twenty-three and when she discovered her husband was having an affair she left him with their two children. Her depression and the abandonment she felt as a child and as a woman is what inspires most of her works. Daddy is a major decision point where Plath decides to overcome her father’s death by telling him she will no longer allow his memory to control her.
"The bell jar hung, suspended, a few feet above my head…” For most people, when the name Sylvia Plath comes to mind, the word “psychotic” is the word that follows; however, there was more to Plath than her demented works. Throughout her shortened life, Plath had a variety of titles bestowed upon her: daughter, sister, student, wife, mother, teacher, author, and poetess However, Sylvia Plath was a haunted soul, as she also had the labels of “manic depressive” and “bipolar.” Her constant struggles with her mental illnesses are evident in her writing, especially her semi-autobiographical novel, The Bell Jar.
Emily Dickinson is regarded as “America’s most original poet” and was born on December 10th, 1830 (CITATION1). During her life, she spent most of her time alone in her house, spending time with only herself and writing poetry. When she died at the age of fifty-five, her sister decided to publish the 1,800 poems Emily had written. Before her death, Emily had only published ten of her poems. Because of this, she was not widely known before she died, unlike Sylvia Plath. Sylvia Plath, on the other hand, is a well-known author and poet. She even won the Pulitzer Prize award for Poetry in 1982 (CITATION2). Sylvia was similar to Emily Dickinson in that she was not an outgoing person. In fact, she was often depressed, and eventually took her own life in 1963 (CITATION3). While unfortunate, Sylvia Plath had written many popular poems, such as “Daddy”, short stories, and a semi-autobiographical novel called “The Bell Jar”.
Plath is a very personal poet. She also uses symbolism throughout the majority of her poetry and prose. Plath writes based on everyday occurrences during her lifetime. Most of her work is actually diary entries without punctuation. Plath gets most of her inspiration from her everyday life. She enjoyed writing about the things that happened day to day.
Plath was born in the seaside town of Winthrop, Massachusetts during the year of 1932. In her first eight years of life, Plath was troubled with the birth of a new sibling, the death of a parent, and the start of a war. These eight years were the calm before the stormy life of Sylvia Plath. As an only child, Plath felt threatened by the new baby in the family. Her new sibling, Warren, sparked a disdain for children that Plath would harbor for the rest of her life. In 1940, Plath’s father died and essentially robbed the children of a proper relationship with their mourning mother. The family moved inland where Plath focused on writing poetry until she began to attend Smith College in 1950.
"About." Personal Blog, n.d. Web. 15 Nov. 2015. [When finding an explanation for the similarities between the writers, it is important to play close attention to biographies. In case the psychoeconomic factors that Ruonco describes are true, then biography constitutes most of the development of the Sylvia Plath affliction. Moreover, the biography provides an insight into the views of the author for a better and more accurate understanding of her poetry. Furthermore, it is imperative to use her auto-statement since she referres to her "muse" as something out of her control which can be traced to Kaufman's
Giles, Richard F. “Sylvia Plath.” Magill’s Critical Survey of Poetry. Ed. Frank N. Magill, b. 1875. Pasadena: Salem Press, 1992.
After reading the poem “Mad Girl’s Love Song” and doing some research on Plath, I came to find out that the poem was very similar to Plath’s personal life. The poem is basically about a young girl who fell in love and gave her all to a boy who never came back to love her. The young girl fell in a depression and made herself believe that she was making it all up. She still had hope that she and the boy could be happy someday, but it never happened and it drove her insane. Perhaps the boy could have been Plath’s husband, Hughes. Everything about the poem is so similar to her marriage with Hughes; the story makes the reader believe the poem could possibly be about Plath herself.
Sylvia Plath uses a diverse array of stylistic devices in "Lady Lazarus," among them allusion,
Sylvia Plath’s life was full of disappointment, gloominess and resentment. Her relationship status with her parents was hostile and spiteful, especially with her father. Growing up during World War II did not help the mood of the nation either, which was dark and dreary. At age 8 Plath’s father of German ancestry died of diabetes and even though their relationship was never established nor secure, his death took a toll on her. “For Sylvia, who had been his favorite, it was an emotional holocaust and an experience from which she never fully recovered” (Kehoe 90). Since she was so young she never got to work out her unsettled feelings with him. Even at age eight, she hid when he was around because she was fearful of him. When she was in his presence his strict and authoritarian figure had left an overpowering barrier between their relationship. Sadly enough by age eight Plath instead of making memories with her dad playing in the yard she resented him and wanted nothing to do with him (Kehoe). These deep-seated feelings played a major role in Plath’s poetry writings. Along with his “hilterian figure,” her father’s attitude towards women was egotistical and dismissive, uncondemning. This behavior infuriated Plath; she was enraged about the double standard behavior towards women. Plath felt controlled in male-dominated world (Lant). “Because Plath associates power so exclusively with men, her conviction that femininity is suffocating and inhibiting comes as no surprise” (Lant 631). This idea of a male-dominated world also influenced Plath’s writing. Unfortunately, Plath married a man just like her father Ted Hughes. “Hughes abandonment apparently stirred in her the memories and feelings she had struggled with when her ...
According to Dyne, “Plath borrowed the miracle of Lazarus, the myth of the phoenix, the hype of the circus, and the horror of the holocaust to prophesy for herself a blazing triumph over her feelings of tawdriness and victimization” (397). By using the title of this poem, Sylvia Plath creates an allusion. She refers to the biblical Lazarus, who Jesus raised from the dead. According to one source, “…like the Lazarus of the title, its persona miraculously survives each brush with death” (Maramarco 85). Within this poem, Plath also compares herself to appalling remnants from the Holocaust:“my skin / Bright as a Nazi lampshade / My right foot / A paperweight / My face a featureless, fine / Jew linen” (Rooney). Sylvia imagines that she is a primary victim of the horrific Holocaust just trying to survive day by
Through her dark and intense poetry, Sylvia Plath left an eternal mark on the literary community. Her personal struggles with depression, insecurities, and suicidal thoughts influenced her poetry and literary works. As a respected twentieth century writer, Sylvia Plath incorporated various literary techniques to intensify her writing. Her use of personification, metaphors, and allusions in her poems “Ariel,” “Lady Lazarus,” and “Edge”, exemplifies her talent as a poet and the influence her own troubled life had on her poetry. According to “Sylvia Plath” Sylvia Plath struggled with severe depression throughout her life.
In poems of Sylvia Plath, entitled "Lady Lazarus" and "Daddy" some elements are similar, including used hostile imagery, gloomy atmosphere as well as recurring theme of suicide, but the poems differ in respect of the speaker’s point of view and attitude towards addressed person or unfavorable surroundings. These elements are employed by Plath in order to intensify the impact on her audience and convey all extreme emotions. Another issue that is considered to be worthy of thinking over is the question why the poet refers to Holocaust and the suffering of the Jews in Nazi concentration camps.
Plath’s father died early in her life leaving her with unresolved feelings, and this brought a lot of troubles later on in life. Sylvia was a great student but when she was overwhelmed with disappointments after a month in New York, she attempted suicide (“Sylvia Plath”). After receiving treatment and recovering, she returned to school and later moved to England where she met her future husband, Ted Hughes (“Sylvia Plath”). Their marriage with two children didn’t last when Ted had an affair. They separated and Ted moved in with the new woman, leaving Sylvia and their two children. Battling depression during this time, Sylvia soon ended her life. She left behind numerous writings that many might see as signs of her depression and suicide attempts.