Illicit Drug Representation in Popular Culture
Representation of illicit drug use, addiction and trafficking in popular culture provides a multiplicity of meanings, developing understanding and creating social spaces in which alternative understandings and drug policy can emerge. Drug consumption, addition and trafficking are continually played out through visual representations, music and narrative, confirming or refuting condemnatory social attitudes toward illegal drugs. To exercise our capacity for of critical analysis, its important we consider the complex social processes and relations that surround drug production and consumption, and understand film and music as “cultural agents that produce and reproduce systems of meaning about
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Cinema, in its essence, is about the reproduction of reality. It involves a relatively nuanced account of peoples diverse experience and grounds this in actual life and practice. This can facilitate understanding as film representations often include a variety of contrary viewpoints and emphases. Drug prohibition however, appears to have “spurred a proliferation of radicalised, gendered and class-biased drug imagery in film” (Boyd 2011, p.57). This is perceived through the radicalisation of anti-drug narratives, often depicting the supposed degradation associated with opium and marijuana addiction and portraying violent dealers, threatening white moral society (Esan 2007). Nevertheless, social tradition prevails and a new wave of independent thinking marked the 1960s, rupturing drug war discourse and oppositional films. Rock ’n’ roll merged into mainstream, associating with youth cultures and resisting social laws toward illegal drug taking (Brake 1980). Boyd (2011, p.61) emphasised films like Easy Rider (1969) and Superfly (1972) which normalised recreational drug use and humanised drug users as opposed to vilifying them, revealing the harms of conventional society rather than drug
In one portion of the documentary, we see an excerpt from one of President Richard Nixon’s speeches on how he feels about America’s ongoing battle with drug abuse. In the speech, he declared that this so called “war” with drug addiction needed to be handled while proclaiming that drug abuse was “America’s public enemy number one”. Years later, the war on drugs has only become even more of a controversial issue in the United States with the consequences spanning and reaching particular groups and hinting that they are more so involved than others.
Philadelphia is the heights rat of crim in the USA over 30-40 homicides crimes per month and drug related crimes. This links in with the other text that we are looking at, the novel “Damage done” and how is shows that sometimes facts get in the way of a good story. This all promotes the current view Australia has one drugs, the way that there is supposably an ice epidemic happing. This document follows Theroux around Philadelphia’s drug action streets while he does interviews with the criminals and follows the police around finding out what is really happing out on the streets of Philadelphia. Some events that where selected to promote this view to the audiences was the interview with the street boys, showing just how carpeted Philadelphia is how they talk of “code of silence – never snitch!”. There was all so the confronting images of the dead body left in the abandoned house, from a suspected over does on ice. The drug issue in Philadelphia is represented in way that it controls the streets nothing ever happens unless its drug related. These parts have been purposely highlighted throughout the documentary to get the most dramatic message across to the views, as dose the novel. Tis representation achieves the goal of getting the message across of how street gangs and drugs are becoming to rules the streets. This message impacts and effects the way the audients sees this type of action and making them believe that it is taking place all around them. This documentary is to inform and promote the understanding of these types of actions, this is all so done with some help of filming
Lilley’s objective approach applied to the representation of high school stereotypes in ‘Summer Heights High’ disregards common ideologies associated with drug and instead explores implications that are more realistic. Lilley demonstrates the impacts related to drug and substance abuse, through a musical directed by Mr. G, exposing Australian youth to the realities of drug use through a satirical medium.
Throughout “Chasing the Scream” many intriguing stories are told from individuals involved in the drug war, those on the outside of the drug war, and stories about those who got abused by the drug war. Addiction has many social causes that address drug use and the different effects that it has on different people. In our previous history we would see a tremendous amount of individuals able to work and live satisfying lives after consuming a drug. After the Harrison Act, drugs were abolished all at once, but it lead to human desperation so instead of improving our society, we are often the reason to the problem. We constantly look at addicts as the bad guys when other individuals are often the reasons and influences to someone’s decision in
Cocaine Cowboys is documentary film that was released in 2006 that was directed Billy Corben, and produced by Alfred Spellman and Corben. The film is about the rise of cocaine smuggling and the Miami drug war during the years of 1970s-1980s in Miami, Florida. In our textbook that is chosen for this course which is called, “Sociology: A Global Perspective” (Ferrante). We go over deviance, conformity, and social control in chapter seven; all in which becomes very relevant when put in the same conversation with this film, Cocaine Cowboys. This film is a true example of deviance that our society struggles with still to this day.
Beginning with the late 1960’s counterculture in San Francisco, music and drugs will forever be inter-linked. Hippie bands such as the Grateful Dead, the Allman Brothers, and Phish are associated with marijuana, mushrooms, and LSD. Modern electronic “rave” , or club music is associated with MDMA or Ecstasy. When one thinks of rock and roll, sex and drugs immediately come to mind. While the use of drugs is not essential for the creation or performance of all new music, it was certainly in important factor for the counterculture music of the late 1960’s. While some of the most important and influential music was made with the help of psychoactive drugs, it was often to the detriment of the artist. Janis Joplin, Jimi Hendrix, Jim Morrison, and countless other tremendously talented artists had their lives cut short due to drug use. Drugs were most often good for the music, but deadly for the music makers.
In looking toward my Ph.D. studies, I am interested in studying a world where drug use and the rationalization of drug use, especially amongst elite groups like ballerinas, are a part of everyday behavior and activities.
One could easily dismiss movies as superficial, unnecessarily violent spectacles, although such a viewpoint is distressingly pessimistic and myopic. In a given year, several films are released which have long-lasting effects on large numbers of individuals. These pictures speak
The war on drugs in our culture is a continuous action that is swiftly lessening our society. This has been going on for roughly 10-15 years and has yet to slow down in any way. Drugs continue to be a problem for the obvious reason that certain people abuse them in a way that can lead to ultimate harm on such a person. These drugs do not just consist of street drugs (marijuana, cocaine, ecstasy), but prescription medications as well. Although there are some instances where drugs are being used by subjects excessively, there has been medical research to prove that some of these drugs have made a successful impact on certain disorders and diseases.
A drug is a medicine or other substance that has a physiological effect when ingested or otherwise introduced into the body. Many people use drugs without realizing how addictive they can become. During the 1960s and 1970s drugs had a huge impact on the people and as years went on they became more and more dangerous to the point where marijuana, and LSDs were becoming popular and the group most affected were teenagers.
Drugs are used to escape the real and move into the surreal world of one’s own imaginations, where the pain is gone and one believes one can be happy. People look on their life, their world, their own reality, and feel sickened by the uncaringly blunt vision. Those too weak to stand up to this hard life seek their escape. They believe this escape may be found in chemicals that can alter the mind, placing a delusional peace in the place of their own depression: “Euphoric, narcotic, pleasantly halucinant,” (52). They do this with alcohol, acid, crack, cocaine, heroine, opium, even marijuana for the commoner economy. These people would rather hide behind the haze than deal with real problems. “...A gramme is better than a damn.” (55).
Drug in the American Society is a book written by Eric Goode. This book, as the title indicates, is about drugs in the American Society. It is especially about the misuse of most drugs, licit or illicit, such us alcohol, marijuana and more. The author wrote this book to give an explanation of the use of different drugs. He wrote a first edition and decided to write this second edition due to critic and also as he mentioned in the preface “there are several reason for these changes. First, the reality of the drug scene has changed substantially in the past dozen or so years. Second much more information has been accumulated about drug use. And third, I’m not the same person I was in 1972.”(vii). The main idea of this book is to inform readers about drugs and their reality. In the book, Goode argued that the effect of a drug is dependent on the societal context in which it is taken. Thus, in one society a particular drug may be a depressant, and in another it may be a stimulant.
In 1971 on June 17, President Richard Nixon delivered a special message to the Congress on drug abuse prevention and control. During the presentation, Nixon made it clear that the United States was at war with this idea of drug abuse. What baffled Americans then, and still baffles Americans today, is that we are at war with our own nation with drugs; it is not some foreign affair like the media tends to focus on with Mexico. Nixon stated that at the time of his speech, what was implemented to control drug abuse was not working…“The problem has assumed the dimensions of a national emergency. I intend to take every step necessary to deal with this emergency, including asking the Congress for an amendment to my 1972 budget to provide an additional $155 million to carry out these steps. This will provide a total of $371 million for programs to control drug abuse in America.”(Wolleey and Peters) Since the publicizing of the term “War on Drugs” in 1971, it has been used by many political candidates in elections over the years. In the movie, it was stated, “ every war begins with propaganda …[and] the war on drugs has never been actually on drugs… [Additionally] drug laws are shaped less by scientific facts, but more by political [reasoning].” (Jarecki) The movie, The House I Live In, directly relates to certain themes and terminology that were discussed in Martin and Nakayama’s Intercultural Communication in Contexts book, that have been used in class. Through the analyzing and comparing of The House I Live In and Intercultural Communication in Contexts an individual can begin to localize the ideals behind this everlasting war on drugs; some ideals focus on terms from the text like ethnocentrism, diversity training, and culture while ...
In recent times, such stereotyped categorizations of films are becoming inapplicable. ‘Blockbusters’ with celebrity-studded casts may have plots in which characters explore the depths of the human psyche, or avant-garde film techniques. Titles like ‘American Beauty’ (1999), ‘Fight Club’ (1999) and ‘Kill Bill 2’ (2004) come readily into mind. Hollywood perhaps could be gradually losing its stigma as a money-hungry machine churning out predictable, unintelligent flicks for mass consumption. While whether this image of Hollywood is justified remains open to debate, earlier films in the 60’s and 70’s like ‘Bonnie and Clyde’ (1967) and ‘Taxi Driver’ (1976) already revealed signs of depth and avant-garde film techniques. These films were successful as not only did they appeal to the mass audience, but they managed to communicate alternate messages to select groups who understood subtleties within them.
Throughout America's music history, the use and abuse of illegal drugs has been widespread, and some great musicians' lives have been utterly devistated and ruined by drugs. Often times it seems as though, in studying their histories, many musicians are falsely led to believe that if they use certain drugs, their playing will improve, or become more creative. Many great musician's lives have been tragicly cut short because of their drug use, and God only knows where some of them would be today had they not fallen into the trap of believing a chemical substance can improve their musicianship. The tragic thing is that by the time they realize that the drugs are only hurting their performance, the addiction has already taken control of their lives and their music.