Kurt Vonnegut's Slaughterhouse-Five and Breakfast of Champions

3300 Words7 Pages
bulb-icon

Recommended: Kurt Vonnegut's philosophy

Kurt Vonnegut's Slaughterhouse-Five and Breakfast of Champions

Who would have ever thought the way a radioactive particle decays would relate to whether or not we have bad attitudes towards life? Who would have ever suspected that the structure of space-time would be so closely linked to whether or not we would marry rich wives? And who indeed would have ever expected that the properties of light might affect whether or not we go on homicidal rampages? Perhaps Kurt Vonnegut did. Could it be possible that a writer known more for his pictures of assholes than his knowledge of advanced physics actually centered some of the deepest concepts in his works on the philosophical implications of general relativity and quantum mechanics? Two of his greatest novels, Slaughterhouse-Five and Breakfast of Champions, both seem to hint at the relationship between modern physics and an idea philosophers call determinism. Vonnegut readers might well scratch their heads and flip through their copies of these books, searching the stories of the fragmented life of a war veteran and the deranged antics of a mad car salesman for a chapter on the Schrödinger wave equation they may have skipped. I freely admit that their search will be in vain, and that no truly concrete proof exists that Vonnegut based the ideas in these books on the latest discoveries of science. But I also contend that the parallels between Vonnegut’s work and advanced physics are a little too perfect to be a series of very lucky accidents. From this perspective, it seems likely that Vonnegut used ideas based on physics to support the idea of determinism in Slaughterhouse-Five and destroy it in Breakfast of Champions.

But perhaps before arguing about the ways Von...

... middle of paper ...

...e and what he saw made him more optimistic. Or maybe it was all due to copious consumption of the “little pill[s]” he takes to “cheer up” (Vonnegut, Breakfast of… 4). Even Vonnegut might not know for certain. All that can be said with confidence is that Vonnegut’s idea of truth evolved between Slaughterhouse-Five and Breakfast of Champions, just like the theories and concepts of physics do even now. In the end, so too must all human knowledge die and be reborn. As Vonnegut might say (Vonnegut, Slaughterhouse… 34), “So it goes.”

Works Cited

Rachels, James. Problems from Philosophy. Boston: McGraw Hill, 2005.

Vonnegut, Kurt. Breakfast of Champions. New York: Dell Publishing, 1973.

Vonnegut, Kurt. Slaughterhouse-Five. New York: Dell Publishing, 1969.

Zukav, Gary. Dancing Wu-Li Masters. New York: William Morrow and Company, inc., 1979.

Show More
Related

  • Slaughterhouse Five Ap Language Essay

    703 Words  | 2 Pages

    The tone of the first chapter of Slaughterhouse Five by Kurt Vonnegut is a mixture of candid and matter of fact, with an underlying tone of indifference and detachment. This tone is displayed throughout the chapter with Vonnegut’s use of informal language and phrases, such as the first sentence “All this happened, more or less.” He conveys this tone not only through phrases such as “and so on” or “so it goes”, but with stylistic elements with his use of punctuation, spaces, repetition, and ellipses. He uses this tone in the first chapter to set the audience up for how the rest of the novel will be written, and to display to the audience his style of writing and how it may not always be reliable.

    Read More

  • Unequality in Harrison Bergeron by Kurt Vonnegut

    860 Words  | 2 Pages

    Wood, Karen and Charles. “The Vonnegut Effect: Science Fiction and Beyond.” The Vonnegut Statement. Vol. 5. 1937. 133-57. The GaleGroup. Web. 10 March. 2014.

    Read More

  • Analysis of Kurt Vonnegut's Slaughterhouse-Five

    2383 Words  | 5 Pages

    One can only imagine the intense emotional scarring that one would suffer after exiting an underground shelter with a dozen other men to find a city destroyed and its people dead, corpses laying all around. These feelings are what prompted Kurt Vonnegut to write Slaughterhouse-Five as he did. The main character of this novel mirrors the author in many ways, but the striking similarity is their inability to deal with the events of Dresden on the night of February 13, 1945. Section Two- Critical Commentaries Kurt Vonnegut's work is nothing new to critics, but Slaughterhouse-Five is considered to be his best work.

    Read More

  • Kurt Vonnegut - The Man and His Work

    5175 Words  | 11 Pages

    One of the best, most valuable aspects of reading multiple works by the same author is getting to know the author as a person. People don't identify with Gregor Samsa; they identify with Kafka. Witness the love exhibited by the many fans of Hemingway, a love for both the texts and the drama of the man. It's like that for me with Kurt Vonnegut, but it strikes me that he pulls it off in an entirely different way.

    Read More

  • Summary Of Kurt Vonnegut's Slaughterhouse Five

    1221 Words  | 3 Pages

    War novels often depict a war hero facing off against an enemy, with a winner on the other side. However, Kurt Vonnegut’s novel Slaughterhouse Five takes an opposite approach to the telling of a war story. The narrator uses the protagonist, Billy Pilgrim, to display his own anti-war sentiment. Vonnegut’s style of writing as well as his characters help to portray the effect of war on individuals and society as a whole.

    Read More

  • Analysis Of Vonnegut's Slaughter House Five

    1057 Words  | 3 Pages

    By looking at Billy’s condition during the war, we can see that the war was not as glorious as the countries wanted you to think which at the time was not obvious. This adds a critical and significant point of view on the war to Vonnegut’s anti-war book. During WWII, the fighting countries didn’t want to show how terrible war really was, instead they showed images of patriotic men fighting in the war. In reality, these “men” were just kids out of high school and some from college, not ready to fight battles in a war. Vonnegut tries to show this in his book by inserting passages throughout Slaughter House Five, to help explain this to his readers. By describing Billy’s poor body structure and inadequate clothing and tools, one can clearly see

    Read More

  • Themes of Slaughterhouse 5 by Kurt vonnegut and Catch 22 by Joseph Heller

    1423 Words  | 3 Pages

    Themes of Slaughterhouse 5 by Kurt vonnegut and Catch 22 by Joseph Heller In the books, Slaughter House 5 by Kurt Vonnegut and Catch 22 by Joseph Heller there are many themes that at first don’t appear to be related but once given a closer look have striking similarities. Both books are about one mans experience through World War II, one being a fighter pilot and another being a soldier. Each man is known as an anti-war hero. They do not agree with the war and do not find it appropriate to fight for it.

    Read More

  • Time Unstuck: Coping Mechanisms in Slaughterhouse-Five

    1360 Words  | 3 Pages

    Imagine experiencing the events of your life in a random order. How would you view your life if it seemed more like a collection of moments rather than a story? In Kurt Vonnegut’s Slaughterhouse-Five, Billy Pilgrim is a chaplain’s assistant during World War II who claims to be "unstuck in time." Billy seemingly jumps from one moment in his life to the next without his control or consent. Billy also believes that aliens, known as Tralfamadorians, abducted him. These events may seem silly considering all of the serious and grim experiences that Billy faces in the war, but they are far from comical. Billy Pilgrim 's time travels and experiences on Tralfamadore are not real experiences, but rather coping mechanisms Billy has created.

    Read More

  • Effective Use of Irony and Satire in Cat's Cradle

    867 Words  | 2 Pages

    Vonnegut's writing style throughout the novel is very flip, light, and sarcastic. The narrator's observations and the events occurring during the novel reflect a dark view of humanity which can only be mocked by humor. At the beginning of the novel the narrator is researching for a book he is writing. The book was to be about the day the atomic bomb was dropped on Hiroshima and the lives of the people who created the bomb. The narrator travels through the plot of the story, with characters flying in and out, in almost a daze. He is involved in events which are helplessly beyond his control, but which are inevitably leading to a destination at the end.

    Read More

  • Slaughterhouse Five Literary Analysis

    898 Words  | 2 Pages

    Throughout the Slaughterhouse-Five, Kurt Vonnegut displays the clash between free-will and destiny, and portrays the idea of time notion in order to substantiate that there is no free-will in war; it is just destiny. Vonnegut crafts this through irony, symbolism and satire. And he successfully manages to prove that free-will is just a hoax that adopted by people that cannot percept time fully.

    Read More

  • Kurt Vonnegut’s Slaughterhouse-Five -- A Great American Novel

    1390 Words  | 3 Pages

    For a novel to be considered a Great American Novel, it must contain a theme that is uniquely American, a hero that is the essence of a great American, or relevance to the American people. Others argue, however, that the Great American Novel may never exist. They say that America and her image are constantly changing and therefore, there will never be a novel that can represent the country in its entirety. In his novel, Slaughterhouse-Five, Kurt Vonnegut writes about war and its destructiveness. Vonnegut tells the story of Billy Pilgrim, an unlikely hero, mentally scarred by World War Two. Kurt Vonnegut explains how war is so devastating it can ruin a person forever. These are topics that are reoccurring in American history and have a relevance to the American people thus making Kurt Vonnegut’s Slaughterhouse-Five a Great American Novel.

    Read More

  • Free Slaughterhouse-Five Essays: Dresden

    563 Words  | 2 Pages

    "In Slaughterhouse Five, -- Or the Children's Crusade, Vonnegut  delivers a complete treatise on the World War II bombing of Dresden. The main character, Billy Pilgrim, is a very young infantry scout* who is captured in the Battle of the Bulge and quartered in a Dresden slaughterhouse where he and other prisoners are employed in the production of a vitamin supplement for pregnant women. During the February 13, 1945, firebombing by Allied aircraft, the prisoners take shelter in an underground meat locker. When they emerge, the city has been levelled and they are forced to dig corpses out of the rubble. The story of Billy Pilgrim is the story of Kurt Vonnegut who was captured and survived the firestorm in which 135,000 German civilians perished, more than the number of deaths in the bombings of Hiroshima and Nagasaki combined. Robert Scholes sums up the theme of Slaughterhouse Five in the New York Times Book Review, writing: 'Be kind. Don't hurt. Death is coming for all of us anyway, and it is better to be Lot's wife looking back through salty eyes than the Deity that destroyed those cities of the plain in order to save them.' The reviewer concludes that 'Slaughterhouse Five is an extraordinary success. It is a book we need to read, and to reread.' "The popularity of Slaughterhouse Five is due, in part, to its timeliness; it deals with many issues that were vital to the late sixties: war, ecology, overpopulation, and consumerism. Klinkowitz, writing in Literary Subversions.New American Fiction and the Practice of Criticism, sees larger reasons for the book's success: 'Kurt Vonnegut's fiction of the 1960s is the popular artifact which may be the fairest example of American cultural change. . . . Shunned as distastefully low-brow . . . and insufficiently commercial to suit the exploitative tastes of high-power publishers, Vonnegut's fiction limped along for years on the genuinely democratic basis of family magazine and pulp paperback circulation. Then in the late 1960s, as the culture as a whole exploded, Vonnegut was able to write and publish a novel, Slaughterhouse Five, which so perfectly caught America's transformative mood that its story and structure became best-selling metaphors for the new age. '"Writing in Critique, Wayne D. McGinnis comments that in Slaughterhouse Five, Vonnegut 'avoids framing his story in linear narration, choosing a circular structure.

    Read More

  • A Comparison Of Slaughterhouse Five And The Things They Carried

    1093 Words  | 3 Pages

    War veterans wrote Slaughterhouse-Five and The Things They Carried. Some parts of the book are made for readers to believe and the other parts give realistic examples of war. The authors introduce their plots as truth-based on purpose. In the chapter “Notes”, O’Brien admits: “that part of the story is my own.” (O’Brien 151). In the first chapter of Slaughterhouse-Five, Kurt Vonnegut begins with: “All this happened, more or less.” (Vonnegut 1). The authors create a picture for the reader on their past experiences to make their stories real. Even the parts that are fiction are not lies, because the writers have the knowledge to be able to generalize, shorten, and produce events in the book. O’Brien writes: “story-truth is truer sometimes than happening-truth.” (O’Brien 172). It seemed as if Vonnegut and O’Brien used fiction to make the story more exciting. They write abo...

    Read More

  • Slaughterhouse-Five Essay: Irony, Dark Humor, and Satire

    671 Words  | 2 Pages

    Kurt Vonnegut uses a combination of dark humor and irony in Slaughterhouse-Five. As a result, the novel enables the reader to realize the horrors of war while simultaneously laughing at some of the absurd situations it can generate. Mostly, Vonnegut wants the reader to recognize the fact that one has to accept things as they happen because no one can change the inevitable.

    Read More

  • Comparing Themes in Cat’s Cradle and Slaughterhouse Five

    1891 Words  | 4 Pages

    Throughout his career, Kurt Vonnegut has used writing as a tool to convey penetrating messages and ominous warnings about our society. He skillfully combines vivid imagery with a distinctly satirical and anecdotal style to explore complex issues such as religion and war. Two of his most well known, and most gripping, novels that embody this subtle talent are Cat's Cradle and Slaughterhouse-Five. Both books represent Vonnegut’s genius for manipulating fiction to reveal glaring, disturbing and occasionally redemptive truths about human nature. On the surface, Cat’s Cradle and Slaughterhouse-Five are dramatically different novels, each with its own characters, symbols, and plot. However, a close examination reveals that both contain common themes and ideas. Examining and comparing the two novels and their presentation of different themes provides a unique insight into both the novels and the author – allowing the reader to gain a fuller understanding of Vonnegut’s true meaning.

    Read More

More about Kurt Vonnegut's Slaughterhouse-Five and Breakfast of Champions

Open Document