Iphigenia Among The Taurians

Regardless of the subject matter of a Greek Tragedy, the plot of the play brings up emotions like sympathy and dread within the audience. Iphigenia Among the Taurians is a tragedy written by Euripides in the early 400’s BC that follows the family of Orestes. While Iphigenia Among the Taurians is considered within the genre of ancient tragedy, the play may not be the first example someone might conjure up since the main conflict is resolved and the story ends with Iphigenia and her brother Orestes successfully escaping the barbarians to go home to Greece. However, despite the non-traditional ending for a tragedy, Iphigenia Among the Taurians still manages to be classified as a tragedy by Aristotle’s standards. His definition focuses on the plot of the story as the means of classification, not the actual outcome. The components of the plot he requires is reversal, recognitions, and suffering, and these elements in turn create the pity and fear that the audience feels. Regardless of the resolved ending, the plot of Iphigenia Among the Taurians satisfies Aristotle’s requirements through the relationship between the siblings Iphigenia and Orestes. Aristotle’s Poetics is a written work that generates a loose standard for tragedy and also creates a solid definition to produce a

While this play might not seem like an ideal tragedy because everything is resolved at the end, it satisfies the crucial guidelines regarding the components of the plot and the emotional requirement for pity and fear. Poetics focuses on the substance within the plot of the play instead of the outcome of the character’s actions during the plot. So despite the resolution of the play and because of the plot, Euripides’ Iphigenia Among the Taurians can be regarded within the genre of tragedy on account of Aristotle’s definition in