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An analysis of monet's contribution to impressionist painting
Impressionism claude monet
An analysis of monet's contribution to impressionist painting
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During the 19th century, Paris went through a series of change as the medieval city developed into a modern metropolis. Innovations throughout this period as well as a change of attitude towards social classes and Academic art became the catalysts that birthed the artistic movement, Impressionism. Paintings such as Le Pont de l’Europe by Gustave Caillebotte, Interior View of the Gare, St-Lazare: The Auteuil Line by Claude Monet and Boulevard Montmartre, matin d’hiver by Camille Pissarro encapsulated the artistic and social contexts of Impressionism.
Artistic Contexts
Claude Monet and Camile Pissarro were two of the founders of Impressionism, a movement that was largely influenced by its predecessor, Realism. Originally, Monet’s career in art started with him drawing caricatures of the townspeople of Le Havre. Then in 1857, he met en plein-air painter, Eugène Boudin. He urged a reluctant eighteen year old Monet to paint outdoors, encouraging him to “see the light.” Boudin’s teachings would later influence Monet as he met artists such as Pierre-Auguste Renoir and Alfred Sisley in 1862. Together they refined plein–air painting; they investigated the effects of light as they painted with broken colours and rapid brushstrokes across a canvas. In contrast was Pissarro as his earliest works were rendered in the more traditional Academic style-invisible brushstrokes, and realistic subject matter. Though in 1859, his works became looser and freer, greatly influenced by Camille Corot’s rural scenes and Gustave Courbet’s plein-air paintings.
Gustave Caillebotte, however, was an Impressionist that did not rely on painting en plein-air. He turned towards the innovation that was photography, invented during the mid 1930’s, to guide him i...
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...rd Montmartre, matin d’hiver. Paris as a modern metropolis was evident in the wide street and bustling sidewalks in Pissarro’s work, as well as the grand townhouses and cafés lining the street.
Paris became the centre of the newly prosperous bourgeoisie and the Impressionists captured it all across their canvases. Evidence of this could be seen in Caillebotte’s Le Pont de l’Europe as it depicted a bourgeois couple strolling in Paris. The urbanization of Paris also brought about a freedom of mobility for the Parisians as they could utilize the new railroads to travel in and out of the city for their leisure. In Monet’s Interior View of the Gare, St-Lazare: The Auteuil Line, the coming and going of trains displayed the importance of this invention to the city’s roaming inhabitants. Many Parisians took advantage of this innovation, such as art dealer Paul Durand-Ruel.
Claude Monet played an essential role in a development of Impressionism. He created many paintings by capturing powerful art from the world around him. He was born on November 14, 1840, in Paris, France. Later, his family moved to Le Havre, Normandy, France because of his father’s business. Claude Monet did drawings of the nature of Normandy and time spent along the beaches and noticing the nature. As a child, his father had always wanted him to go into the family grocery business, but he was interested in becoming an artist. He was known by people for his charcoal caricatures, this way he made money by selling them by the age of 15. Moreover, Claude went to take drawing lessons with a local artist, but his career in painting had not begun yet. He met artist Eugène Boudin, who became his teacher and taught him to use oil paints. Claude Monet
19th-century Parisian painters Georges Seurat and Edouard Manet intentionally produced innovative works that broke away from formal academic conventions and strongly influenced the course of the art world. Manet's 'Music in the Tuileries' (1862) was very first modern painting [1], marking the art world's turning point from realism to impressionism [2]. While Seurat's 'A Sunday Afternoon on the Island of La Grande Jatte' (1884-86) was a novel painting style composed exclusively in the style of Pointillism, which brought on the shift to neo-impressionism from impressionism [3]. Both paintings received criticism from commentators when first exhibited but gained posthumous reputations as highly creative and influential painters [2]. Both chose upscale locations frequented by affluent Parisians for their settings, Manet selecting the weekly musical concerts at the Tuileries gardens near the Louvre, and Seurat selecting the island of Grand Jatte by the river bank of Seine.
Through the painting, one can see that the development in Paris started a long time ago. One can see large buildings, which were not found in other parts of the world. The buildings look good, showing that architectural education was dominant in Paris at that time to enable the construction of such great multi-storey houses. At that old time , Paris had already been introduced to street lights. The city must have developed long ago. In other parts of the world, street lights
At the time, women were not allowed to actually study in the French academy so private instruction was the only option. Gérôme was one of the most requested instructors at the institution, so it was no small feat that Cassatt managed to impress him with her early work. It was under Gérôme’s guidance that she would enhance her formal skills by going to the Louvre daily to copy the artwork on display. Students, like Cassatt, could pay their way through private lessons or schooling by selling the copies of artwork they made at the Louvre to American tourists. At about the same time as Cassatt’s permanent move to Paris, Paris was in the midst of social and artistic change from the previous status quo. Along with the changing aesthetics came the emergence of a new radical group of artists who attempted to break away from previous academic tradition. This group would soon be known as the Impressionists. Cassatt herself would not become apart of this group for the next decade however, and continued to work in a more traditional manner so she could submit her artwork to the Paris Salon. As the Paris Salon did not select as many of her pieces as she had hoped, she grew frustrated and started to move away from the more classic style. It was around this time (in 1870) that she moved back home for a summer to sell some of her
Claude Monet is one of the most familiar and best loved of all Western artists. His images of poppy fields, poplar trees, water lilies and elegant ladies in blossoming gardens are familiar to people who have never seen the original paintings and may never have visited an art gallery. Monet's works have won a place in the affection of the general public that seems almost without parallel. (Rachman, 4) In the decades since his death in 1926, Monet's work has been intensely studied by a variety of art critics. However, none of his works have been as deeply studied as those done in Giverny, in the early twentieth century. During this time Monet's paintings, which focused on specific subject matter from various viewpoints, became the most famous of his career and also the most analyzed, bringing forth a variety of different opinions.
The Gare Saint-Lazare by Claude Monet is one of 12 paintings completed by the artist of the same location, a commuter train station called The Gare Saint-Lazare in Paris. During this time, he moved himself from Argenteuil to a small apartment near the station while he was working on these paintings. Monet lived from 1840 to 1926 and is considered to be the father of impressionism, the term deriving from his painting entitled Impression, Sunrise. Monet often painted the same location many times in an attempt to capture the differences of changing light and seasonal variances. He was also very fond of painting outside of studios, and urged his contemporaries to do the same.
Within the medium of painting, many millennia of two-dimensional representations have recorded the thoughts and history of those who are creative and those who desired history to be recorded in the image they decided fit. The boundaries that separate painting into defined movements can be vague because they represent the works of a culture such as Greece or as well-defined and distinct as some movements were dictated by churches, governments, and other bodies of influence. Impressionism is a movement composed of works from a culture where the enlightenment of the masses caused “a group of artists who shared a set of related approaches and techniques” ("Impressionism") to emerge and coalesce into a new school of thought. This paper will examine the works of three artists who painted in the Impressionist style: Edgar Degas, Pierre-Auguste Renoir, and Claude Monet. These renowned Impressionists may have had common influences and beginnings, yet these artists differentiate from one another via their unique styles of expression.
Paris was overcrowded. The streets were too small and dirty as well. So Napoleon III hired Eugene Houssman to fix this. Napoleon wanted him to modernize Paris. Eugene completely tore down the center of Paris and cleaned up the sludge. Eugene laid down wide boulevards in a wheel shape to help with crowd control and made all of the buildings the same height at 5 stories
Claude Monet made the art community address a revolutionary type of art called impressionism. In a style not previously before painted, impressionism captured a scene by using bright colors with lots of light and different shades to create the illusion of a glance. The traditional method of working in a studio was discarded and the impressionist artists carried any needed supplies with them into the countryside and painted the complete work outside. The manufacture of portable tin tubes of oil paints as well as the discovery of ways to produce a wider range of chemical pigments allowed artists to paint in a way unimaginable before this period in time (Stuckey 12). Monet and others, such as Pierre Auguste Renior, Paul Cezanne, Edgar Degas, Berthe Morisot, Edouard Manet, Camille Pissarro, and Alfred Sisley, took this style of art to a new level never seen before.
The modernization of Paris during this period allowed much social reconstruction of physical spaces, nonetheless allowing much movement of individuals to different parts of the city. Artists, poets, and writers were all individuals hat situated themselves in areas like that of the Montmartre, because of the importance of the entertainment that was available to the lower class as well as interaction with other social classes without prejudice. In the late nineteenth-century, the Montmartre itself was situated on the outer limits of Paris, thus already and clearly labeling it as the home of the marginal lower-class individuals including artists, anarchists, and Bohemians.
Claude Monet is often considered one of greatest most dedicated of the Impressionist painters. His aim was to catch the light and atmosphere, something that was scarcely done before. He enjoyed painting outdoors and developed a free and spontaneous painting technique. His brushwork is remarkably flexible and varied. He often changed his technique, sometimes broad and sweeping other times dappled and sparkling.
Rejected by all of Parisian society in 1872, Oscar-Claude Monet 's Soleil Levant, or Impression Sunrise, was the unfortunate center of mockery and ridicule. Today, the painting 's market value surpasses $30 million , but the value of its cultural impact on the world is worth far more. Impression, Sunrise, fathered a revolutionary new style of painting called Impressionism, after its name, and brought vast change into the world of art. Recognized for its modernity, Monet 's painting rejected all established techniques, and its incorporation of new technology and ideas opened the floodgates for years of experimentation to come. It was out with the old and in with the new. This particular work of art is a cultural treasure in that it brought a
Barnett, Peter. “The French Revolution in Art”. ArtId, January 7th 2009. Web. 5th May 2013.
Edgar Degas had said, “Art is not what you see, but what you make others see,” this sentiment is critical to understanding Impressionism as an art movement and later as a literary one. Literary Impressionist authors adopted the techniques of the artists. Both artist and author use a layering to construct impressions of their subjects. Berthe Morisot’s painting, Woman at Her Toilette, in which the painting of her subject appears to be wearing jewelry, but closer examination of the work, reveals that she used the layering of the paint to give the painting texture which creates this impression. Like Morisot, Muriel Sparks also uses the layering of her words to create an impression of her subject, Miss Jean Brodie, in her novella, The Prime of Miss Jean Brodie. This layering contributes depth and complexity that is prevalent in the impressionistic style of art and literature. Jesse Metz, in the introduction of his book, Literary Impressionism and Modernist Aesthetics, speculates that if literature is considered an impression then it “makes surfaces show depths, make[s] fragments suggest wholes,” which also can be seen within the art style (1). Whereas the artist uses paint and brush to create an impressionistic painting, author Muriel Sparks uses the layering character perception to create the subject of her text.
Impressionism happened during the nineteenth century particularly in France although there is also impressionist movement in other places although the number of artists involved does not match the number of artists involved in impressionism in France. The characteristics of impressionism include the use of short brush strokes (Perry, 1995) and the lack of effort to veil or hide or keep these brushstrokes from being noticeable as the audience looks at the painting. There is also a renewed attention and focus on the effect of light, particularly the natural ambient light which is why many Impressionist painters work outside the studio, the paintings featuring a subject that is often found outside or outdoors, from Claude Monet’s Woman with a Parasol to Alfred Sisley’s Bridge at Villeneuve-la-Garenne. There is ...