Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Essays on la llorona
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Essays on la llorona
In Mexican culture, La Llorona folklore is the storytelling that has passed on through generations for many years. Even though, folklores changed by new tellers. Every folklore needed to be analyzed and see how it had changed over years depending on the tellers. For instance, my family had been telling the folktale about “La Llorona” but it has been discovered that there were different versions of La Llorona in different places. The purpose of folklore is to scare children to behave, or not to go to dangerous places, or so many different reasons. This folktale can be considered as teaching morals, or cautionary tales, or familial cultural heritage. This folktale of La Llorona was from Mexico or even from the past in Mexico such as the Aztecs. La Llorona is one of the famous folktale for centuries and there are different stories regarding La Llorona over years.
Fuller (2015) found that La Llorona was about the Mexican woman who attempted to kill
…show more content…
La Llorona was raged and revenged her lover by killing her children. In addition, the legend changed over time and there were different versions of the wailing woman in different regions. La Llorona was the interpretation of the history when Spaniards came to conquer indigenous people’s lands in Mexico and Spaniards treated indigenous people awful. Indigenous people were raged with Spaniards that they raped indigenous women and left them for much wealthy Spain women. Some says that the folktales of La Llorona was to scare children to behave, not to disrespect parents, not to go out alone at night, not to play by the lake, and so on. If children misbehave, and parents will tell them that La Llorona will come to get them. La Llorona only wanted children and she will snatch children into the lake. Folktales have passed through generations, and changed by new tellers in the
Guillermo González Camarena was a Mexican electrical engineer who was the inventor of a color-wheel type of color television, and who also introduced color television to Mexico,
Through the study of the Peruvian society using articles like “The “Problem of the Indian...” and the Problem of the Land” by Jose Carlos Mariátegui and the Peruvian film La Boca del Lobo directed by Francisco Lombardi, it is learned that the identity of Peru is expressed through the Spanish descendants that live in cities or urban areas of Peru. In his essay, Mariátegui expresses that the creation of modern Peru was due to the tenure system in Peru and its Indigenous population. With the analyzation of La Boca del Lobo we will describe the native identity in Peru due to the Spanish treatment of Indians, power in the tenure system of Peru, the Indian Problem expressed by Mariátegui, and the implementation of Benedict Andersons “Imagined Communities”.
The traditions my parents instilled in me at a young age are important to me. They are part of my Latin culture and identity. One of the most important traditions that I value the most is our devotion to “La Virgen de Guadalupe” (The Virgin of Guadalupe), and although I don't go to church or share a specific a religion, I believe in La Virgen as a protector and a guardian figure and maintain her presence in my daily life. The story of La Virgen de Guadalupe goes back to 1531, during the time of the Spanish conquest, an indigenous man named Juan Diego encountered the apparition of La Virgen who told Juan Diego that a church should be built in her honor at the top of Tepeyac hill, where she appeared, which is now in the suburbs of Mexico City.
A Guatemalan native, a male graduate student that I work with in my research group at the University told this story. He came from the countryside, living in a small village back home. According to him, the story of La Llorona, involving a weeping woman, arose sometime in the 1700s and became well known both at school and home. Some claimed to have actually seen the weeping woman. Some disregard it as unscientific and implausible. No one is sure of the exact origin of this urban legend. This story was told to me and another graduate student in our research group while sitting in lab waiting for the experiment results. The story began as we started sharing our own background and the culture of our own countries when the storyteller decided to make a little shift and started to tell a story told to him by his older cousin--the story of La Llorona:
In comparison to other slaves that are discussed over time, Olaudah Equiano truly does lead an ‘interesting’ life. While his time as a slave was very poor there are certainly other slaves that he mentions that received far more damaging treatment than he did. In turn this inspires him to fight for the abolishment of slavery. By pointing out both negative and positive events that occurred, the treatment he received from all of his masters, the impact that religion had on his life and how abolishing slavery could benefit the future of everyone as a whole; Equiano develops a compelling argument that does help aid the battle against slavery. For Olaudah Equiano’s life journey expressed an array of cruelties that came with living the life of an
The film El Contrato showcases the conditions of workers trying to support families back at home. The men all live under one roof, on a contract for a duration of eight months to work in Ontario at a tomato greenhouse. The workers band together and treat each other as a family would, learning to survive.
Racism has resided within the Dominican Republic for centuries after the defeat of the Haitian Empire. Yet, the profuse racism came from the Presidency of Rafael Trujillo. Rafael Trujillo yearned to withhold the prevalence of white skin-tone in Dominican individuals. Trujillo initiated an anti-Haitian regime as he was determined to whiten his country. To present himself as a white Dominican, Trujillo wore makeup to lighten his appearance, to uphold his standards. Yet, the horrific, defining moment of his presidency was the Parsley Massacre. Trujillo started the massacre in 1937, as he sought to deceive his people by claiming the Haitians were practicing witchety, while claiming they kept a Dominican opponent in hiding. Dominican troops slaughtered
The Coyolxauhqui stone is a crucial part of the narrative of the Templo Mayor. At the Templo, vanquished soldiers were sacrificed daily. After being slaughtered, they were thrown from the summit of the Templo to the bottom, tumbling down the structure of the Templo, which was built to mirror the Serpent Hill of the Coyolxauhqui legend. In the mythology of Coyolxauhqui, she is angered by her mother, Coatlicue “Serpent Skirt,” after she becomes pregnant with a child who is a potential threat to Coyolxauhqui’s inheritance. Coyolxauhqui then musters her four hundred brothers to fight against her mother. But before she is able to slay Coatlicue, her new brother, Huitzilopochtli, springs from Coatlicue’s womb, fully grown. He then dismembers Coyolxauhqui and throws her to the bottom of Serpent Hill. The daily sacrifice at the Templo Mayor was meant to mimic this mythology. Because Huitzilopochtli was a Mexica culture hero, this daily imitation of his victory creates a spatial narrative of conquest at the Templo Mayor. This ritualistic and spatial narrative functions to justify the territorial narrative of the Aztec empire. The importance of this narrative to the Mexica highlights the gravity of the Coyolxauhqui mask being an emulation of Olmec art style. By paying homage to a predecessor culture with a symbol that functions to justify their empire, the Mexica are emphasizing the importance of a cultural antecedent in their present. It is also imperative that they are relating their cultural heritage to their possession of an empire, and the subjugation of their tributary states. Not only did an emulation of their cultural antecedents matter in terms of their contemporary culture, but it also was relevant towards their status as rulers of an
How could an old legend still be relevant today? The answer is Christianity. Slater interviews a woman named Dona Dominga who tell the story of how her grandmother who was abducted by Encantados, but was released because she had a Christ figure around her neck, and the Encantados do not harm baptized Christians (172). In this modern version, the betrayal is no longer from a slave owner, but everyday threats. In the case of Dona’s grandmother, she was abducted by a dark-skinned child (Slater 163-164). The fear no longer lies in being returned to a plantation, but what dangers lurk around someone every day. The only way to achieve salvation is through
Latin America is rich with stories and legends. Many are said to have been originated from the time of the Conquistadors or the indigenous era. One story or legend that has surpass all other folklore and the times, in all parts of Latin America, is that of “the weeping woman” or best known as “La Llorona”. Her sad story is said to have originated in a small town in Mexico. It was said that in this small humble town, there lived an enchanting young girl. She was by far the most beautiful young girl in all the nearby villages. Just as her beauty was recognized through out all Mexico so to was her name. The older Maria got, her beauty seem to increase and sparkle like priceless rubies and gems. But unfortunately her heart was black and full of pride. No man was suitable and they were beneath her beauty to even be glanced by her eyes. Until one day there rode into town a dashing young stallion of a man riding on his half wild horse. Some say that he claimed to say “He thought it wasn't manly to ride a horse if it wasn't half wild”. http://www.literacynet.org/lp/hperspectives/llorona.html. This young man was not just handsome but wealthy and played the guitar while singing with his majestic voice. In one glance, Maria knew that this was the man she would marry. She didn’t make it easy for him to woo her. This young man would serenade beautiful melodies out side her window and present her with gifts from afar. Maria would ignore every thing the young man did to get her attention. Finally this young man conquered her love and it wasn’t long before they both got engaged and married. Years went by and Maria bore him two kids. This ...
The objective for la Llorona was that she wanted Miguel to find his voice. The obstacle for her was that he was unable to do this on his own. In order to help Miguel find his voice, she gave him advice about where to go and who to get it from, with her advice culminating in Miguel finding his voice through self-reflection in his dream. La Llorona did not give up on Miguel even though he made mistakes along his journey because she believed that it was important for him to find his voice and share his story.
El “cucuy” supposed to eat the kids that don’t listen to their parents. La llorona iIs one of the most hispanic famous legends, back then “la llorona” was a beautiful young lady who's had two kids, a girl and a boy and she killed them to be able to be with his husband that she loved and when he rejects her she ends up killing herself and according to the legend she's looking for kids to kidnap them. “La llorona” and “el cucuy” are very popular legends on the hispanic cultures they both are similar because they both are about a supernatural figures that appear on the dark and both look for kids. These legends reflect the culture with their terrifying s Most hispanics know these legends and can relate with them because their parents scared them throughout their childhood. What values are evident in each?These legends have a huge value on the hispanic culture because this was a way for parents to keep their children out of trouble or bad behavior. Throughout the years people have been talking about these legends and people have assume that they have seen “la llorona” or “el cucuy” around
“Culture is a cluster of intangibles and tangible aspects of life passed down from generation to generation.”(cite) More importantly, culture is define as the way of life of a group of people who share these same values and beliefs, therefore, we will check the Hispanic culture. The U.S. Census Bureau defines Hispanic or Latino as mutual inhabitants in the United States who are of Latin American or Spanish origin. Latinos has become a larger proportion of the U.S. population, there is a greater need for social work education to offer culturally sensitive training to social work students (Furman, Bender, Lewis, & Shears, 2006; Iglehart & Becerra, 1995). A Hispanic woman, Marcela Hede voices that, “Being Hispanic is mainly defined by my language
What is culture? Many people ask themselves this question every day. The more you think about it the more confusing it is. Sometimes you start leaning to a culture and then people tell you you’re wrong or they make you feel like a different person because of your culture. I go through this almost every day. Because of the way I was raised I love Mexican rodeo but I was born and raised in Joliet. This can be very difficult trying to understand culture. I live in this huge mix of culture. Culture is personal. People can have many cultures especially in America and because of globalization. Cultural identity is not one or the other, it is not Mexican or American. Cultural identity is an individual relevant thing.
Paz goes on to explain that Mexicans are torn between two very apposing identities. There are those who wish to be seen as modern and civilized and those that wish to remain with tradition. However, those people who wish to be modern have come to view the ancient traditions with distain and apprehension. With this, Paz goes on to explain how Malinche, who is seen as the mother of the Mexican people, is important in her role as the mother. She is either viewed as either she is the nurturing religious figure who succors all the Mexican people, also known as the Virgin of Guadalupe in its purest form, or she is known and referred to as La Chingada, showing her as the violated mother.