La Battaglia Di Legnano Propaganda

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While in Nabucco and I Lombardi alla Prima Crociata Verdi disguises the patriotic subject under the loose veneer of biblical and historical metaphors, La Battaglia di Legnano is a flagrant propaganda piece.
In the revolutionary year of 1848, libretto writer Salvatore Cammarano had proposed to Verdi a propaganda piece urging Italy to unite in expelling the invader. Cammarano and Verdi were absolutely at one in their desire to compose an opera that would celebrate Italian nationalism. In his letter, proposing the subject Cammarano concludes: 'wave these pages to the breezes, they contain my kisses for undefeated and heroic Milan'. Cammarano knew his audiences would understand that his libretto was really about the situation of 1848, though for censorship reasons he had to write about a war in medieval times. The similarities to the events of 1848-1849 were unmistakable.
Works on La Battaglia di Legnano took up most of the 1848, and by the time it was finished Milan and other cities were back in Austrian hands.
At the time, the Pope, Pius IX had disbanded his army and fled the city, after his minister Rossi had been murdered by fanatical Republicans. Due to the refusal of Pius IX and Rossi to join with Lombardy against Austria or to send any help to the north. His escape was well arranged. On November 24th the Pope, dressed as a simple priest escaped with the aid of the French and Bavarian ambassadors to Gaeta, a seaside town south of the Papal …show more content…

The audience rushed toward the exits, ladies in the boxes fainted, and after the drunk was finally arrested the theater was half empty. For the first few performances while Verdi remained in Rome he was called endlessly onto the stage; in the cheering "Viva Verdi" alternated with "Viva Italia". He became the personal symbol of the patriotic movement. He did not enjoy it and left Rome for Paris as quickly as he

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