Imagery And Symbolism In Robert Frost's Poetry

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In this piece Robert Frost depicts a basic scene from nature - a creepy crawly on a blossom is holding a moth that it has caught as its prey. In any case, Frost's portrayal is loaded with gothic symbolism, including the way that every one of the three components - the bug, the bloom and the moth - are white, which here appears to exemplify, not immaculateness and goodness, but rather haunting paleness. Frost makes the scene sound unfeeling, and terrible, and after that uses it to propose that the bigger configuration of nature is comparatively inhumane or malignant. One of the main focuses on this piece of poetry that grabs people’s attention is, what does the speaker mean when he says appall? As the speaker recites this piece, his tone is out of terror. When frost says “darkness to appall”, he is addressing that he is terrified of all the white creatures that are on the flower.
Maybe everything is white to show innocence in all the creatures, or maybe even shows evil in disguise. The speaker maybe terrified of all the white creatures because he doesn’t know whether it represents bad or good, like God or the devil. And why does this poem leave us with questions? Frost is a tricky guy, he takes a poem that seems so simple about life and turns it into a terrifying question. This piece of poetry explains how evil things happen even if God was the one to create it. It’s not that Frost is terrified of what he sees, he is tricking his readers to think that he is terrified when he really is just turning a moment in life into a terrifying question to get his readers to really think about life in good and bad. In Robert Frost's piece of poetry "Design," the three shading white creatures speaks to the life/death

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