Jonathan Swift Research Paper

774 Words2 Pages

Jonathan Swift was known to be an astounding Neoclassical writer due to his style of writing. The Neoclassical movement was an inspiring movement. It was known as the period of restoration due to the renovation of monarchy in England. This movement consisted of the elements of literature, visual arts, theatre, music, and architecture. Neoclassicism was based on the Greek and Roman art in the ancient times (“Classicism and Neoclassicism”). Due to the influences of many Neoclassical writers, Jonathan Swift has discovered innovation to write which he has used to help encourage others to write as well.
Many people distinguish Swift as a Neoclassical author because of his writing style. The Neoclassicism Movement lasted during the 1770s to the 1830s …show more content…

The Restoration Period lasted from 1660-1700 (“Neoclassicism: An Introduction”). Writers of this age, including Dryden and Milton, aspired to use glorified, luxurious and impressive styles such as scholarly allusions and mythology to intense use of one’s imagination (“Neoclassicism: An Introduction”). The Neoclassic period was divided into three relatively reasonable parts. These parts consisted of: the Restoration Age which took place from the 1660s to the 1700s, the Augustan Age which took place from the 1700s to the 1750s, and the Age of Johnson which took place between 1750 to 1798 (“Neoclassical Poets”). Neoclassicism has represented a reaction against the cheerful, the optimistic, and the enthusiastic views of a Renaissance man. This “Renaissance man” is sought to being a fundamentally good man who possesses an infinite amount of potential in order to grow intellectually and spiritually. Neoclassical theorists, saw man as a flawed being, sinning naturally, having an insufficient potential (“Neoclassical Poets”). They replaced the Renaissance emphasis on the imagination and invention of a person instead with an emphasis on the use of common sense, reason and order of a person. They maintained the fact that a man himself was one of the most suitable subjects of art, and saw art as essentially practical (“Neoclassical

Open Document