John Steinbeck

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In the nineteen-thirties John Steinbeck rose to a literary prominence. This was

a period of time when economical and political crisis had tended to obscure

the direction and the value of his work. Steinbeck from the very beginning of

his career regarded all causes and all solutions, with both detachment and

skepticism. Steinbeck's reviewers were troubled with this detachment, because

most other intellectuals had shifted from political alienation to political

commitment (Unger 50). Steinbeck was fascinated with the human drama,

people that were on the lowest part of the economical chain seemed

to interest him. However Steinbeck refused to take part in anything, he

did want anything to do with Politics, Steinbeck avoided publicity and his

refusal to play a literary role. He made him self as unpopular writer so he

never got any serious attention (Unger 52).

By this time his work was becoming enormously popular, but as a result

of him not taking part in anything his work was often misunderstood.

Most literary commentators sharply criticized Steinbeck for dialectical

inconsistencies. The readers really failed to understand that he had no fixed

dialect. His views were based upon mythic and biological archetypes.

Steinbeck always looked for material that might serve as a metaphor for

universal rather than particular truth. Steinbeck set his self apart from the

Naturalist from the turn of the century and Marxist-orientated writers of the

1930's, because he said that moral choice is a man's proper environment.

A moral universe is want set him apart from the rest of nature (Gale 3372).

The major books of John Steinbeck are easy reading, but to really understand

them you have to have the willingness and ability to work through the most

obvious level. Steinbeck uses statements of human truth which goes far beyond

the actions themselves, this method is symbolic. This method means that the

story can be extremely limited but it triggers chain reactions pointing to

universal truth (Gale 3381).

Steinbeck uses a wide variety of symbolic and linguistic instruments so

he could get the full reality that he wants to communicate with.

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