For many years, this period and these writers were known as the American Renaissance, a coin termed by F.O. Matthiessen in his book of that name in 1941. This book set the parameters of how to read and connect these writers until relatively recently, when its limitations, especially in terms of defining the "canon" of literary giants and what made them (all male) "giants" have been recognized and challenged. However, the term is still useful to some degree. It is a misnomer, if one thinks of the period as a time of rebirth of some earlier literary greatness, as the European Renaissance, because there was nothing to be "reborn." The great writers of this period, roughly 1840-1865 although more particularly 1850-1855, marked the first maturing of American letters. It was a Renaissance in the sense of a flowering, excitement over human possibilities, and a high regard for individual ego. It was definitely and even defiantly American, as these writers struggled to understand what "American" could possibly mean, especially in terms of a literature which was distinctively American and not British. Their inability to resolve this struggle--and it was even more a personal one than a nationalistic one, for it questioned their identity and place in society--did much to fire them creatively.
However, we will call this American romanticism, though it shares many characteristics with British romanticism. It flourished in the glow of Wordsworth's poetic encounter with nature and himself in The Prelude, Coleridge's literary theories about the reconciliation of opposites, the romantic posturings and irony of Byron, the lush imagery of Keats, and the transcendental lyricism of Shelley, even the Gothicism of Mary Shelley and the Bronte sisters. Growing from the rhetoric of salvation, guilt, and providential visions of Puritanism, the wilderness reaches of this continent, and the fiery rhetoric of freedom and equality, though, the American brand of romanticism developed its own character, especially as these writers tried self-consciously to be new and original.
The glory years were 1850-1855. What was it in American culture and British influences that led to the incredible flowering of masterpieces in this era: Emerson's Representative Men, Hawthorne's The Scarlet Letter, The House of Seven Gables, Melville's Moby-Dick and Pierre,...
... middle of paper ...
...arative contact, but they are useful and important ones. Perhaps we will risk some confusion here and certainly we will have to neglect some biographical context as we "mix and match" writers. But we will be able to focus on those ideas which united (and even divided) them that makes us able to call them all "romantics." After we have read a work, we will "revive" it in discussions of later topics, taking the different perspective, for there must a certain arbitrariness in "assigning" a work to only one theme. Great and complex works must not be limited like that! So rather than progressing through time and historical/biographical contexts, we will keep circling recursively (as Emerson says we must), seeing how the different works and writers explore the major aspects of romantic thought and art.
Our base is necessarily Emerson, the literary giant of his time in America, for better or worse. Though his writing is often difficult to read, it was, in fact, the match that lit all of the creative fires of his time. He put his pen on all of the sensitive spots in the American creative psyche; Whitman was not the only one to "boil."
1. The “American Renaissance” was known as the time period which American writers had produced a significant mature level of writing within American and the development of literary nationalism. The “American Renaissance” was influential and shaped the structure of many movements in American’s new settlement by a collection of authors. The author Nathaniel Hawthorne wrote “The Birth-Mark” had relation with the Age of Enlightenment that was involved in the renaissance. Ralph Waldo Emerson work’s “The Poet” and “The American Scholar” represented a national character in this time period.
...n American Literature. By Henry Louis. Gates and Nellie Y. McKay. 2nd ed. New York: W.W. Norton &, 2004. 387-452. Print.
The literary rebellion, known as realism, established itself in American writing as a direct response to the age of American romanticism’s sentimental and sensationalist prose. As the dominance of New England’s literary culture waned “a host of new writers appeared, among them Bret Harte, William Dean Howells, and Mark Twain, whose background and training, unlike those of the older generation they displaced, were middle-class and journalistic rather than genteel or academic” (McMichael 6). These authors moved from tales of local color fiction to realistic and truthful depictions of the complete panorama of American experience. They wrote about uniquely American subjects in a humorous and everyday language, replete with their character’s misdeeds and shortcomings. Their success in creating this plain but descriptive language, the language of the common man, signaled the end of American reverence for British and European culture and for the more formal use of language associated with those traditions. In essence, these new authors “had what [the author] Henry James called “a powerful impulse to mirror the unmitigated realities of life,” in contrast to the romanticist’s insistence “on the author’s rights to avoid representations of “squalid misery” and to present instead an idealized and “poetic” portrait of life” (McMichael 6).
When a writer starts his work, most often than not, they think of ways they can catch their reader’s attention, but more importantly, how to awake emotions within them. They want to stand out from the rest and to do so, they must swim against the social trend that marks a specific society. That will make them significant; the way they write, how they make a reader feel, the specific way they write, and the devotion they have for their work. Washington Irving, Nathaniel Hawthorne, and Edgard Allan Poe influenced significantly the American literary canon with their styles, themes, and forms, making them three important writers in America.
The American Renaissance populated the world with many unique and imaginary literary works to entertain the common man, and finding the deeper meaning of life. The rise of American literature in the mid-nineteenth century was due to the intellectual and social growth that was most common in New England. These types of works explore an abundance of emotions and imaginations to entice a reader's mind. Two prominent authors of the time period would be Henry David Thoreau, as well as Edgar Allen Poe. Thoreau was a leading Transcendentalist who tended to write about his observations of nature and his personal experiences. Thoreau explored the realities of escaping reality and relocate to the peaceful wilderness. Poe is generally regarded as the
The movie "Matrix" is drawn from an image created almost twenty-four hundred years ago by the greek philosopher, Plato in his work, ''Allegory of the Cave''.The Matrix is a 1999 American-Australian film written and directed by the Wachowski brothers. Plato, the creator of the Allegory of the Cave was a famous philosopher who was taught by the father of philosophy Socrates. Plato was explaining the perciption of reality from others views to his disciple Aristotle. The Matrix and the Allegory of the Cave share a simmilar relationship where both views the perciption of reality, but the Matrix is a revised modern perciption of the cave. In this comparison essay I am going to explain the similarities and deifferences that the Matrix and The Allegory of the Cave shares.In the Matrix, the main character,Neo,is trapped in a false reality created by AI (artificial intelligence), where as in Plato's Allegory of the Cave a prisoner is able to grasp the reality of the cave and the real life. One can see many similarities and differences in the film and the allegory. The most important similarity was between the film and the Allegory is the perception of reality.Another simmilarity that the movie Matrix and the Allegory of the Cave shares is that both Neo and the Freed man are prisoners to a system. The most important difference was that Neo never actually lived and experienced anything, but the freed man actually lived and experinced life.
Achilleus is obliviously arrogant and prideful. At this point in The Iliad, the Achaians are in the proverbial spot between a rock and a hard place. The Trojans have begun a massive push that forces the Achaians back toward their ships and now they are holed-up inside the makeshift wall they recently built along the shore. It does not look promising for the Greek army. As nightfall arrives, Trojan campfires and an innumerable amount of troops comparable to the stars surround the Argives. The Greek camp is in a state of panic. Agamemnon wisely agrees with old man Nestor to ask Achilleus for help. Agamemnon goes through a massive list of gifts – including the girl he took earlier – he plans to give Achilleus if he will return to their army. Three of the choicest Achaian warriors – Aias, Odysseus, and Phoinix – are sent to deliver the message to Achilleus and basically beg for his help. Achilleus’ response is less than cordial and reveals his staggering
American History Through Literature 1820-1870. Ed. Janet Gabler-Hover and Robert Sattelmeyer. Vol. 3.
Romanticism was a literary movement that occurred in the late eighteenth century to the mid nineteenth century which shifted the focus of literature from puritan works, to works which revolved around imagination, the beauty of nature, the individual, and the value of emotion over intellect. The ideas of the movement were quite revolutionary as earlier literature was inhibited by the need to focus on society and the rational world it effected. Romanticism allowed writers to be more creative with there stories and to explore an irrational world which before, would have been at the very least frowned upon if not outright rejected. The short story, “Young Goodman Brown” by Nathaniel Hawthorne is an example of a romantic work because it showcases the individual over society, exalts emotion and intuition over reason, and keeps a strong focus on nature throughout the story.
The Matrix is a science fiction movie about artificial intelligence computers replacing mankind. I believe that this movie is a common type of display from the media is common paranoia so that they can get a reaction from people and sell their story. In the case of The Matrix, the movie dazzles people with awesome special effects using modern computer technology, which I find ironic. I find it self-conflicting and hypocritical for the media to use modern computer technology for their own good to show people how bad technology is. Amy Bruckman and Howard Rheingold would probably find this movie interesting in that it disagrees and agrees with certain aspects about their beliefs about the use of computers.
Romanticism itself actually originated from Europe in Germany by the publication of Goethe’s Sorrows of Young Werther. It then moved to England; not until 1830, Romanticism appeared in America. “American Romanticism was a movement that marked the reaction in literature, philosophy, art, religion, and politics” (Scheidenhelm). It was an age of westward expansion, and a rebellion against the Age of Reason. It was the return to classics. Historically, this period of tensions resulted in the Civil War. Romantic Literature was personal, intense, and showe...
The purpose of Amy Tan’s essay, “Mother Tongue,” is to show how challenging it can be if an individual is raised by a parent who speaks “limited English” (36) as Tan’s mother does, partially because it can result in people being judged poorly by others. As Tan’s primary care giver, her mother was a significant part of her childhood, and she has a strong influence over Tan’s writing style. Being raised by her mother taught her that one’s perception of the world is heavily based upon the language spoken at home. Alternately, people’s perceptions of one another are based largely on the language used.
Robinson, David M. "Romanticism." American History Through Literature 1820-1870. Ed. Janet Gabler-Hover and Robert Sattelmeyer. Vol. 3. Detroit: Charles Scribner's Sons, 2006. 1000-1007. Student Resources in Context. Web. 27 Apr. 2014.
As we all know, majority of females are mothers and many are single mothers to beat that. Therefore, the thought of them not having paid maternity leave is quite disturbing to me. Why is the United States the only country in the world that doesn’t make paid maternity leave mandatory in the workplace? How are these females supposed to support their child, along with them if there not getting paid for the time they must take off? In many cases, that female may not have anyone to care for that child, so that she can go back to work. Things such as these may not be put into consideration by employers, but giving birth is a remarkable experience for females. Most importantly, maternity leaves gives a mother time to bond with her newly born child and it gives her time to recover or heal from the overwhelming birthing process. Therefore, the least companies can do is give paid maternity leave to females, while they’re missing work
In order to see how cultural and historical situations affect literature throughout history, it is important to get a brief history on each era discussed in this paper. The first era we will be reviewing will be writings from 1865-1914. The Civil War was just ending in 1865. America lost over a half of million Americans in the war. The nation was in a state of disorder and the south was devastated. Nevertheless, the country prospered. America became industrialized and saw innovations such as; the railroads, telegraph, telephone, and electricity. The population of the United States had also started to increase due to immigration.