Out of the designated list of online concerts, I decided to watch the Kronos Quartet on November 24th. I chose this concert mostly because I enjoy string instruments. However, I was also intrigued by the name of the group and wondered why they chose the God Kronos to represent their musical ensemble. Like most string quartets, there were two violins, a viola, and a cello. The violins were played by David Harringtong and John Sherba. The viola was played by Hank Dutt and the newest member of the group, Sunny Yang, played the cello. The group started us off with an electronica inspired piece called Death to Kosmische by Nicole Lizée. They begin in a piano dynamic with a small crescendo to mezzopiano and a moderato tempo. What really sets this
The event I attended was “An Evening of Jazz” concert held at the Fine Arts Hall on November 17 at 7:30 p.m. The performing groups were The Santa Fe Rhythm and Blues Review, The Santa Fe Jazz Combo, and Santa Fe Big Band. The event was to for me to understand, experience Jazz music and know the instruments used.
The first movement is in sonata form - Allegro ma non troppo, un poco maestoso. Strings and horns appear from the distance as if they had been already playing out of earshot. The music gradually intensifies in volume until the final explosion into the first subject. Then this whole process is repeated. The first movement shows a contrast of emotion that seems to return in the recapitulation befor...
Throughout this piece there was stop time breaks which tended to last for about four beats, while the bass player continued to play along to the beat. Every musician had a solo throughout this piece of art. The pianist played on the beat to where his left hand was giving the ‘oom-pah’ and his right hand doing the comping. There was not much of and expression in the pianist compared to the Josh Holland playing trumpet, Andrew Venet playing bass, and Ryan McDaniel playing drums. There were no blue notes being played, this song was just playing behind the beat. Lastly, this piece tends to have a long vibrato throughout this piece of work.
The first aspect of the music I recognized was the volume, or the dynamics. It ranged from forte during the climactic moments to mezzo piano during the calmer parts, but mostly remained in this range throughout the concert. There were also several instances of crescendo and decrescendo, which served to build up tension or slow the piece down, respectively.
The first song played was from a genre that I had previously taken a test on, Sonata. The musicians played the song by the book. There were three movements and polyphonic texture. It was even fast and jerky. Nonetheless, this is the part where my rollercoaster was going down. In my opinion it was boring. Although very well played, the song itself did not interest me. I did not like the roadrunner, coyote essence of the song. The piano accompaniment would sometimes play the melody and let the clarinet follow and then they would switch. This to me seemed force instead of like the Sonatas that I listened to in class. However, apart from the musical aspect of the first piece there was a certain intensity expressed by the performers. I had never seen a
composition. Listening to the song I can also hear the relaxed vibe of ska music and
The remainder of the CD seems to have the feel of one of the first three songs, adding a little variety with some blues sound, a little call and response, and some stop time rhythm. However, I was really captivated by the sixth song on the CD entitled "Invocation." The song begins with a tenor sax solo, which makes me picture an old mystery movie. The added reverb on the sax gives the idea that he is playing in an open hall. The entire song is very free form.
The themes of the movement are introduced early, with a story of a battle, when preparing for a conflict. The first new idea is based on 'Dantes Dell Inferno' -- hell, this is introduced in bar 7, in the trumpets and trombones. The second idea is also introduced early, in bar 19 by the trumpets.
The tempo can sound unclear at the start as it sounds a bit like 6/8. The song has frequent syncopation in the vocal and instrumental lines. The song starts with a use of cross rhythms created by a hi hat. The piece is entirely diatonic and is in the key of G Major with a modal feel.
The pianist and concert conductor, Christian Zacharias opened the Los Angeles Philharmonic Classical Music concert with a fascinating performance that left the audience in party mood and in happy f...
This concert took place at the Pyramid Arena in Memphis Tennessee. The main performance was by AC/DC and the band Gutted Snake opened for them. The members of AC/DC are Malcolm Young on guitar, Angus Young on guitar, Brian Johnson on vocals, Cliff Williams on bass, and Phil Rudd on drums. Gutted Snake opened at 7:30 PM and played until 8:00 PM. There was a remission, and AC/DC started at 8:30. They continued playing until around 11:00 PM.
The electric guitar begins its solo, with the drum playing in the background in its triple meter. The intensity of the music continues, this last for close to thirty beats, until the bass ends the descent initiating the tone of the new key. At this point the band drops out for maybe half a beat, but the piano picks up by playing an entirely different theme than in any other part of the song. It begins in a soft staccato with oscillating chords on the piano.
...tative will apply the discussed techniques to his own performance. Furthermore, it will be defined how the representative will attempt to push the performance boundaries even further. A similar set progression to Schulz‘s will followed, but the energy will build up sooner the duration is limited to thirty minutes. The first 10 minutes will focus on the progressive side of Trance music and will be gradually building up. The middle of the set will introduce a more melodic, vocal type of music, whereas the peak of the set will be emphasised by a faster and ‘classic‘ type of Trance music. Mainly, the performance will focus on beatmatching and cohesiveness. Nevertheless, great consideration will be devoted to apply various effects more frequently. For that purpose, music will be played from both digital (Laptop combined with Ableton sotware) and hardware (CDJ‘s) domains.
The final concert I attended was located in Dekelboum Concert Hall at the University of Maryland, the performers included Dr.Hinkle and the UMD Percussion Ensemble. This was their spring concert that highlighted all the work the ensemble had been collaborating on throughout the semester. The variety of repertoire focused on percussion but included a wide array of instruments from a triangle sextet, to a recreation of a John Cages Third Construction that included instruments such as congas, cowbells, snare drums, and many more. The only difference in these performances from previous ones I had attended was that none of them included vocals. The whole concert explored many different styles of percussion music within each of the seven pieces played.
In Winspear Hall of the Murchison Performing Arts Center on the University of North Texas campus, the winners of the 2016-2017 Concerto Competition and conducting students of David Itkin put on a concert. The concert began at 8:00 p.m. on Wednesday, February 8, 2017. The concert was conducted by Clay Couturiaux and lasted roughly two hours. Some featured instruments in the concert orchestra included the piano, harp, euphonium, horn, alto saxophone, violin, and double bass.