Idealism In F. Scott Fitzgerald's The Last Tycoon

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Idealism in F. Scott Fitzgerald's The Last Tycoon

Idealism is undoubtably present in F. Scott Fitzgerald's The Last Tycoon. Infatuation may be a better word, for that was exactly what possessed the main character, Monroe Stahr. He was totally engorged with one Kathleen Moore. He idealized Miss Moore as the second coming of his deceased wife Minna Davis. Stahr was a true man of men that had little to do with women since the tragic passing of his wife. He would rather put his feet up with a cigar and shoot the breeze with the boys. Yet once he laid eyes on Kathleen for the first time, all of that changed. It was love at first sight.

Kathleen and Stahr meet after an earthquake rocked Los Angles. Stahr was surveying the damage done to …show more content…

Monroe Stahr idealized Kathleen Moore as the true cure to all his ills and loveless nights. To him, she was Minna Davis. In being, but not spirit, she was a replica.

This theme of idealism is similar to what Richard Slotkin reflects as "the American dream of perpetual self-improvement and transcendence." (22) Stahr idealized Kathleen as his way of perpetual self-improvement. He believed that Kathleen was the ticket he was waiting for, the ticket to happiness and closure. His life was a non stop slug fest that drained him of all his bodily and mental strength. Kathleen seemingly rejuvenated him.

Her own vitality became his. She improved his life during their brief affair. The fact that when she left his life can reinforce this idea she took more from him than she had originally given. When she left, his life went back to the way it was, but this time even worse. He started to drink, which had never done before. During his drunken episode he single handedly alienated everyone to whom he was close. In a sense, when he lost his love, he lost control of his …show more content…

He had achieved it during a time of incredible time of national economic upheaval. His genius had propelled him into the Hollywood spotlight, but with one foul swoop a woman brought him down like a ten-ton beam. Where did he go wrong? The answer lies in the fact that he simply loved and lost.
Most people believe it is better to have loved and lost than to never have loved at all. Yet in Stahr's case it would have been better for him if he had never loved at all.
Stahr had loved once and she died, the second time around he died. The fact that she could not truly love him killed him. He could not deal with the fact that she had already committed to another man. To him Minna Davis and Kathleen Moore were the same. They looked the same, and both brought out his true feelings like no one else ever had. His dream woman had deserted him and he refused to deal with it. His idealistic fantasy had figuratively stabbed him in th!e

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