Irony In The Book Thief

In The Book Thief by Markus Zusak, Liesel Meminger, an orphaned little girl living in Nazi Germany, evolves partly through her numerous literary thefts. At her younger brother’s gravesite, she steals her first book, The Grave Digger’s Handbook, which teaches her not only the method to physically bury her brother, but also lets her emotionally bury him and move on. The theft of her next book, The Shoulder Shrug, from a book burning marks the start of Liesel’s awareness and resistance to the Nazi regime. As a story with a Jewish protagonist “who [is] tired of letting life pass him by – what he refer[s] to as the shrugging of the shoulders to the problems and pleasures of a person’s time on earth,” this novel prepares her both for resisting the

This realization, although suspected by the narrator for a long time, shows the true irony of Liesel’s thefts: that she never needs to steal them. When she steals her last book, The Last Human Stranger, she even takes a plate of cookies and leaves a note. Although none of these books are featured as heavily as her first few thefts, their titles reference parts of Liesel’s struggles such as her relationship with Max, her role in uplifting her community in the bunker, her continuing education, and her status being the only survivor of the final bombing. In conclusion, the books which Liesel steals are very influential in her development through the course of the novel, with the titles themselves references other parts of her life.
Last year, I read Life of Pi, and its focus on spirituality and the analysis of Pi’s religious experience moved me and heavily affected my own spirituality. I was an agnostic atheist beforehand, and that did not change, but instead, Life of Pi pushed me to find my own beauty and wonder, not in religion as Pi did, or in a vague spiritual sense as some others do, but in nature, science, and