Joel David Coen and Ethan Jesse Coen, known informally as the Coen Brothers, are American film directors, screenwriters, producers, and editors. They have directed over 15 films together that are often characterized as being "genre-bending", having covered many genres, including comedy, crime, the Western, horror, thriller, gangster, drama, romance, adventure and features of neo-noir. Their films include Blood Simple, Raising Arizona, Miller's Crossing, Barton Fink, Fargo, The Big Lebowski, O Brother, Where Art Thou?, No Country for Old Men, Burn After Reading, A Serious Man, True Grit, and Inside Llewyn Davis . The brothers write, direct, and produce their films jointly, although until The Ladykillers, Joel received sole credit for directing and Ethan for producing. They often …show more content…
and police officer Ed, who long for a baby but are unable to conceive. When a local furniture tycoon appears on television with his newly born quintuplets and jokes that they "are more than we can handle", H.I. steals one of the quintuplets to bring up as their own. The film featured Frances McDormand, John Goodman, William Forsythe, Sam McMurray, and Randall "Tex" Cobb. Miller's Crossing, released in 1990, starred Albert Finney, Gabriel Byrne, and John Turturro. The film is about feuding gangsters in the Prohibition era, inspired by Dashiell Hammett's novels Red Harvest and The Glass Key. The following year, they released Barton Fink; set in 1941, in which a New York playwright moves to Los Angeles to write a B-movie. He settles down in his hotel room to commence writing but suffers writer's block until the man next door invades him. Barton Fink was a critical success, earning Oscar nominations and winning three major awards at the 1991 Cannes Film Festival, including the Palme d'Or. It was their first film with cinematographer Roger Deakins, a key collaborator for the next 15
In the film industry, there are directors who merely take someone else’s vision and express it in their own way on film, then there are those who take their own visions and use any means necessary to express their visions on film. The latter of these two types of directors are called auteurs. Not only do auteurs write the scripts from elements that they know and love in life, but they direct, produce, and sometimes act in their films as well. Three prime examples of these auteurs are: Kevin Smith, Spike Lee and Alfred Hitchcock.
A Few Good Men. Dir. Rob Reiner. Perf. Jack Nicholson, Tom Cruise, and Demi Moore. Columbia Pictures, 1992. Film.
A League of Their Own. Dir. Penny Marshall. Perf. Tom Hanks, Geena Davis, Rosie O'Donnell, Madonna, Lori Petty. Columbia Pictures, 1992. DVD.
...rokaw, Rosanne Cash, Wally Lamb, James Mcbride, Anna Quinden, Richard Russo, Scott Turrow, Oprah Winfrey, and Andrew Young. FirstRun Features, 2011. Film.
Cocaine Cowboys. Billy Corben. Jon Roberts, Mickey Munday, Jorge “Rivi” Ayala, and Jan Hammer. Magnolia Pictures. 2006.
What is an auteur? Answer this question with detailed reference to one film director: Alfred Hitchcock
Darabot, Frank and Stephen King (1993) Rita Hayworth & Shawshank Redemption: Screenplay. Netflix.com Viewed 4/7/14
Forks Over Knives. Dir. Lee Fulkerson. Prod. John Corry. Perf. Collin Campbell and Caldwell B. Esselstyn. 2011. 2011. Film.
To all intents and purposes, the directors did not make the Westerns; it was the Westerns that made the directors. Only John Ford and Sam Peckinpah had the excellence to rise above this material, and make something new of it.
O Brother, Where Art Thou? Dir. Joel Coen and Ethan Coen. Perf. George Clooney, Tim Blake Nelson and John Turturro. Studio Canal, Working Title Films, 2000. DVD.
All lives revolve around decisions and instances from ones past. In A River Runs Through It (1992), director Robert Redford uses this idea and applies it to a true story of two brothers from Montana, Norman and Paul Maclean (Craig Sheffer and Brad Pitt, respectively). Based on the autobiographical novel by Norman Maclean himself, River uses Maclean’s metaphysical beliefs about life and nature to present its many themes. Using a longing score, various film devices, and a story line involving themes of youth, loss, and the pitfalls of pride, Robert Redford crafts a film about the beauty of the past.
With many different genres and types of filmmaking, it can result in a large variety of stories and conflicts. Nevertheless, film has always brought people together as a society. If there is one thing everyone can notice about films is the achievement in style and directing. The three directors talked about in this paper are the most successful at delivering a breathtaking style and direction to their films. Baz Luhrmann, Wes Anderson, and Martin Scorsese have produced and directed films over decades and each film as impacted not only the United States but worldwide. With the unmistakable trademarks that each director has, it is very easy to feel sucked into the world in which they are shaping around you and the story. Because of these three directors, the film world and industry has been revolutionized for many centuries to come.
1980. Warner Bros. Directed by Stanley Kubrick. Music by Wendy Carlos and Rcachel Elkind. Cinematography by John Alcott. Editing by Ray Lovejoy. With Jack Nicholson, Shelley Duvall, Danny Lloyd.
He made his first long film, ‘Following’ in 1998 which is a black and white film. He served as director, producer and writer of the movie. His non-linear story telling in this movie helped him to gain interest from other people in the business and propelled him to his next film ‘Memento’ Released in 2000. ‘Memento’ was a critical success and this was b...
Auteur is a concept that originates in French in 1950. As its name translate to English “Author”, it is about the author. It segregates directors with unique styles and gives them more prestige. An auteur differs from other directors because they stick to their style. They are easy to distinguish. To be an auteur a director has to have three characteristics that would identify them: Technic, style, and interior meaning. This last one is more abstract, though. There are many directors that are considered auteur. Let us compare two great directors that fit into this definition. What are style, and technically used by Alfred Hitchcock and Akira Kurosawa?