La Vida de Fernando Botero
Fernando Botero llevado en Colombia en 1932. En 1951, él viajó a Bogotá, donde él tenía su primera exposición individual en la galería de Matiz. Él estudió en Madrid en la academia del San Fernando y en Florencia, donde él aprendió las técnicas del fresco de los italianos. En 1956 él trabajó en la escuela de los artes finos de la universidad en Bogotá y viajó a Ciudad de México para estudiar el trabajo de Rivera y de Orozco. Durante los años sesentas en Nueva York, Botero empiezó una forma de pintura figurada del renacimiento y de pintura barroca con la tradición colonial de América latina. En 1969 su obras bellos fueron en el museo del arte moderno en Nueva York.
Seises de sus trabajos de arte famosos son el cuarto de baño, pares, una familia, hombre con el perro, los músicos, y un naturaleza muerta de la sandía. Sus pinturas casi siempre son comentarios sociales con las políticas. Sus retratos satíricos carácter en susn pinutras. La técnica del fresco y la historia estudiadas Botero del arte en Florencia a partir de 1953 a 1955 y ésta ha influenciado su pintura desde que. Durante este período en Nueva York, él comenzó a experimentar con crear el volumen en sus pinturas y comprimiendo el espacio alrededor de ellas.
En la pagina ciento en el libro de Paso A Paso, hay una pintura de Botero, la familia social política. El título es ?La familia presidencial?, pintado en 1967. La pintura representa a una familia presidencial faimily quiénes parecen cerdos. Las siete personas en la pintura son todas gordos, el gato son gordo también. Esta vida política del satire. Una mujer gorda en el centro con un bolso y una ropa animal en un brazo. El sacerdote y el comandante están detrás de la mujer con el bolso y en el primero plano está una serpiente.
Starting a new life is very problematic for many Central American children that migrate to the United States. There are a lot of difficulties involved in the process to migrate to the United States including the journey to get there. An extremely common way to migrate is by train. Migrants usually take away many life lessons from the journey to the United States such as the generosity and assistance from fellow Central Americans. On the other hand there’s extreme hardships. For example, the many robberies, and gang violence a migrant can face on the journey to the United States. During the trip, migrants learn that they usually cannot take things for granted, especially how scarce food, supplies, and other necessities are.
Alfredo Corchado — is the author of the book named " Midnight in Mexico:A Reporter's Journey through a Country's Descent into Darkness”. We are, probably, all interested in finding out the facts, news, and gossips about Mexico. This country was always associated with something mysterious. For me personally, the title of the book seemed to be very gripping, I was interested in revealing the secrets of life in Mexico, thus I decided to read this book. I was really curious, what can Alfredo Corchado tell me about the life in this country, the country, where the constant massacre is the picture, people used to see. In his book, the author tells the reader about the real situations, which took place in Mexico, reveals the secrets of the people’s lives and tells the story from the “inside”. He describes the way he lives his life, and does his work. The " Midnight in Mexico: A Reporter's Journey through a Country's Descent into Darkness” is a memoir. Author tries to transform his own experience into the story line. Corchado shows the reader the darkest episodes of Mexican society, while relying on his own experience.
Norma Elia Cantu’s novel “Canícula: Imágenes de una Niñez Fronteriza” (“Canícula: Snapshots of a Girlhood en la Frontera”), which chronicles of the forthcoming of age of a chicana on the U.S.- Mexico border in the town of Laredo and Nuevo Laredo in the 1940s-60s. Norma Elia Cantú brings together narrative and the images from the family album to tell the story of her family. It blends authentic snapshots with recreated memoirs from 1880 to 1950 in the town between Monterrey, Mexico, and San Antonio, Texas. Narratives present ethnographic information concerning the nationally distributed mass media in the border region. Also they study controversial discourse that challenges the manner in which the border and its populations have been portrayed in the U.S. and Mexico. The canícula in the title symbolizes “The dog days of 1993,” an intense part of summer when the cotton is harvested in South Texas. The canícula also represents summer and fall; also important seasons and concepts of that bridge between child and adulthood. She describes imaginative autobioethnography life growing up on ...
What is Doyle’s message in Joyas Voladoras? Well, there could be many interpretations, but I specifically think that he’s trying to tell us about the heart. It does talk about many different subjects, like hummingbirds and blue whales, but it always comes back to ONE subject: the heart, the physical one and the emotional one.
Life is like a game of blackjack where we unknowingly are dealt good or bad cards. This unpredictability makes it difficult to gamble decisions. Unfortunately many factors can lead to the bad card where in both the game and life, people are trying to prevent us from achieving the goal. There are two choices to change the outcome however, we may either give up (fold) or we may take a chance (call). The beauty of taking the risk is that if lucky, life gives you that much-needed card. When dealt that winning card, a person is immediately uplifted. That one good hand drives a person to outweigh the pros from the cons and continue to strive for the winning pot or in this case, the goal in life. Enrique in Sonia Nazario’s “Enrique’s Journey,” is dealt both the good and bad cards in life, as he undergoes a battle of being pushed internally to continue while also being pulled externally to quit, thus leading him to unearth himself as a worthy human being while on the journey to the U.S; sadly however, his arrival in the U.S refutes what he clearly envisioned for himself.
As a young child, Rodriguez finds comfort and safety in his noisy home full of Spanish sounds. Spanish, is his family's' intimate language that comforts Rodriguez by surrounding him in a web built by the family love and security which is conveyed using the Spanish language. "I recognize you as someone close, like no one outside. You belong with us, in the family, Ricardo.? When the nuns came to the Rodriquez?s house one Saturday morning, the nuns informed the parents that it would be best if they spoke English. Torn with a new since of confusion, his home is turned upside down. His sacred family language, now banished from the home, transforms his web into isolation from his parents. "There was a new silence in the home.? Rodriguez is resentful that it is quiet at the dinner table, or that he can't communicate with his parents about his day as clearly as before. He is heartbroken when he overhears his mother and father speaking Spanish together but suddenly stop when they see Rodriguez. Thi...
#1.The thesis in “A Partial Remembrance of a Puerto Rican Childhood” by Judith Ortiz Cofer is that because of the stories her grandmother told every afternoon when she was a child, her writing was heavily influenced and she learned what it was like to be a ‘Puerto Rican woman’. The thesis of the selection is stated in the first and last sentence of the second paragraph: “It was on these rockers that my mother, her sisters, and my grandmother sat on these afternoons of my childhood to tell their stories, teaching each other, and my cousin and me, what it was like to be a woman, more specifically, a Puerto Rican woman . . . And they told cuentos, the morality and cautionary tales told by the women in our family for generations: stories that became
Valle’s most significant contribution to the Spanish theatre is his invention of the literary style of esperpento, which is best represented in one of his most famous plays, Luces de Bohemia. Valle created esperpento with the aim of representing the harsh realities of Spanish twentieth century society through the concave lens of grotesque deformation, so that he could present the lives of the Spaniards in the light of mockery and absurdity. During his writing of Luces de Bohemia, the Spanish society has been brought to a halt, along with the lack of political progress and social improvement, therefore this concerning political situation has influenced and steered Valle towards his literary evolution, the exaggerated grotesque, which he though was the only suitable way to represent the shocking reality and problems of Spain. In this way, he could alarm the people to terminate their complacent acceptance of this reality and he could also produce a distancing effect which renders the reader immune to the play’s purpose, thus making the artistic experience more tolerable. His experience in the killing fields was what made him t...
The quote “Enrique cannot see blood, but he senses it everywhere. It runs in gooey dribbles down his face and out his ears and nose. It tastes bitter in his mouth….The sun is high and hot. Enriques left eyelid won't open. His battered knees don't want to bend” is a great example of how the author gets our attention by appealing to our emotions (Nazario 61). In Sonia Nazarios book “Enrique's Journey,” the author does a great job of using all three of the Aristotelian appeals. The one that stands out the most is pathos, the appeal to emotion. In this novel, the author uses pathos to better the story; and try to change the minds of Americans about immigration by using many different techniques such as
The book The Squatter and the Don was written under such a political and social background, therefore, this book is considered as one that carries political colors and that is similar to Uncle Tom’s Cabin. Actually, through reading The Squatter and the Don, it is not difficult to find out that Ruiz de Burton was trying to challenge the social borderlines of her time and place through her application of political illumination and her integration of historical
During the period of time, starting from the late 1800’s to the early 1900’s, realism in arts rose. It was a movement against the previous movement of Romanticism, which was glorifying the world and presenting it in an unreal way. Things that were painted were often unrealistic and were drawn out of the artist’s imagination. Artists felt that artworks should have a social consciousness and they also wanted to break away from the previous styles of art. Realism was the style of art that focused on the reality and the original, but not that pleasing side of the object or idea. It was also a way of revealing the truth of the ordinary lives in the country. Artists felt the need to express arts through daily lives and society, instead of symbolic representations. They were able to express art through daily lives by painting workers, farmers, common man, they expressed society by painting what they had actually seen, and focusing on the emotions expressed by ordinary people.
Art movement’s characteristics vary from nation to nation, but painting can be used as a critique of the socio-political reality in a given nation. It is a creative way to communicate with a population about economic, education and social issues. Therefore, The History of Cuernavaca and Morelos: Crossing the Barranca (ravine) Detail (1929-30) Fresco by Diego Rivera is a good example of how an artist uses his creativity to connect with people in relation to Mexican history. Art is an inspired way to share the complexity and challenge of a community. It can be used a way to respond to them likewise. Therefore, the concept of accessibility takes ingenuity. With his deepen knowledge of European and ancient Mexican art, it was not a documentation
On November 1st, I attended the event of Axis Mundo Queer Networking in Chicano LA: A Talk by Ondine Chavoya and David Frantz. The Axus Mundo Queer Networking in Chicano LA celebrates Latino art studies. It focuses on their culture, people, places, events, and artworks in the late 1960s to the early 1990s. Mundo Meza have a focal point on the expedition. He was close to community peer and spoke reference in public spectacles. In the late 150s to the early 1970s, Mundo Meza and Robert “Cyclona” Legorreta performed and collaborated together on stage. They performed the Chicano Wedding, “gay wedding,” where Legorreta was the bride and Mundo being the bride maid.
Within the works of “Fiesta, 1980” it takes us in the lives of a Latin American family. We are described a traditional style Latino family were there is a dominate father figure, a submissive mother, and obedient children more or less. There are two boys the eldest Rafa and the youngest Yunior and their younger sister Madai. During the transgression of the story it is conveyed through the eyes of Yunior. And like any typical family it has its own story to tell.
The word art is an encompassing one, vastly interpreted and with multiple definitions. In the case of Picasso's painting Guernica, art informs, educates and expresses. Its power lies in its ability to capture and compel an audience nearly six decades after the modern world's "other" day of infamy. To understand fully the painting that evolved out of the Spanish painter's outrage, one must know its context. "Why do you think I date everything I do? Because it is not sufficient to know an artist's works--it is also necessary to know when he did them, why, under what circumstances" (Picasso). An appreciator who knows the saga of Spain's historical fishing village is given a depth of experience that only a genius like Picasso could portray --"it may well be the most terrifying document on the horrors of war ever to be produced by an artist" (Wertenbaker 126).