“The Minister’s Black Veil” has received critical attention since its publication in 1832. Its ambiguity has given rise to heated debate over the religious and societal messages promoted in the story. Hawthorne’s veil has been seen as a symbol of shame, isolation, and even enlightenment by various scholars. Most of these readings contextualize the story in the time period of its writing and setting, but few look at its modern implications. We plan to reinterpret Hawthorne’s tale as a commentary on modern isolation as it relates to social media usage. This short story warrants critical analysis because of its increasingly accurate portrayal of the effects of hyper-connectedness on the individual. This approach is especially important as
“Sinners in the Hands of an Angry God” by Jonathan Edwards and “The Minister’s Black Veil” by Nathaniel Hawthorne are both 1700s Puritan works of literature with similarities, as well as differences, from their theme to tone and to what type of literary work they are. Edwards and Hawthorne are both expressing the topics of how people are all sinners, especially in regards to their congregation and that questions their congregation’s faith.
Throughout Hawthorne’s short stories which examine secret sin based in Puritan societies, the protagonist, Mr. Hooper, a preacher in Milford, describes to his wife “Do not desert me though this veil must be between us here on earth” (32). Hooper who has arrived at a point where his community and wife have abandoned him while on his deathbed realizes that he is deserted because of his secret sin. This description of utter loneliness is in contrast with Hawthorne’s portrayal of Hooper, who once was a prominent priest in the Milford area. Hawthorne’s depiction of Mr. Hooper’s secret sin, taking form in the black veil alters his life indefinetely. In Nathaniel Hawthorne’s short stories, the author identifies secret sin as the cause of isolation, relationship struggles, and the community’s behavior.
This short story reflects the Puritans’ lifestyle in the early colonial stage by using the black veil of Reverend Hooper to guide people through the sinful and struggling life of the Puritans. “The Minister’s Black Veil” is only one of the great stories written by Nathanial Hawthorne, and there are more Romanticism books like The Scarlet Letter and The House of the Seven Gables, and they also talk about the changes and struggles of human
"For now we see through a glass, darkly" --Isiah 25:7 W.E.B. Du Bois's Souls of Black Folk, a collection of autobiographical and historical essays contains many themes. There is the theme of souls and their attainment of consciousness, the theme of double consciousness and the duality and bifurcation of black life and culture; but one of the most striking themes is that of "the veil. " The veil provides a link between the 14 seemingly unconnected essays that make up The Souls of Black Folk. Mentioned at least once in most of the 14 essays it means that, "the Negro is a sort of seventh son, born with a veil, and gifted with second sight in this American world, -a world with yields him no true self-consciousness, but only lets him see himself through the revelation of the other world. It is a peculiar sensation, this double consciousness, this sense of always looking at one's self through the eyes of others.
Nathaniel Hawthorne's "The Minister's Black Veil" illustrates the dangers of secret sin. Allowing guilt from things done in the past, things that cannot be changed, can ruin lives. The life of the secret-carrier will be devastated, along with the lives of that person's most loved ones. Hawthorne uses various types of figurative language in his works to portray his message. "The Minister's Black Veil” is no exception; Hawthorne uses symbolism and suggestion to add depth and mystery.
There is no end to the ambiguity in Nathaniel Hawthorne’s “The Minister’s Black Veil”; this essay hopes to explore this problem within the tale.
Isolation can be a somber subject. Whether it be self-inflicted or from the hands of others, isolation can be the make or break for anyone. In simpler terms, isolation could range anywhere from not fitting into being a complete outcast due to personal, physical, or environmental factors. It is not only introverted personalities or depression that can bring upon isolation. Extroverts and active individuals can develop it, but they tend to hide it around crowds of other people. In “Richard Cory,” “Miniver Cheevy,” The Minister’s Black Veil,” and “Not Waving but Drowning,” E.A. Robinson, Nathaniel Hawthorne, and Stevie Smith illustrate the diverse themes of isolation.
The gothic characteristics that are found in Edgar Allan Poe’s “The Fall of the House of Usher” and Nathaniel Hawthorne’s “The Minister’s Black Veil” delve into the dark side of the human mind where secret sin shrouds the main characters in self anguish and insanity. Both Poe and Hawthorne focus on how much of a burden hiding sins from people can be, and how the human mind grows weak and tired from carrying such a burden. Poe illustrates that with his perturbed character Roderick Usher who was rotting from the inside like his “mansion of gloom” (Poe 323). Hawthorne dives deep into the mind of one Mr. Hooper, a minister, a man admired by all, until he starts wearing a black veil to conceal his face because “ The subject had reference to secret sin” (Hawthorne 311) . An analysis of both Mr. Hooper and Roderick Usher show through their speech, actions, behaviors, and interaction with other humans, the daily strain of hiding sin from one another.
Short answer response: answer each of the following questions, using a minimum of 150 words for each question. You must use textual examples to back up your answer in Question 1.
"The Minister's Black Veil" is an allegorical narrative in which the agents of setting, symbols, characters, and actions come in a coherent way to represent non-literal and metaphorical meanings about the human character. The black veil is without doubt the most important symbol used in the story. It comes to represent the darkness and duality of human nature, adding thereby a certain undeniable psychoanalytical angle to the short story. The black veil represents the sin that all men carry secretively within their heart as M...
It is no secret that Nathaniel Hawthorne’s “The Minister’s Black Veil” is a parable. Hawthorne intended it as such and even gave the story the subtitle “a parable.” “The Minister’s Black Veil,” however, was not Hawthorne’s only parable. Hawthorne often used symbols and figurative language to give added meaning to the literal interpretations of his work. His Puritan ancestry also influenced much of Hawthorne’s work. Instead of agreeing with Puritanism however, Hawthorne would criticize it through the symbols and themes in his stories and parables. Several of these symbols and themes reoccur in Hawthorne’s “The Minister’s Black Veil,” “Young Goodman Brown”, and The Scarlet Letter.
The story “The Minister’s Black Veil” is symbolic of the hidden sins that we hide and separate ourselves from the ones we love most. In wearing the veil Hooper presents the isolation that everybody experiences when they are chained down by their own sins. He has realized that everybody symbolically can be found in the shadow of their own veil. By Hooper wearing this shroud across his face is only showing the dark side of people and the truth of human existence and nature.
"The Minister's Black Veil" by Nathaniel Hawthorne is a story about one clergyman's alienation due to his outward dressing. Reverend Hooper was a well-respected preacher who got along well with the townspeople until one day when he appeared wearing a black veil over his face that consisted "of two folds of crape, which entirely concealed his features, except the mouth and chin" (Hawthorne 253). From that day onward, he was alienated both socially and physically from his community and from himself due to his inability to remove the veil.
The Minister’s Black Veil, written by Nathaniel Hawthorne in 1836, is a parable about a minister, Mr. Hooper, who constantly wears a mysterious black veil over his face. The people in the town of Milford, are perplexed by the minister’s veil and cannot figure out why he insists on wearing it all of the time. The veil tends to create a dark atmosphere where ever the minister goes, and the minister cannot even stand to look at his own reflection. In Nathaniel Hawthorne 's literary work, The Minister 's Black Veil, the ambiance of the veil, separation from happiness that it creates, and the permanency of the black veil symbolize sin in people’s lives.
In the short story, “The Minister’s Black Veil,” Nathaniel Hawthorne tells the Mr. Hooper’s black veil and the words that can describe between him and the veil. Hawthorne demonstrates how a black veil can describe as many words. Through the story, Hawthorne introduces the reader to Mr. Hooper, a parson in Milford meeting-house and a gentlemanly person, who wears a black veil. Therefore, Mr. Hooper rejects from his finance and his people, because they ask him to move the veil, but he does not want to do it. In Nathaniel Hawthorne’s “The Minister’s Black Veil”, Mr. Hooper’s black veil symbolizes sins, darkness, and secrecy in order to determine sins that he cannot tell to anyone, darkness around his face and neighbors, and secrecy about the black veil.