Being in love with someone brings not only happiness but also pain. That pain is waiting. This reality is made clear in Dorothy Parker’s short story A Telephone Call. In this story, a woman is waiting for the call from her lover. She waited nervously as she promised to be phoned at 5. This woman knows that the anxiety that she felt was not needed, but she couldn’t restless. Parker uses the literary tools of irony, repetition, flashbacks, hyperbole to portray this hurting, yet loving scene.
The first element Dorothy Parker uses to establish the waiting in A Telephone Call is irony. When the reader already read the title and this story will be picture the irony of this story. From the beginning to the end of this story there is no telephone conversation, even though the title of the story is "A Telephone Call." Besides the title, the other irony is the statement seen this woman. She is often make statements that she denies
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In paragraph 2, "If I could think of something else. If I could think of something else. " In paragraph 6," Why can not that telephone ring? Why can not it, why can not it? Could not you ring? Ah, please, could not you? " In Paragraph 15," I must not. I must not, I must not. " There are also many times the repetition of this phrase" let him telephone me now " These repetition shows that women are really upset and could not impatient waiting. Then there is repetition that showed women loves that man. In Paragraph 4, That's mine, that's mine ... I want him so much. I want him so much
The author uses flashbacks to illustrate the love of this woman. In paragraph 3 "I'll call you at five, darling." I think that's where he said "darling." I'm almost sure he said it there. I know he called me "darling" twice, and the other time was when he said good-by. "Good-by, darling." He was busy, and he can't say much in the office, but he called me "darling" twice. He couldn't have minded my calling him
In “Invitation to a Murder” by Josh Pachter, situational irony is used an extremity of times. The first example comes from the title of the story. Eleanor Abbott pre-planned for there to be 12 renowned men in the criminal justice system invited to witness the death of her husband! Once they were there, she planned to blame them on his death! This is ironic since these men are busy fighting murder, and here they are about to be blamed for one! The following example comes in when the men come over to the Abbott household.
The main characters’ conflict over not wanting the same things in life is the root of the women’s disillusionment. The theme is furthered by the complication of the antagonist manipulation of the Jig’s feelings for him. Similar to Cisneros’s written work, Hemingway uses the narrative point of view to illuminate the growing disillusionment the women feels about not being able to have everything if she terminates the pregnancy. Hemingway leads the audience to this conclusion when the protagonist states “no, we can’t it isn’t ours anymore… Once they take it away, you never get it back” when referring to her disappointment that the antagonist will not change his mind and they can no longer have everything they ever wanted
Throughout this essay he focuses on keeping the tone light and humorous so as to entertain and yet still educate. We see him casually admitting his and others shortcomings as men and directing the humor at himself as he makes fun of his horrible behavior. In doing so, he makes this piece very easy for the reader to relate to; whether you are a woman
In addition to appearance, the two women have extremely different relationships with Ethan. In order to portray each woman’s relationship with Ethan, the author uses the motif of silence.
...ty that does not encourage that kind of behavior in women. During the novel she is told what to do, how to do it and at one point who to marry. She struggles with her growing unhappiness until she finally meets her true love.
We notice, right from the beginning of his life, that Ernest Hemingway was confronted to two opposite ways of thinking, the Manly way, and the Woman way. This will be an important point in his writing and in his personal life, he will show a great interest in this opposition of thinking. In this short story, Hemingway uses simple words, which turn out to become a complex analysis of the male and female minds. With this style of writing, he will show us how different the two sexes’ minds work, by confronting them to each other in a way that we can easily capture their different ways of working. The scene in which the characters are set in is simple, and by the use of the simplicity of the words and of the setting, he is able to put us in-front of this dilemma, he will put us in front of a situation, and we will see it in both sexes point of view, which will lead us to the fundamental question, why are our minds so different?
... The mother's approach is a source of terror for the child, written as if it is a horror movie, suspense created with the footsteps, the physical embodiment of fear, the doorknob turns. His terror as he tries to run, but her large hands hold him fast, is indicative of his powerless plight. The phrase, 'She loves him.' reiterates that this act signifies entrapment as there is no reciprocation of the ‘love’.
Derricotte’s conclusive paragraph begins with, “My mother helps me. She sends me signs: her African violet bloomed for the first time on my windowsill three years after her death, on the first day of her death month…I love my mother now in ways I could not have loved her when she was alive, fierce, terrifying, unpredictable, mad, shame-inducing, self-involved, relentless, and determined by any means necessary” (53). The timing of her love for her mother became insignificant. It wasn’t about when she finally reached the point of loving her mother but the mere fact that she loved her. The utilization of descriptive writing and the emotional implementation in “Beginning Dialogues” are a couple of ways Derricotte enraptures her readers in this short story. Regardless of a painful past or a traumatic childhood she allows herself to see that love truly conquers
In Toni Morrison’s Beloved, love proves to be a dangerous and destructive force. Upon learning that Sethe killed her daughter, Beloved, Paul D warns Sethe “Your love is too thick” (193). Morrison proved this statement to be true, as Sethe’s intense passion for her children lead to the loss of her grasp on reality. Each word Morrison chose is deliberate, and each sentence is structured with meaning, which is especially evident in Paul D’s warning to Sethe. Morrison’s use of the phrase “too thick”, along with her short yet powerful sentence structure make this sentence the most prevalent and important in her novel. This sentence supports Paul D’s side on the bitter debate between Sethe and he regarding the theme of love. While Sethe asserts that the only way to love is to do so passionately, Paul D cites the danger in slaves loving too much. Morrison uses a metaphor comparing Paul D’s capacity to love to a tobacco tin rusted shut. This metaphor demonstrates how Paul D views love in a descriptive manner, its imagery allowing the reader to visualize and thus understand Paul D’s point of view. In this debate, Paul D proves to be right in that Sethe’s strong love eventually hurts her, yet Paul D ends up unable to survive alone. Thus, Morrison argues that love is necessary to the human condition, yet it is destructive and consuming in nature. She does so through the powerful diction and short syntax in Paul D’s warning, her use of the theme love, and a metaphor for Paul D’s heart.
As the story begins, the narrator's compliance with her role as a submissive woman is easily seen. She states, "John laughs at me, but one expects that in marriage" (Gilman 577). These words clearly illustrate the male's position of power in a marriage t...
Raymond Carver is considered to be one of the most important American short story writers of all time. He utilized his work to reflect two distinct periods in his life. This first stage of his life depicts people in desperate situations that he too faced: poverty, alcoholism and divorce. Later in his work, during a time when he was given a second chance at love, he is “reborn” and redeemed. Carver is an author who faced poverties throughout his lifetime and used his literary work to depict his feelings about love during these stages. Raymond Carver uses the theme of love in Gazebo”, “What We Talk About When We Talk About Love” and “Where I’m Calling From” to symbolize the common themes of love and loss that he experienced in his own marriages, works and alcoholism.
Shakespeare’s story, Love Labour’s Lost, focuses the story on the endearing lust of men. Women are a powerful force, so in order to persuade them men will try to use a variety of different resources in order to attract the opposite sex. Men will often use their primal instincts like a mating call, which could equivocate today to whistling at a woman as she walks by. With the use of lies to tell a girl what she wants to hear, the musk cologne in order to make you appear more sensual, or the cliché use of the love poem, men strive to appeal to women with the intent to see his way into her heart. William Shakespeare is a man, who based on some of his other works, has a pretty good understand and is full of passion for the opposite sex. Nonetheless, whether it had been honest love or perverse lust, Shakespeare, along with most men, aimed to try to charm women. With keeping this understanding of Shakespeare in mind, his weapon of choice, to find his portal way into a woman’s heart, was his power of writing.
At the start, the first stanza of the poem is full of flattery. This is the appeal to pathos. The speaker is using the mistress's emotions and vanity to gain her attention. By complimenting her on her beauty and the kind of love she deserves, he's getting her attention. In this first stanza, the speaker claims to agree with the mistress - he says he knows waiting for love provides the best relationships. It feels quasi-Rogerian, as the man is giving credit to the woman's claim, he's trying to see her point of view, he's seemingly compliant. He appears to know what she wants and how she should be loved. This is the appeal to ethos. The speaker seems to understand how relationships work, how much time they can take, and the effort that should be put forth. The woman, if only reading stanza one, would think her and the speaker are in total agreement.
These factors lead to the unraveling of the relationship as the conflict precedes and is described through both of their views on the issue. As the topic of their son was brought up, which is the cause of the confrontation, the woman immediately “withdrew shrinking from beneath his arm”, illustrating how she feels as she faces him in such a situation (33). The woman feels she must make herself and her emotions smaller, ultimately concealing them completely from him, as she faces him due to his inability to understand her, avoiding his questions and comments. Throughout the poem she seems insistent in leaving their home saying “[She] must get out of [there]. [She] must get air” because she feels suffocated both by his way of responding to situations which have taken an emotional toll on her and her incapability of being able to have closure on the situation while living in conditions that are not being of assistance to her (39). These actions show how she has to alter some aspects of her personality when speaking to him to please him, and he feels like he has to do the same. As he says “A man must partly give up being a man / With women-folk”, he is describing how he feels he must give up his opinion or view on certain topics and even says “[they] could have some arrangement by which [he’d] bind [himself] to keep hands off / Anything special [she’s] a-mind to name” (52-55). He continues by describing how having such disagreements and having to make compromises with each other are part of being in a relationship “Though [he doesn’t] like such things ‘twix those that love”, but now that he sees how serious she is about
The narrator admired the girl but was certain that the latter felt contempt towards her for becoming the new center of attention from all the men. She despised the fact that men were criticizing the young girl in order to win her heart. When a party was thrown for the departure of the, the two women are able to share a moment with each other. We the witness an amount of solidarity, or what we may term as sisterhood between them. The author realizes that she was wrong abot the fact that the girl would be jealous of her. Instead of envying each other for being made a competition by the men, they decide to appreciate each other and for the narrator, the rose which the latter offered to her means much more than any other flowers which she has ever received. The Woman’s Rose ends with the sentence: “spring cannot fail us”, which would suggest hope that women can and should count on each other no matter what.