Julius Caesar Rhetorical Analysis

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In Shakespeare’s Julius Caesar, Antony’s funeral oration contains several elements of deceit, yet wholeheartedly appeals to the desires of the audience. Antony harnesses the power of words, his rhetorical strategies stirring emotions, altering opinions and inducing action. His impulsive, improvisatory nature allows him to persuade the plebeians of the conspirators’ injustice, yet he never acknowledges this behaviour, allowing him to gain the masses’ political support. The mentioning of the will also accentuates the credulous nature of the audience as their desire to be satisfied allows Antony to manipulate their emotions, eventually resulting in several anecdotes appealing to the audience’s pathos yet still incorporating elements of deception. …show more content…

He proves charismatic in descending from the pulpit, an effective way in being one with the people without sacrificing his rhetorical influence over them. “But were I Brutus, / And Brutus Antony, there were an Antony / Would ruffle up your spirits and put a tongue / In every wound of Caesar, that should move / The stones of Rome to rise and mutiny.” (Act III Scene II – Page 103) illustrates the deceit within his statements as he claims with false humility that he is not a great orator unlike Brutus, and that he does not intend to incite revolt. However, the deception is emphasised as his sentence achieves the exact opposite of what his words say – he proves himself a skilled orator indeed, and impels the commoners to mutiny, further illustrated within the lines “Now let it work. Mischief, thou art afoot, / Take thou what course thou wilt!” (Act III Scene II – Page 105), concluding the influential power of Antony’s words as a result of his focused deception and manipulation of the audience’s …show more content…

Antony’s improvisatory, spontaneous nature proves perfect in mentioning the will to sway the masses, as he incorporates deception in stating “I have o’ershot myself to tell you of it. / I fear I wrong the honourable men / Whose daggers have stabbed Caesar, I do fear it.” (Act III Scene II – Page 99). Using the rhetorical technique of ‘apophasis,’ where Antony mentions the will while claiming not the mention it, he incorporates deception as he embellishes the audience’s apparent desires for the will. His aptitude for rhetoric allows him to respond to subtle cues among the audience, his observation of the commoners’ tendency to accept anything if spoken in a trustworthy cadence allows him to claim “You have forgot the will I told you of” (Act III Scene II – Page 105), building upon the audience’s impressionable nature. Further deceit is exploited by Antony in his mentioning of the will, which – unknowingly to the audience – can be entirely composed of deception. Completely unaware of the credibility behind the will, the irrational audience accepts it without questioning its authenticity, another trait of the audience by which Antony takes advantage of. The irrationality of the audience is further emphasised throughout the ensuring riot in Scene III, where plebeians kill Cinna the Poet due to his namesake, illustrated through the lines “It is no

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