Images In The Story Of Buddhism, By Richard Rodriguez

From the past until now, there have been myriad transformations and renderings of the Buddha’s image. There are different functions of an image of the Buddha. While it evokes certain emotions to some, it can just be a beautiful representation to others. However, the most important function or role of an image of the Buddha is to serve as evidence. Its purpose is to mark a certain time period in history, to signify a religion, but it never exists to define a religion. An image is a visual aid to offer a glimpse to the viewers of what the religion may be about. It enforces questions and provokes thoughts, bringing forth curiosity to explore different cultures that believed in the particular religion. The Kannon Bosatsu (Avalokitesvara Bodhisattva) from Japan during the 12th century is an example. Made out of wood, it can be identified as a preview of what the audience might be learning in the future. An image of the Buddha is not as celestial and dynamic as the Buddha himself. In his essay, “The Story of Buddhism”, Lopez points out the importance of Buddha Images. In this particular section, he examines the various ways in which one can view the Buddha through images. Lopez first discusses the importance of the image of the Buddha, describing Buddhism as “the religion of images” (Lopez,

One of the most evident concepts behind this essay was Lopez’s firm belief in the power of the Buddha’s image. Yes, he did mention that there are various ways to look at the Buddha but his presentation of support on the image, as the religion was most convincing. As soon as the analysis progressed, there was an immediate call for attention on how compelling and impressive an image can be as opposed to being in the physical existence of the Buddha. For me, Lopez’s thoughts on the images were a bit exaggerated with dramatic adoration that resulted from what may have been an emotional study of the