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Ts eliot essay symbolism in poetry
Ts eliot essay symbolism in poetry
T.S Eliot as a modern writer
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T.S Eliot, known infamously for his new take on poetry and being a modern poet could be labeled as one of the most famous poets to use the literary element of allusion. He was able to put in references from other famous poets and scripture in his works so cunningly, that to the naked eye, they are easy to miss. Some critics may regard that the use of allusions is an inadequacy of the poet, judge them as a poet who cannot write their own words, so that they dare to use the time-proven words of other poets. However in the case of T.S. Eliot, he seems to believe that he can inspire his readers to expand their horizons by allusions. T.S. Eliot himself wrote, “immature poets imitate; mature poets steal" (The Sacred Wood). He himself believed that …show more content…
In interpreting the respected poems, “The Love Song of J. Alfred Prufrock”, “The Wasteland” and “The Hollow Men”, the validity of Eliot’s statement will be thoroughly examined. As soon as “The Love Song of J. Alfred Prufrock” begins, the epigraph is a six-line quotation from Canto XXVII of the Inferno by the renaissance Italian Poet Dante Alighieri. It comes from a speech of Guido Da Montefeltro, who is of the damned, the context that relates to Prufrock is that Guido believes his hearer will remain in hell and be unable to retell his story. This epigraph serves to cast ironic light on Prufrock’s actual intent. The epigraph suggests that like that of Guido, Prufrock, who is singing his “love song”, may be concerned about his reputation if anyone were to hear his true feelings, so he only presents his emotions, without fear of infamy. As the poem continues a dark undertone lies along the belly of this poem, it sounds …show more content…
Then for lines 111-119, there is the clear allusion to Hamlet. “ No! I am not Prince Hamlet, nor was meant to be; Am an attendant lord, one that will do”(111-112). Hamlet, the protagonist, famous for his indecisions while plotting to avenge the murder of his father, is like that of Prufrock in that the latter is also indecisive, however Prufrock views himself as Polonius. Polonius known for running on sentences and incorporating important sounding words to say what most people could say in a simple declarative sentence can be seen as foolish. His pedantry makes him a joke to some people. Prufrock is constantly worried that the words he speaks will also make him come off as a fool, which plays as yet another restraint against him talking to women. With this comparison, Prufrock finally seems aware of himself as he is
Allusion is when the author inputs other literature characters or stories into a comedic situation. The two thieves are out for cold hard cash, and decide their “victim [would be] the only child of a prominent citizen named Ebenezer Dorset,” (Henry, pg.1) from the Southern Alabama town. After kidnapping Ebenezer’s son, the father responds
On page 667, Prufrock says the he is not “Lazarus, come from the dead,” which refers to the time mentioned in the Bible when Jesus Christ raised Lazarus from the dead. This quote is used to contrast Prufrock and Lazarus, and indicates that Prufrock needs to try to turn his life around because he will not get a second chance at life like Lazarus did. Thus, he has very low confidence and does not think he will ever have a chance to be successful. Another biblical allusion is used on page 665 and states “Though I have seen my head (grown slightly bald) brought in upon a platter, I am no prophet,” which alludes to the execution of John the Baptist. This again displays Prufrock’s belief that he is not special. Hamlet, the hero of Shakespeare’s tragedy, is alluded to on page 667 where it states “I am not Prince Hamlet, nor was meant to be.” The purpose of this quote is to show Prufrock’s thought that he is not meant to be a leader. Also, he is bothered that he will never be the “star of the show” and is more of an ordinary individual who just blends in. Therefore, Prufrock does not think he is remotely exceptional or will ever be
The references to the image of “oyster-shells” tell the reader of his suppressed self. Prufrock compares himself to a few of the Shakespearean characters two of them being Hamlet and an attendant lord. The reference that Prufrock makes to Hamlet is a reference that he describes by denial. He says, “No! I am not Prince Hamlet, nor was meant to be” (line 111). Prufrock says that he is not Hamlet because he does not have the self-confidence that is needed in order to be the main character of a play. Prufrock references himself to that of the attendant lord from Shakespeare. The attendant lord is a character in the play that is of no importance, and is only there to provide enough time for the main characters of the play to get changed and ready in between scenes. In lines 114-116 Prufrock describes the attendant lord as “an easy tool, deferential, political, caution, meticulous.” Of these images that are represented in describing the attendant lord and Prufrock himself they all define a sense of negative self-
Eliot, T. S. "The Love Song of J. Alfred Prufrock." Prufrock, and Other Observations. New York: Alfred A. Knopf, 1920. N. pag. Bartleby.com. Aug. 2011. Web. 11 Mar. 2014.
T.S. Eliot, a notable twentieth century poet, wrote often about the modern man and his incapacity to make decisive movements. In his work entitled, 'The Love Song of J. Alfred Prufrock'; he continues this theme allowing the reader to view the world as he sees it, a world of isolation and fear strangling the will of the modern man. The poem opens with a quoted passage from Dante's Inferno, an allusion to Dante's character who speaks from Hell only because he believes that the listener can not return to earth and thereby is impotent to act on the knowledge of his conversation. In his work, Eliot uses this quotation to foreshadow the idea that his character, Prufrock, is also trapped in a world he can not escape, the world where his own thoughts and feelings incapacitate and isolate him.
The poem written by T.S. Eliot in the early 1900’s is titled “The Love-Song of J. Alfred Prufrock” and leads the reader to believe that they will be reading about the love story of a man. After the Italian stanza, the poem starts with the opening line “Let us go then, you and I” and the second stanza continues with lines starting with “Let us go” but then continues on to describe the journey of a man. This man, J. Alfred Prufrock, is a man that is on a voyage of self-discovery and is infatuated with his appearance and loneliness. “The Love-Song of J. Alfred Prufrock” by T.S. Eliot, is a monologue written about the modern man on his journey, a man that describes his surroundings, defines his emotions, and silently invites the reader on this
T.S. Eliot’s “The Love Song of J. Alfred Prufrock” tells the speaker’s story through several literary devices, allowing the reader to analyze the poem through symbolism, character qualities, and allusions that the work displays. In this way, the reader clearly sees the hopelessness and apathy that the speaker has towards his future. John Steven Childs sums it up well in saying Prufrock’s “chronic indecision blocks him from some important action” (Childs). Each literary device- symbolism, character, and allusion- supports this description. Ultimately, the premise of the poem is Prufrock second guessing himself to no end over talking to a woman, but this issue represents all forms of insecurity and inactivity.
Alfred Prufrock”indicates the spiritual emptiness and disillusionment of people , chaos, and futility of modern life and nothingness of human existence on a meaningless world. This is what the poet intends to disclose. And love songs, as many expect, must be very sweet and romantic. Love must be connected with something pleasant. Yet the love song of Prufrock seems very sentimental and sorrowful. The first stanza of the poem presents an unpleasant sight to us.“when the evening is spread out against the sky, Like a patient etherized upon a table”, Prufrock perceives the sunset as a patient oozing on the operation table. Through Prufrock’ s“stream of consciousness”,“ half-deserted streets, cheap hotel, dust restaurants”-the living conditions of the poor appear before him. The situations and the atmosphere are not in harmony with a real love song. This reveals the state of mind of Prufrock, who is not happy, but in a melancholy mood. There is a repetition of the line“In the room the women come and go Talking of Michelangelo”demonstrates the women of fashion pose as a lover of culture and show off their culture accomplishment. They pretend to be educated and converse with so-called civilized gentlemen to relieve their boredom. People in the genteel society in the party eat, drink, dance, and talk to kill much time. This description of the life of genteel society forms a sharp contrast to the poor district with its
However, all of Prufrock's problems stem from his insecurity and his inability to reveal his interest in the women at the party. "How should I presume?" he asks several times throughout the poem. (lines 54, 61, and 68) Prufrock is so entranced and frustrated by the women that every detail, including the arms "braceleted and white and bare" (line 63), the "long fingers" that smooth away the afternoon (line 76), and the "skirts that trail along the floor" (line 102) become everything to him in that moment.
In his timeless poem “The Love Song of J. Alfred Prufrock,” Thomas Stearns Eliot sheds light on Europe’s devastatingly morbid backdrop after the First World War by juxtaposing the parallel concepts of loneliness and depression through the utilization of a fragmented stream of consciousness as his primary narrative mode. In view of that, T. S. Eliot accordingly employs the persona of J. Alfred Prufrock, an intensely indecisive middle-aged man who ponders an “overwhelming question” in the context of his desire to spark up a conversation with a woman. Through his self-mockery, Prufrock recognizes that he is no majestic tragic hero, no Hamlet, no John the Baptist, but rather a petty and lugubriously talkative fool trapped in a dull world of taking tea, yellow fog, and repetitive conversations; contemplating an expression of pointlessness and impotence over and over, wondering whether his life “would [be] worth it, after all” (Lines 87 and 99). Respectively, Eliot constructs a remorseful and bitter, yet romantic and pensive tone throughout the poem that explores the disillusionment of the modern
Moreover, I disagree with the point that this moment of honesty from Prufrock is uncommon. Almost the whole poem can be viewed as a confession to a close friend he trusts with his intimate love and insecurity issues. For instance, when he confesses the “No! I am not Prince Hamlet, nor was meant to be;” but instead is, “almost at times, the Fool” (line 119). This is very trusting and honest to confess that he is no hero, but more of a
One of the twentieth century’s major poets was a British, American-born essayist: T.S. Eliot 1888-1965. In his works, he uses a distinct style of writing, such as folk tales to hold and regulate contemporary experience, compiles juxtaposition of different voices, traditions, and communication, and targets on form to act as the bearer of meaning, thus leading many of his biggest fans to consider his poetry an equivalent with modernism. Throughout his career, Eliot’s poetry underwent momentous changes, which brought forth some of his most famous works. T.S. Eliot’s wide-ranging but almost small collection of work includes The Waste Land (1922), The Love Song of J. Alfred Prufrock (1915), and Four Quartets (1943), which Eliot considered to be
The title T. S. Eliot chose for his poem "The Love Song of J. Alfred Prufrock" is ironic. Mr. Prufrock does not love anyone, nor does he believe he is loved. He has disdain for the society of which he wishes he were a part, and he believes society views him no differently. The imagery of Mr. Prufrock's thoughts provide the audience a more detailed insight into his character than had Mr. Eliot simply listed Mr. Prufrock's virtues and flaws. Mr. Prufrock is seen as an exaggeration or extreme for the sake of literary commentary, but the world has many Prufrocks in many differing degrees, and T. S. Eliot has made them a little easier to understand.
TS Eliot’s early works are renowned for their nihilistic motivations and reflect complete distaste and contempt for modernist society, being ‘driven by scepticism’ according to B Rajan. Eliot’s poems such as ‘Preludes’ (1917), ‘Rhapsody on a Windy Night’ (1915), “The Love Song of J Alfred Prufrock’ (1915), ‘Portrait of a Lady’ (1915) and ‘The Wasteland’ (1922) are all similarly themed on the doomed fate and torturous meaninglessness of early 20th century American society. Eliot’s co...
T.S Eliot, widely considered to be one of the fathers of modern poetry, has written many great poems. Among the most well known of these are “The Waste Land, and “The Love Song of J. Alfred Prufrock”, which share similar messages, but are also quite different. In both poems, Eliot uses various poetic techniques to convey themes of repression, alienation, and a general breakdown in western society. Some of the best techniques to examine are ones such as theme, structure, imagery and language, which all figure prominently in his poetry. These techniques in particular are used by Eliot to both enhance and support the purpose of his poems.