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Character analysis of julius caesar
Analysis of julius caesar
Character analysis of julius caesar
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In William Shakespeare’s play Julius Caesar, Mark Antony uses rhetorical devices of verbal irony and the use of props throughout his speech at Caesar's funeral in order to convince the plebeians to rebel against the conspirators in Act 3 Scene 2. First, Antony uses verbal irony to frequently mock the idea of Brutus being honorable. For example, he says to the crowd, “He was my friend, faithful and just to me, / But Brutus says he was ambitious, /And Brutus is an honorable man.” (3.2.94-96). It is clear that Antony does not actually find Brutus honorable because he just stabbed Caesar and to Antony, that is unjustified because Caesar has not yet done any harm to Rome. The reason why Antony claims that Brutus is honorable is because it is unfathomable that a man who contributes to a murder could possibly deserve respect. …show more content…
Secondly, Antony says to the plebeians, “For I have neither wit, nor words, nor worth, / Action, nor utterance, nor the power of speech / To stir men’s blood.” (3.2.233-235). Antony undersells himself with these words and claims that he is not intelligent enough to form an argument against the conspirators because of the conspiracy’s prior belief that he is just a party-goer that could not fight back against injustices. In reality, Antony knows that he is a great speaker but he instead brings attention to the fact that he is falsely seen as an irresponsible drunkard that could never do any harm. Another technique Antony uses to persuade the Romans to side with him is the use of props. First, Antony displays Caesar’s will to show the crowd his generosity and thoughtfulness for the well-being of Rome. For example, Antony reads “To every Roman citizen he gives, / To every several man, seventy-five
Throughout his speech, Antony repeats the words “[Caesar] was ambitious” and “Brutus is an honorable man” to create a contrast between the two statements. (3.2.95-96). Through this repetition, Caesar successfully undermines Brutus. Everytime he calls Brutus an honorable man, he lists a positive trait of Caesar that contradicts Brutus’s claim that he was too ambitious. He tells the crowd about the times when Caesar showed compassion for the people and when he refused the crown thrice. Antony’s sarcasm about Brutus’s honor brings into question as to whether his honor deserved. This leads the audience to doubt their feelings upon Caesar’s ambition. Near the end of his eulogy, Antony uses apostrophe when he claims that “judgment ... art fled to brutish beasts” as a reason for why the Roman people believe Brutus. (3.2.114-115). Antony indirectly shames the crowd for their belief in Brutus in that Caesar was a tyrant. Fearing alienation of the crowd, he attributes this belief to a lapse in judgement that beasts have taken. Antony also makes a pun upon Brutus’s name when he comments “brutish beasts.” Antony implies Brutus has caused a lapse in judgement within the Roman people through his oration
Antony also uses the power of his speech, similar to Cassius, to influence the plebeians of Rome by carefully structuring his words together and using various tones to appeal to the audience. Antony uses repetition, such as this quote, “I thrice presented him a kingly crown,/ Which he did thrice refuse. Was this ambition?/Yet Brutus says he was ambitious,/And sure he is an honourable man.”(III.ii.94-97) Antony uses this repetition of giving evidence to the people of what Caesar’s characteristics were really like, showing them that Caesar was not as ambitious as Brutus said, and calling Brutus an honourable man. The repetition allows for the plebeians to realize the truth because of Antony’s multiple exposures of verification that Caesar was not ambitious and how Brutus and the other conspirators are at fault. It also influences the plebeians to believe that Brutus is not noble at all because of how deceitful he acts when justifying his causes to murder Caesar. Antony then says, “[...]Bear with me./My heart is in the coffin there with Caesar,/and I must pause till it come back to me.”(III.ii.103-105). Antony indicates how close his relationship to Caesar and that he feels so heartbroken that he chokes up from all the overwhelming emotions he feels. The tone of his speech elicits sympathy from the plebeians due to the
To start off, for Mark Antony to fully manipulate the audience into supporting Caesar, he must first be able to connect with his audience. Antony does exactly
In this day and age, persuasion can be seen on almost any screen. The average American views thousands of advertisements every week. Most ads are simply pushed out of a person’s mind, but the successful advertisements are the ones that resonate with people. Some forms of ads are very annoying to those who put up with them constantly. Online pop-up ads, for example, are proven to do worse for products and business than no advertising at all! This is because this form of advertising does nothing to convince or persuade the person viewing the ad, and no effort is put into actually put into proving what it’s worth to make a point. Pop-ads make zero use of something known as “rhetorical devices”. In Julius Caesar, Brutus and Mark Antony both try to convey their point of view to a large audience of Roman citizens. One had a better speech than the other since he used “rhetorical devices” more effectively. Logos (logical; what makes sense), Ethos (ethics and morals; portraying similar beliefs and values), and Pathos (emotions; natural feelings that can be counterintuitive to logos) are the rhetorical devices that Aristotle
Rhetorical devices can be seen being used in history, such as William Shakespeare’s dramatic play “Julius Caesar”. In Shakespeare’s play Brutus and Antony conspire to lead a group to assassinate Caesar. Rome is in a panic as they find out that their first emperor Octavian who went by the name Julius Caesar has been stabbed to death. Brutus and Antony in an effort to achieve Rome’s support use rhetorical devices to try to receive support for their actions. You can see how they use ethos, pathos, and logos to eventually achieve their goal of persuading the citizens of Rome.
Character Analysis Antony- What Cassius says about Antony: "You know not what…that which he will utter?" Pg. 582 lines 233-236. This shows that the conspirators are afraid of what Antony will say in his oration to the mob. Cassius is trying to make Brutus see what Antony is really up to, but Brutus is too caught up in honor to notice. What Antony does: He speaks to the crowd making them feel sorry for him, ashamed of themselves, and hate the conspirators. He causes them to go into an angry rage in scene 3. What Antony feels: "O pardon me thou…gentle with these butchers." Pg. 582 lines 254-236. Antony has made a deal with the conspirators that have killed his best friend. This quote is after the conspirators have left, and he is talking to the corpse of Caesar. He spills his true intentions and gives word of his counter conspiracy. He feels that even though the men are honorable, that they have butchered a man that could have been reasoned with and brought out of what it was he did wrong. What Antony says: "Let each man render me his bloody hand…My credit now stands on such slippery ground that one of two bad ways you must conceit me…." Pg. 580 lines 184-194 He leads the conspirators on to trust him, when in fact, he wants to be able to speak to the mob. He uses a vicious pun so that he knows what he is talking about, but the conspirators think that he is simply talking about the blood on the ground being slippery. Caesar- What Caesar says: "Et tù Brute? Then fall Caesar!" Pg. 577 line 77 Caesar is shocked that Brutus, his most loyal friend would do this. His mask comes off at this point and shows his personal face. Throughout the play, he has put himself as an arrogant official, and only when he is around his friends does he show his true identity. This is so important because marks the point when Caesar’s spirit enters Antony’s revenge. The play comes to its climax in this line. What Caesar does: Caesar refuses to let Publius Cimber back into Rome. He, in a way, kills himself by the way he responds. He puts himself up as a god-like man and almost says he is in control of his own destiny. This gives the conspirators final reason to kill him, and they do.
...low him even to the point that they will risk their lives to get revenge on the conspirators. The fact that Antony persuaded the people to do such things proves that Antony’s speech was more effective at reaching its goal of turning the people against the conspirators.
In William Shakespeare's, Julius Caesar, rhetorical devices are used throughout Decius Brutus’s speech to Caesar to persuade him to attend the senate, and ultimately meet his demise. Decius Brutus uses repetition to directly play into Caesar’s ego and convince him to show at an event he was previously very unsure of. Decius first uses repetition to make Caesar feel as if he were an irreplaceable addition to the senate. He addresses Caesar as, “most mighty Caesar…” (2.2.74) multiple times throughout his oration. The repetition of “mighty” draws Caesar’s attention away from the fact that he really must not go to the senate and instead focuses on why he must. Caesar is known to be easily persuaded by the promise of attention or rewards. Decius
In the play Julius Caesar, William Shakespeare conveys Mark Antony’s adept way of creating an impactful speech that swayed the minds of the fickle Plebeians. Antony appeals to the Plebians by adroitly using the principal rhetorical devices, ethos, pathos, and logos, to gain their trust through credibility, logic, and astute emotional manipulation.
The murder of Julius Caesar is not only a turning point in history, but it is also a turning point in William Shakespeare’s play. This play features members of Roman society persuading one another to succeed in their own end goals, despite how life-threatening these goals may be. To accomplish these goals, the characters had to employ various rhetorical devices. In the play, Julius Caesar, Shakespeare suggests that rhetoric has the capability to influence change in the opinions within reality. This relationship between rhetoric and reality is reinforced by the close examination of Cassius’ encouragement speech, Antony’s funeral speech, and Cassius’ argumentative
The opportunity to influence public opinion of a situation often presents itself during vulnerable times, such as a national tragedy. This allows an astute speaker to evoke the core values of a society to affect change. In Julius Caesar, Marc Antony’s eulogy at Caesar’s funeral effectively capitalizes upon Caesar’s death in order to reveal injustice.
In the play Julius Caesar, the author Shakespeare depicts a persistent controversy between Caesar and his conspirators that turned against Caesar. Brutus remained a great friendship with Caesar for a very long time until he became a disguised rival that was joined by many other conspirators which involved Cassius. Through many struggles and schemes, they achieved their goal to bring Caesar down and assassinated him when the chance was given. “E tu Brute?” were the last words of Caesar that left a mark even in today's history because Brutus turning against Caesar depicts that not everyone can be fully trusted for what they portray to be. But, this play highlights also the importance of real friends such as Antony that tried to bring the best
Antony asks rhetorical questions and lets the audience answer for themselves. Brutus uses ethos by stating that he a noble man and that is why the people should believe him but infact Antony questions his nobility by saying what Brutus said,” Brutus is an honourable man”(III.ii.79). In a way, Antony states what Brutus states to convince the audience by using examples that Brutus is wrong. Antony himself knows what kind of man Brutus is but lets the people figure it out on their own. In addition, Brutus uses logos by expressing that fact that Caesar died because of his ambition. This argument is severely under supported because his reasons are invalid and simply observations. Antony uses “did this in Caesar seem ambitious” to question Brutus’ argument (III.ii.82). Antony gives examples backing his argument like when Caesar refused the crown thrice to prove his humbleness. The way Antony convinces the people to rebel is by using pathos. He brings the audience in by stepping down to their level and showing them the body of Caesar. While Antony talks at Caesar's funeral, he pauses because” heart us in the coffin there with Caesar “(III.ii.98). When Antony becomes emotional, he reminds the audience about what injust event happened to the much loved
Mark Antony’s use of rough and sharp diction contributes to his purpose of convincing the Roman proletariat to turn against the conspirators. Antony addresses the people as “Friends, Romans, [and] countrymen,” and asks for them to “…lend [him their] ears” (III.ii.72), which all three of those words are very rough and direct, as well as
& respects the intelligence of the common people to understand a speech given in verse. Brutus's authoritative air is once again illustrated at the very opening line of his oration when he demands the attention of the people, "Romans, countrymen, and lovers, hear me for my / cause, and be silent, that you may hear. Believe me / for mine honor and have respect to mine honor, that / you may believe"(Act III, scene ii, lines 13-16). this one line, Antony uses Brutus's words to his advantage by changing them to make himself sound friendlier. By the very first word of Antony's speech, one can infer that he is about to give a humbling oration; he uses the ethical appeal to convince the people to believe in his cause rather than Brutus's. Finally, while the crowd is in awe of Brutus's raw power and booming authority, Antony uses sarcasm He is "an honorable man" (Act III, scene II, line 84) in a tone of biting mockery, therefore questioning Brutus's credibility. & nbsp; It is true that the Roman people have emotions that sway with the winds, but this is partly due to the great speaking skills of both Brutus and Mark Antony.