When Mr Mason is explaining the attack, he states that after Bertha had bitten him, ‘she sucked the blood: she said she’d drain my heart.' By repeating her statement, Mr Mason not only reads her as inhuman, a vampire figure, but he also takes language away from Bertha. During the novel, Bertha has no language, she is silenced by those around her.
Bertha is not only silenced by the males; moreover, the females also speak for her. The account given by Jane Eyre at the aborted wedding shows evidence of this claim. A figure ran backwards and forwards. What it was, whether beast or human being, one could not, at first sight, tell: it groveled, seemingly, on all fours; it snatched and growled like some strange wild animal: but it was covered with clothing; and a quantity of dark, grizzled hair, wild as a mane, hid its head and face.
This is the first encounter between Jane Eyre and Bertha Mason; inasmuch, Jane is observing Bertha and no longer needs to speculate on the figure behind these noises and actions that have been taunting her. Jane is standing in front of Bertha,
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This opinion is a representation of the husbands who felt burdened by their wives who became inconvenient. They felt that they had been cheated out of a devoted spouse because when she is hysterical, she cannot be successful in completing her social responsibilities as a woman and a wife. After an examination by medical doctors, Mr Rochester decides to hide her in the attic and pretend she does not exist. Feeling that she tarnishes his name by being his “mad wife”, he believes locking her away is the only solution. The separation between Mr Rochester and Bertha Mason is evident in the fact that Brontë never refers to her as Bertha Rochester. She is stripped of her married name to extinguish any connection to her
Jane Eyre’s inner struggle over leaving an already married Rochester is the epitome of the new "lovemad" woman in nineteenth-century literature. Jane Eyre is the story of a lovemad woman who has two parts to her personality (herself and Bertha Mason) to accommodate this madness. Charlotte Bronte takes the already used character of the lovemad woman and uses her to be an outlet for the confinement that comes from being in a male-dominated society. Jane has to control this madness, whereas the other part of her personality, her counterpart, Bertha Mason, is able to express her rage at being caged up. As what it means to be insane was changing during Bronte’s time, Bronte changed insanity in literature so that it is made not to be a weakness but rather a form of rebellion. Jane ultimately is able to overcome her lovemadness through sheer force of her will.
...f and compare her portrait to that of Blanche Ingram’s. This all relates to her behavior after she sees Bertha because she never openly expressed her emotions and thoughts; instead, Jane postpones the proclamation of her feelings until she is alone and proceeds to berate herself rather than blaming others for her problems.
After their engagement, Jane dislikes the wealth that Rochester pushes on her, feeling like a dress-up doll in the clothing he provides. She remains true to her "plain looks" and smart demeanor. Yet all the while, Rochester keeps a dark secret from Jane: his first wife Bertha Mason is locked in a room on the third floor of the house. Rochester's explanation centers on the fact that he was tricked into marrying her and that Bertha is mad. The heroine in "The Bloody Chamber" experiences quite a different courtship.
Charlotte Bronte’s Jane Eyre displays three types of relationships possessing different purposes. These connections are established at Thornfield after Jane becomes a governess and accepts the position at the estate. The first relationship is the one that forms between Mrs.Fairfax, the housekeeper, and Jane. Another relationship that begins upon arrival at Thornfield is the one that Jane possesses with Adele, her pupil. The last and most important relationship that begins is that of Mr. Rochester and herself. These connections contribute to the crucial development of Jane’s persona.
Jane Eyre’s early childhood years were partially spent at Gateshead. Here, her wealthy Aunt Sarah Reed and her cousins, treated her with cold-hearted cruelty thus leaving Jane feeling alone, alienated and longing to belong somewhere, to feel equal and to know what it is to truly be happy and loved. It is from her ill treatment at Gateshead that she begins to establish her own moral principles. She first demonstrates her newfound integrity just before her departure to Lowood School. Jane loses her temper and to her Aunt Reed she yells," if anyone asks me how I liked you, and how you treated me, I will say, that you treated me with miserable cruelty, you think I have no feelings and that I can do without one bit of love or kindness; but I cannot live so, people think you are a good woman, but you are bad, hard hearted, you are deceitful"(Page 26). Through this confrontation, Jane displays immense passion, she shows that she has become strong-willed and has developed a sense of justice, as she knows her ill treatment was wrong. Not long after Jane’s outburst she feels her "soul begin to expand; to exult, with the strangest sense of freedom, of triumph,"(Page 26) Jane has changed for the better; she feels a sense of freedom and triumph, which she has never felt before. She has taken her first step in her journey to self-fulfilment.
The Novel Jane Eyre by Charlotte Bronte took a surprising twist when Bertha "Mason" Rochester was introduced. Bertha leaves a traumatizing impression on Jane’s conscious. However, this particular misfortunate event was insidiously accumulating prior to Jane’s arrival at Thornfield. Through Bertha, the potential alternative dark turn of events of Jane’s past are realized, thus bringing Jane closer to finding herself.
When Bertha Rochester is first introduced in the novel she is much of a mystery. Her name isn’t stated and it isn’t really clear if she is the one causing trouble. Jane has assumptions of who might be committing all these problems. Bertha tries to kill Mr. Rochester by setting the curtain around his bed on fire. Jane is hearing things inside her room and wished she kept her candle on so she could see. Jane says, “This was a demoniac laugh-low, suppressed, and deep-uttered, as it seemed, at the very keyhole of my chamber door. The head of my bed was near the door and, I thought at first the goblin-laughter stood at my beside-or rather crouched by my pillow: but I rose, looked around and could see nothing; while, as I gazed, the unnatural sound was reiterated: and I knew it came from behind the panels. My first impulse was to rise and fasten the bolt; and my next again to cry out, who is there?” (155) Jane stated that “Something gurgled and moaned. Ere long, steps retreated up to the gallery toward the third-story staircase: a door had lately been made to shut in that staircase; I heard it open and close and all was still.
“Jane Eyre,” by Charlotte Bronte, is a story of an orphaned girl who was forced to live at Gateshead Hall with her Aunt Reed. Throughout her early appalling childhood, Mrs. Reed accused Jane of being deceitful. "I am not deceitful; If I were I would say I loved you; but I declare I do not love you (30)." The author, Charlotte Bronte, used this barbarous quote to reveal to the reader that, Jane Eyre, denies she was deceitful. Deceitful is the major theme of, “ Jane Eyre,” which results in loneliness and wretchedness to the people being lied to but also to the people persisting the untruths.
Within Jane Eyre lies an explicit reference to the tale of Bluebeard. When first exploring the dark hall of Thornfield’s third floor Jane tells us, "I lingered in the long passage to which this led [. . .] with only one little window at the far end, and looking, with its two rows of small black doors all shut, like a corridor in some Bluebeard’s castle" (114; ch. 11). This allusion is not a casual one, for the plot of Jane Eyre has much in common with the tale of Bluebeard. Bronte uses Bluebeard to foreshadow Rochester’s first wife, Bertha, being locked away from society in a hidden room on the third floor. This reference also in part alludes to ideas of women’s obedience and how not following the patriarchal rules of society can lead to punishment. Bertha is isolated from society and held captive in a secret room because she is not the model wife and acts out despite her husband. This relates to Bluebeard because he murders his wives once they become disobedient. Bertha does die in the end of Bronte’s novel, though not at the hands of her husband. But even being isolated from society and held captive can be viewed as a symbolic death. Also Jane herself is often punished for not following the rules of patriarchal society. Bronte brings this poor treatment of women by society to light in the novel and shows her rejection of it through the characters of Jane and Bertha.
Bertha was supposed to have lost her mind shortly after Mr. Rochester and she married, yet the fact that Mr. Rochester locked her in a room (while understandable since mental institutes at the time were nothing but torture chambers) did not aid in her health or betterment. Solitude can drive people to extremes, and while she is locked in that room she is described in a more monstrous and animalistic way than she is when out of the room as she “removed [Jane’s] veil from [her] gaunt head, rent it in two parts, and flinging both on
The man thought that it would be best just to run from the figure and get out of the forest as soon as possible, but the more the man ran the more he saw the figure, it was as if there were many of them wherever he looked, the man started to slow down to pull out his camera and flashlight, just to record if anything bad happened and anybody need to find him.
He misleads her by supposedly courting a beautiful woman and then proposes to her even though they are in different classes and she is amazed but accepts. On the day of their marriage it is discovered that Mr. Rochester already has a crazy wife, Bertha Mason locked upstairs, which explains some strange goings on at Thornfield. Jane leaves Thornfield knowing she can't be with Mr. Rochester. She wanders about with nowhere to go and no money until she meets three relatives of hers whom she wasn't aware of and they take her in.
Women, in all classes, were still living in a world which was misogynistic and male-dominated. Their purpose in life was to produce male heirs and maintain the home by hiring and overseeing servants. It was also taboo for one to marry significantly below one’s social class. This is one reason that Jane is not a conventional heroine for the society of her time. Although, as a governess, she is not considered to be as low as a housemaid, she is still part of the hired help in the house. This is why it is unconventional for her and Mr Rochester to be in a relationship. Yet this is not as peculiar as how Jane Eyre ends their relationship due to her sense of betrayal. It would have been considered extremely foolish for a working-woman’s sense of betrayal to end and turn down a man of great wealth.
At the beginning of the book, Jane was living with her aunt Mrs. Reed and her children. Although Jane is treated cruelly and is abused constantly, she still displays passion and spirit by fighting back at John and finally standing up to Mrs Reed. Even Bessie ‘knew it was always in her’. Mrs. Reed accuses Jane of lying and being a troublesome person when Mr. Brocklehurst of Lowood School visited Gateshead. Jane is hurt, as she knows she was not deceitful so she defends herself as she defended herself to John Reed when he abused her, as she said “Wicked and cruel boy! You are like a murderer – you are like a slave driver – you are like the Roman emperors!” to John Reed instead of staying silent and taking in the abuse, which would damage her self-confidence and self-worth. With the anger she had gotten from being treated cruelly, she was able to gain ...
difficult towards Jane. As the days pass, Jane does feel the intensity of love build between her and Mr. Rochester. They eventually make their way to the church to be married, when the dark and terrible secret is revealed. Lurking in the attic of Thornfield Hall, is Mr. Rochester's insane, maniac wife Bertha. She is a character to despise throwing tantrums, setting Rochester's bedroom on fire, tearing Jane's veil to shreds, and stabbing and biting her own brother Richard.