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Violence in films
Violence in films
Influence of popular American culture
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Morgan Burns Mr. Kevin McLin History of Cinema II 27 April 2018 Film In America Postwar Before special effects rattled the screen, and ultimate movie going experiences took over in today’s society the art of entertainment started off with theater. Theater allowed older generations to enjoy themselves while watching stories being told through actors. As decades past the future took hold and thus people were able to put those actors on the big screen for thousands to see. People were amazed by the ability to have a train move silently along the movie screen and cause such enjoyment. Thus the film industry transformed into what seemed like a golden ticket for money. Through this time major silent films were made by peak ball players in the …show more content…
These mean creating the success of the 70’s movie era, “The scripts were better, the ideas more daring, the execution freer, and most of all, the connections to the real world of American life outside much stronger and deeper. American filmmakers in the '70s gave wing to extravagant ambitions, sometimes trying to create the great American Film in the ways our best writers have tried to produce The Great American Novel… Some of the great American movie genres -- especially the western and the musical -- had collapsed by decade's end. (Wilmington.1) The moviegoers now required stories with thought, they wanted suspense, they wanted to laugh and cry. Thus this artist brought everything and more. Spielberg, being one of the best and youngest director of his time, took a book and created one of the most talked about movies in history (Jaws, 1975) Spielberg was able to take an animal that we come across in life and turn thousands into being afraid of swimming let alone stepping in water. His movie creation affecting everyone that saw it, this being said about his project,” Not only was Jaws a runaway box office success, but it was a bit of an anomaly in the fabric of 1970s American filmmaking. After all, from a certain point of view, the ‘70s can be understood as the American art house decade; in …show more content…
Its hard to even think about movies not all having color but in the 60’s this was just another addition that started to make films so renound. And with the invention of colored television all Film studios started to put out color in their films. Another way filmmakers expressed their new forms of cinema was allowing the camera to be at different angles. A new way of filming broke out which involved hand-held shots, which really caused a nervous feeling to the scene adding to the intensity of movies. Another big change in the movie business was the way music and films started to interact. More and more movies that with the ability to have music in their movies caused for more dramatic moments and the ability to add both profits to the movie industry as well as the music
Lewis, J. (2008). American Film: A History. New York, NY. W.W. Norton and Co. Inc. (p. 405,406,502).
Schindler's list premiered mere months after the inauguration of the United States Holocaust Memorial Museum, leading to a capitalising success on the American peoples cultural focus on historical voyeurism. The critical reception of Schindler's List is a intellectual discussion on the moral nature of a film through the ability to dramatize what was deemed impossible; critically selectively received with a social conscious, and a division on Spielberg's stylistic representation of the subject matter. The scholarship on Schindler's List only reaches one shared thesis that of its transitional nature in his cinematic career into a more self-styled seriousness with arching the blockbuster with sober artistic work (Grainge, Jancovich, & Monteith, 2012). Critical reception of Spielberg's work comments on the true nature of its testimony in memorial to the Holocaust with appropriate restraint or typical emotional manipulation, combined with arguments of the nature of film is artistic or entertaining. Temporal and spatial variations don't seem to affect the critics review, it appears to be more the view of Spielberg as an auteur and also their comfort in exploring such a sensitive historical memory. Deconstruction of the reception will discuss the stylistic nature of the film with a controversial documented cinematography, alongside Schindler's List's place among other works in regards to the subject of the Holocaust and Spielberg's handling of the digestible.
The silent era in film occurred between 1895 through 1929. It had a a major impact on film history, cinematically and musically. In silent films, the dialogue was seen through muted gestures, mime, and title cards from the beginning of the film to the end. The pioneers of the silent era were directors such as, D. W. Griffith, Robert Wiene and Edwin S. Porter. These groundbreaking directors brought films like first horror movie and the first action and western movie. Due to lack of color, the silent films were either black and white or dyed by various shades and hues to signal a mood or represent a time of day. Now, we begin to enter towards the sound era and opposed to the silent era, synchronized sounds were introduced to movies. The classic movie, The Jazz Singer, which was directed by Alan Crosland, was the first feature length film to have synchronized dialogue. This was not only another major impact in film history, but it also played a major part in film technology and where film is right now.
Jacobs, Lewis. “Refinements in Technique.” The Rise of the American Film. New York: Teachers College Press, 1974. 433-452. Print.
Beginning roughly with the release of Stanley Kubrick’s Dr. Strangelove: Or How I Stopped Worrying and Loved the Bomb in 1964, and continuing for about the next decade, the “Sixties” era of filmmaking made many lasting impressions on the motion picture industry. Although editing and pacing styles varied greatly from Martin Scorcesse’s hyperactive pace, to Kubrick’s slow methodical pace, there were many uniform contributions made by some of the era’s seminal directors. In particular, the “Sixties” saw the return of the auteur, as people like Francis Ford Coppola and Stanley Kubrick wrote and directed their own screenplays, while Woody Allen wrote, directed and starred in his own films. Kubrick, Coppola and Allen each experimented with characterization, narrative and editing techniques. By examining the major works of these important directors, their contributions become more apparent.
Slapstick enables the beleaguered audience to stay here on earth and have the best good time; with a perfect sense of completeness, the clown’s martyrdom becomes the good time the audience is having. The significance of the silent era in film history cannot be overstated. During the first decades of the twentieth century, a truly commercial popular art emerged bound closely to the image of a modern America. Movie making luminaries such as Charlie Chaplin and Buster Keaton lead the way of comic cinema with their unforgettable films. Regardless of the development of synchronized sound, the era drew to a close, but the modes of production, distribution, exhibition, and consumption inaugurated during the silent film era persisted, creating the film industry, as we know it
This increased attention caused change in the industry, allowing the experience of the movie goer to massively change for the better. Many new genres, ideas and technologies emerged in the 1920s that would later dominate the industry. The 1920s saw massive changes happening in the movie industry that would help it to get one step closer to what it is today. The decade was largely dominated by silent films, but the creation of movies with sound followed afterwards. These innovations greatly improved the movies and made them more immersive and exciting for the viewer.
Largely influenced by the French New Wave and other international film movements, many American filmmakers in the late 1960s to 1970s sought to revolutionize Hollywood cinema in a similar way. The New Hollywood movement, also referred to as the “American New Wave” and the “Hollywood Renaissance,” defied traditional Hollywood standards and practices in countless ways, creating a more innovative and artistic style of filmmaking. Due to the advent and popularity of television, significant decrease in movie theater attendance, rising production costs, and changing tastes of American audiences, particularly in the younger generation, Hollywood studios were in a state of financial disaster. Many studios thus hired a host of young filmmakers to revitalize the business, and let them experiment and have almost complete creative control over their films. In addition, the abandonment of the restrictive Motion Picture Production Code in 1967 and the subsequent adoption of the MPAA’s rating system in 1968 opened the door to an era of increased artistic freedom and expression.
Another change in society was the glamour of motion pictures. During the 1920s, movies began to capture the interest of the nation. The film industry began to flourish during this time. By the end of the decade twenty Hollywood studios were created and released and average of eight hundred films in one year. Young women of America loved the glamour of the silver screen and began to follow the fashion of their favorite actresses.
Watching a movie in the 1920s was a cheap and easy way to be transported into a world of glitz and glamour, a world of crime, or a world of magic and mystery. Some of these worlds included aspects of current events, like war, crime, and advances in technology; while others were completely fictional mysteries, romances, and comedies. Heartbreakers, heartthrobs, comedians and beautiful women dominated movie screens across the country in theaters, called Nickelodeons. Nickelodeons were very basic and small theaters which later transformed into opulent and monumental palaces. When sound was introduced into film by Warner Bros. Pictures, “talkies” took top rank over silent films. “Movies were an art form that had universal appeal. Their essence was entertainment; their success, financial and otherwise, was huge” (1920-30, 3/19/11). Films offered an escape from the troubles of everyday life in the 20s, and moviegoers across the country all shared a universal language: watching movies.
During the mid and late 1970’s, the mood of American films shifted sharply. People needed to get away from such negative memories as the Vietnam War, long gas lines, the resignation of President Nixon, and ...
Stanley, Robert H. The Movie Idiom: Film as a Popular Art Form. Illinois: Waveland Press, Inc. 2011. Print
Sklar, Robert. Movie-made America: A Social History of American Movies. New York: Random House, 1975. Print.
The first movies were in black and white and did not have any sound. As time passed by, the way of making movies changed to where sound was implemented, then they made the movies in full color. Today, movies have special effects that are that have made them very realistic. There are two ways people can watch movies, one is at home and the other is at a theatre. Watching a movie at home is better than watching a movie at the theatre.
Many people don’t think about it so much, but movies (or just film in general) have become such a big part of our lives that we don’t think much of it because it just feels like a usual part of living. But have you ever wondered why this is, and how far back film started? Movies and film have been around for a long time, have developed in big ways throughout time, and has advanced in such a big and new way to this day.