Janet Cardiff: The Missing Voice (Case Study B) Janet Cardiff’s The Missing Voice was an audio walk that began in the Whitechapel Gallery and ended in the Liverpool Street station. It was by far the most exquisite experience in my life especially because I have never heard anything like it before. Cardiff’s piece takes you into a narrative that shifts through time and space. Seductive and intimate, Cardiff’s audio walk was something psychologically absorbing and definitely made me feel as if I was going back in time and experiencing everything as it was. Starting at Whitechapel Gallery I was given an IPod and headphones. I was to leave the building and found myself transported in time. I felt so confused when hearing sounds that both sounded …show more content…
Who was this woman in the picture? I found her photograph in the tube station, beside one of those photo booths. A woman with long red hair starting out at me. I put it in my pocket, I don’t know why. This woman would constantly reappear during this walk. There were fragments of conversations and the noises of vehicles and wailing sirens. A parade passed through Brick Lane at one point while I was walking up it and it felt so real. A tour guide was overheard describing the history of the Jewish population in the area. At times there was a lifelike fade, at others a slow cut. The actual listening of the artist’s voice and footsteps made me aware of rhythm, pace and breath. It emphasized the idea of walking as an approach of capturing the city that is loud and filled with noise as well as visual. Cardiff mentioned herself that she sometimes feels invisible during her passage through the streets, as she remained solitary and largely avoids interaction with people around her. I listened to her words so clearly and it kind of made me think of myself because I am the same way. I feel as though I am invisible while walking through the streets because no one knows who I am and no one knows anything about me. So therefore in some way I am invisible. I definitely felt invisible when those words were whispered into my ears because everyone was going
This essay will be looking at and examining the theme of characters having or going through a Journey, and how they are conveyed by author, Gwen Harwood, in her poems, ‘Suburban Sonnet: Boxing Day’ and ‘In the Park’. With the journeys in these two poems seemingly being written as reflections, where the characters are going through and struggling with the journeys they’re undertaking, I’ll be looking at what the journeys in these poems are representing and what they are showing readers about the characters who have had them.
Contextual Theory: This painting depicts a portrait of life during the late 1800’s. The women’s clothing and hair style represent that era. Gorgeous landscape and a leisurely moment are captured by the artist in this work of
Speech Sounds is A science fiction short story written by Octavia butler takes place in a dystopian setting. This setting allows the reader to envision the desperation The people in this world are feeling. Is this setting where to be different like in an urban setting or anything other then a dystopian world A great deal of connection to these characters could possibly be lost. The setting is reminiscent of an apocalyptic World similar to our own which immediately draws my attention and allows me to better and for emphasize with the characters. This being an apocalyptic world a sense of baroness and desperation due to lack of resources and sanity further drive in the notion that a lot of the people in the story do not have any of these qualities
Anne Bradstreet: the first American to have her poems published. Throughout her works, she captured what it was like to be a pioneer in a new land. Thanks to her family’s high stature and disposition in life, Anne Bradstreet was given an education: something that was not very common for women in the 1600's. Her poems enable her to speak freely and express the world through a women's eye. In doing so she laid down the foundation to what it truly means to be American.
What do I see in her performance? Her art performance “The Artist is Present” is the first career exhibition the MoMA under took for a performan...
No other artist has ever made as extended or complex career of presenting herself to the camera as has Cindy Sherman. Yet, while all of her photographs are taken of Cindy Sherman, it is impossible to class call her works self-portraits. She has transformed and staged herself into as unnamed actresses in undefined B movies, make-believe television characters, pretend porn stars, undifferentiated young women in ambivalent emotional states, fashion mannequins, monsters form fairly tales and those which she has created, bodies with deformities, and numbers of grotesqueries. Her work as been praised and embraced by both feminist political groups and apolitical mainstream art. Essentially, Sherman’s photography is part of the culture and investigation of sexual and racial identity within the visual arts since the 1970’s. It has been said that, “The bulk of her work…has been constructed as a theater of femininity as it is formed and informed by mass culture…(her) pictures insist on the aporia of feminine identity tout court, represented in her pictures as a potentially limitless range of masquerades, roles, projections” (Sobieszek 229).
Alice Neel’s painting Suzanne Moss was created in 1962 using oil paint on canvas. As the title suggests, the painting depicts a woman’s portrait. Now resigning in the Chazen Museum in Madison, WI, this portrait of a woman lunging is notable for the emotional intensity it provokes as well as her expressionistic use of brush strokes and color. The scene is set by a woman, presumably Suzanne Moss, dressed in dull back and blues lounging across a seat, staring off to the side, avoiding eye contact with the viewer. The unique style and technique of portraiture captures the woman’s piercing gaze and alludes to the interior emotions of the subject. In Suzanne Moss, Alice Neel uses desultory brush strokes combined with contrast of warm and cool shadows
Many associate the Berlin Dada movement with Raoul Hausmann, Johannes Baader, Hans Richter, George Grosz, John Heartfield and Weiland Herzfelde, and very few associate the art movement with Hannah Hoch. Although Hoch was overshadowed by her male contemporaries, she did not hesitate from being an active member of the Berlin Dada creating timeless and critical artworks. She is best known for being a pioneer in photomontage, a technique that was instrumental not just for Hoch, but for many Berlin Dadaists. Her most well-known photomontages are satirical and political commentaries on Weimar’s redefinition of the social roles of women, also known as the concept of the “new woman”. If during her early years she would create artworks that attempted to portray the concept of the “new woman”, in her later years she began creating artworks that responded to this new Weimarian
In an empty room at the Timken Museum of Art hangs one of the most iconic paintings of Johannes Vermeer, the astonishing painting, Woman in Blue Reading a Letter. In the painting a pale woman’s stands patiently while reading a letter. The woman appears to be wearing a blue jacket and a long gray skirt, and only gazing at the letter, ignoring all of her surroundings. The top right of the painting seems to be a map of the Netherlands, which attracts the viewer because it explains the setting of where the painting took place. The blue jacket around the woman’s torso appears to exaggerate the woman’s stomach, giving the impression that she might be pregnant. The blue chairs resemble a sign of absence as if she lives alone. The light on the top left shines on her face which enhances the viewer’s view of the woman’s facial expression. Johannes Vermeer’s interpretation of complex colors, the light, and her body language inflicts a persuasion on the viewer that the women is traumatized by the news in the letter.
This essay will be focusing on women who worked during the world war two and their roles in the community. Not only would it focus on their roles it will also look at the fashion of these women; what they wore to work during the war, after the war and what is being worn to work nowadays. The research on the fashion change relates to my work the most as i’ve tried to portray the changes in the fashion of these working class women, what it means and how it shows off women as a being. Even though most of the women that worked during the second world war were said to be in the middle-class range this essay will focus on the working-class females in the society. One of the major subject matter in this essay will be the “Rosie the Riveter” poster although created by various artist during the World War II, the meanings in each posters mirrored the next. Also this essay will reflect on some of the numerous female war artists that used women to portray strength, elegance and raw femininity.
In the “Invisible Man Prologue” by Ralph Ellison we get to read about a man that is under the impressions he is invisible to the world because no one seems to notice him or who he is, a person just like the rest but do to his skin color he becomes unnoticeable. He claims to have accepted the fact of being invisible, yet he does everything in his power to be seen. Merriam-Webster dictionary defines Invisible as incapable by nature of being seen and that’s how our unnamed narrator expresses to feel. In the narrators voice he says: “I am a man of substance, of flesh and bone, fiber and liquids- and I might even be said to possess a mind. I am invisible, understand simply because people refuse to see me.”(Paragraph #1) In these few words we can
It is divided into five parts ‘The Encounter’, ‘Philemon’, ‘The Shore’, ‘The Woods’, and ‘The Lost Children’, These profoundly crafted rhythmic lines will endure and resonate forever in the souls who read it. Rarely does a reader encounter such sheer beauty of timeless and compelling imagery in her debut book to stand apart as foremost publication in English literature.
So I attempted to use this mentality whilst exploring the Highline, allowed the mindset to fill me with energy and then reflected on what I liked and didn’t like about the limitless attitude once I walked back towards Gansevoort Street. When I saw Kathryn Andrews’ “Sunbathers II” piece, I went inside the piece, and smiled while my cousin took a photo of me. I then continued to roamed through Chelsea while observing the people, billboards, paintings and the skyline, and was struck by the Sleepwalker sculpture. When Zadie Smith comes face-to-face with Corona’s “Find Your Beach” advertisement, she begins to analyze and find possible interpretations of the billboard sign. I then began to examine the Sleepwalker sculpture and discussed several potential inferences towards Manhattan the artwork might have with my cousin Michelle. I then got some stracciatella gelato, and Michelle got a coffee. With my recent purchases in hand, I was taken surprise by Andrews’ “Sunbathers I”. Michelle and I laughed
In comparison, Voices in the Park is infinitely complex and layered with meaning and symbol, wherever the reader should choose to find it. Moebius’s statement is fully realised here as Browne combines all of the technology of his medium - the words as text and picture, use of symbol, intertextuality and space - to portray ideas that remain intangible, and concepts that are infinitely open to definition. In this he displays the complexity of his and his readers’ experience, in the way that Potter, in her own way, did of hers.
Women desire to become beautiful and powerful, even if they don’t say it in words. And the Photographer plays with that concept and creates that desire, that you can become that person you see in the photograph. And live that lifestyle. Photographers use techniques from the cinema/cinematic, to create the desire of viewers/Buyer/Consumers. The cinematic techniques made it possible the way people lived and the...