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Gender differences in communication
Influence of gender on communication
Influence of gender on communication
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Judy pov Judy had been sleeping yesterday after what happened it wasn’t that late and she still had classes to go to but, she didn’t, not with her face mark like that. Needless to say it was an awkward day as her and Nick were basically trapped together in the room. It had been two days and she still hadn’t gone to any classes the first day she got kicked out cause of Nick the second she got trapped indoors because of...nick. he was starting to become a real problem and being his roommate didn’t make it any easier. Both Nick and her were off today no classes which was great. Because through over four showers and a whole lot of scrubbing she still had a few dark spots on her fur. She was worried about today but for other reasons. She woke …show more content…
She looked over to see his face and it made her smile. He still had dark spots it his fur which were way more noticeable and he was smiling only a little but it was a real smile not sly or a smirk a genuine smile. She started to think I wonder what happen why did Nick not like me when I first got here. I hadn’t done anything and he didn’t know me but its like he had already met me and hated me. she wanted to ask but he was in a good mood and she knew that it would ruin …show more content…
Until he felt someone sit on him ‘’uh what are you doing’’ he squirmed a little from her weight “I don’t know I just thought id like to know how fox taste’’ She said as she lend forward and started making out nicks eyes wide as he tried to push her off she being stronger than expected When she heard the door knob started To turn she quickly rolled over leave Nick in top of her Judy opening the door “hey Nick looks like we have more than just homeroom togeth— Her eyes went wide as she saw Nick touching and making out with her sister She dropped the papers and ran
Far back, in the midst of a time when the world was very young, there lived a princess named Lucille and a bunny named Fluffy. Lucille was a beautiful girl with chocolate brown hair, and eyes as blue as the sweet summer sky. Fluffy was as white as snowflakes and as soft as clouds. He offered plenty of razzmatazz but little manners. They lived together in a tall castle, covered in green vines and grey cobblestone, hidden in the dense forest filled with animals and nature.
Stargirl was not like everyone else in Mica High. She was a unique individual with no restrictions to her own identity. But when Leo stressed the fact that she was so different, she undertook the task to change herself, for Leo’s sake. Even though Leo was euphoric with the new Susan Caraway, her shunning was not ebbed. The change did nothing for stargirl but cripple her jovial personality. Stargirl shouldn’t have changed herself for someone else’s motive, but should’ve kept herself the way she was, as your own happiness should be put before others, and there’s always someone that stays by your side no matter the notions made of you.
Everything was going great at Oakville farm, I mean everything was normal and okay how it should be if you don’t count that the fact Donna came home late last night. She came home around two or three o’clock in the morning when it was pitch black outside, and believe me this isn’t the first time it ever happened either, maybe it’s not that big of a deal to you but to me it is, Donna here is the farmer’s daughter. While Mr. Salem is away she’s the one in charge of us,and because she’s the one in charge of us we haven't eaten in two days! Mr. Salem always made sure we were cared for, and was handled with love but , Donna on the other hand she just doesn’t care. There’s a lot of us here on the farm, we have a variety of animals here like horses,
Since a child, Stargirl had always seemed a bit… off. Her parents seemed to adore her weirdness, they even seemed to encourage it at times. To demonstrate, her parents called her Pocketmouse. They used it to so much that even she started referring to herself as Pocketmouse instead of Susan. But did her parents ever do anything about it? Of course not. She kept the nickname, until she changed it to Mudpie. Then Hullygully. And then Stargirl. But at the time, I knew her as Mudpie.
You wouldn’t believe everything that's been going for the past two weeks. Remember Betty Parris? She fell into a “sickness” but I heard that there's something darker to the story… witchcraft. . Eventually she woke up and started screaming some nonsense about wanting her mother, who’s been dead for what feels like ages now. That's how you know something sinister is afoot. The only thing that could calm her down was Rebecca Nurse. I don’t know about you, but I think that's pretty suspicious that out of all the people in town, only Goody Nurse could get some sense into the child. Rumor has it that she was caught flying over the Ingersoll’s barn the just a few nights ago. That's just the beginning of it..
whether it is the right or wrong thing to do. In this case, during a
In every situation, there are always certain characters in control, and it is shown by the character placement in a scene. This placement of characters reveals who is in a submissive attitude at this point in their life, and who remains calm and has to be the one dominating the conversation. This deliberate placement of characters by Nicholas Ray is shown when Judy is at the police station. She is talking to who must be some sort of detective or police officer. In this scene, Judy is terribly confused and is suffering from it, as a result of her father. She loves him and she says that he hates everything about her, including her friends and her appearance. It is evident that in this scene, Judy is clearly not the one in control. She is a mess, crying and sharing everything about her poor relationship with her father. While, the detective is the one that is asking the questions and trying to aid Judy, causing him to be the one in control. The placement of characters reflects this difference in control of the characters: Judy is sitting in the corner of the room and is just completely in pain. While the detectiv...
knew full well that what she was doing was wrong. She knew that if she buried
“Straining his eyes, he saw the lean figure of General Zaroff. Then... everything went dark. Maggie woke up in her bed. “Finally woke up from that nightmare. Man… I miss my brother. Who was that person that my brother wanted to kill?” she looks at the clock and its 9:15am “Crap I’m late for work!” Maggie got in her car and drove to the hospital for work.
"Take a paper out of the box, Davy.” "Harry, you hold it for him." Mr. Graves took the child's hand and removed the folded paper from the tight fist and held it while little Dave stood next to him and looked up at him wonderingly. "Nancy next," Mr. Summers said. Nancy was twelve, and her school friends breathed heavily as she went forward swishing her skirt, and took a slip daintily from the
Once inside, the two sit in front of the fire, begin to drink whiskey, and talk about various popular culture of their time. The conversation drifts all over the place. They talk about baseball, their favorite authors, their fathers, then fishing. Suddenly, as the two begin to get drunk, Bill, without segue, begins to discuss Marjorie, who Nick recently ended his relationship with. He congratulates Nick on his decision to end things: “’Once a man’s married he’s absolutely bitched,’ Bill went on.
First, the story is about Scottie who has a strong obsession towards the past. In the first part of the movie, Scottie falls in love, but the object to whom he directs his affection is “dead”. All through the second part of the movie, he thus tries to reform Judy as his “dead” lover. His attempt is to bring back the beautiful past. In the scene where Judy come to the hotel with her hair looking like Madeleine’s, Scottie’s point of view is clearly outlined as he stares at the corridor indicating his excitement.
Before this occasion with Nick and Bill, Nick recently broke up with his girlfriend Marjorie. Even though it seemed like he did not care about the breakup in Bill’s eyes, after Nick became more and more drunk, it became obvious that he was in a state of melancholy with her departure. When Nick and Bill are drinking with each other, Nick decides to get some more water to help drink the whisky. After walking through the dining room, he sees his reflection in the mirror. He describes it as “He smiled at the face in the mirror and it grinned back at him.
Nick's biggest struggle is keeping these two worlds apart and protecting their borders. Nick was very accepting of his sexuality in his own mind so he did not hide it from his family and friends, but he was a character who lived by ''if you don't ask me, I won't tell you'' rules. The Feddens, Toby and his family, were all well aware that Nick was a part of homosexual minority, but Toby and his sister Catherine were the only ones who did not feel uncomfortable talking about it. He would occasionally tell them about his affairs to ''show himself to them as a functioning sexual being'' (Hollinghurst, 89). Toby and Catherine's parents, however, were not so open-minded and were ''easy about having a bender in the house as long as it's never mentioned'' (Hollinghurst, 176). Both of them, Rachel and Gerald Feddens, knew about his sexual orientation and had nothing against it, but would rather not discuss it,
Nevertheless, he submitted to be kissed willingly enough, though Maggie hung on his neck in rather a strangling fashion, while his blue-grey eyes wandered towards the croft and the lambs and the river where he promised himself that he would begin to fish the first thing to-morrow morning. He was one of those lads that grow everywhere in England, and, at twelve or thirteen years of age, look as much alike as goslings: - a lad with light brown hair, cheeks of cream and roses, full lips, indeterminate nose and eye-brows - a physiognomy in which it seems impossible to discern anything but the generic character of boyhood; as different as possible from poor Maggie's phiz, which Nature seemed to have moulded and coloured with the most decided intention. But that same Nature has the deep cunning which hides itself under the appearance of openness, so that simple people think they can see through her quite well, and all the while she is secretly preparing a refutation of their confident prophecies. Under these average boyish physiognomies that she seems to turn off by the gross, she conceals some of her most rigid inflexible purposes, some of her most unmodifiable characters, and the dark-eyed, demonstrative, rebellious girl may after all turn out to be a passive being compared with this pink and white bit of masculinity with the indeterminate features.