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The portrayal of women in Shakespeare's plays
Analyse the role of emilia in the play of othello
Elements of a tragedy in othello
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Recommended: The portrayal of women in Shakespeare's plays
The play Othello, written by Shakespeare, is a tragedy that stems from deception and stereotypical attitudes. Initially, the protagonist Othello is portrayed as a loving husband, who truly endears Desdemona and worships her beauty. However, the villainous Iago manipulates Othello and accuses Desdemona of infidelity. Iago not only looks to replace Cassio as Othello’s lieutenant, but to create disparity and distrust between Othello and Desdemona. In a society where women are forced to be subservient to their husbands or otherwise be accused of infidelity or adultery, women are constantly marginalized throughout the play. By manifesting sexist attitudes towards women, Iago victimizes innocent women and tears apart relationships. The central conflict …show more content…
When Desdemona attests to loving Othello, Brabantio remarks to Othello “Look to her, Moor, if thou hast eyes to see / She has deceived her father, and may thee” (I.iii.333-334). Brabantio suggests to Othello that Desdemona is promiscuous since she desires to be with Othello without his consent. Othello on the other hand, sees this as Desdemona’s loyalty towards him and therefore ignores Brabantio. While Desdemona is completely innocent, Iago is able to convince Othello that Desdemona is having a private affair with Cassio: “She [Desdemona] did deceive her father, marrying you” (III.iii. 238) to which Othello responds “And so she did” (III.iii. 241). Othello reflects back on conversation with Brabantio, in which Brabantio had accused Desdemona of eloping with him. Othello concludes that she is taking advantage of him in order to have an affair with Cassio, and is therefore cheating on him. Despite Iago’s lies of Desdemona’s fidelity, Othello’s vulnerability to believe his lies and quickly accuse Desdemona as a “whore” suggests that Othello is a …show more content…
When Othello confronts Desdemona, he strikes her and exclaims “O, devil, devil! / If that the earth could teem with woman's tears / Each drop she falls would prove a crocodile!” (IV.i.273-275). Othello abuses Desdemona both physically and emotionally, despite that fact that he has not explicitly told her why he is aggravated nor has he asked Desdemona for her side of the story. Later on in the play, when Emilia asks Desdemona who had harmed her, she blames it on herself: “Nobody; I myself. Farewell” (V.ii.125). This moment conveys how subservient Desdemona is, despite being fully innocent. Desdemona conforms to societal norms at the time, in which women took the blame for any infidelity. Emilia, on the other hand, is a proto-feminist who persuades Desdemona to step up against the status quo: “But I do think it is their husbands' faults / If wives do fall… Let husbands know / Their wives have sense like them” (IV.iii. 97-98, 104- 105). Emilia is advocating for women, since she acknowledges their mistreatment by oppressive husbands. Considering that she is the wife of Iago, it is also a possibility that she faces the same abuse as Desdemona, which allow the two women to empathize with each
Emilia displays to Desdemona a helping hand and says to leave Othello if she is so hurt by his “understandings”. “…Having the world for your labor, ‘tis a wrong in your own world, and you might quickly make it right” She is basically explaining to Desdemona to leave Othello for his ludicrous antics.
When Othello asks Iago for proof of Desdemona’s deceit, Iago describes scenes and events in which Othello has a reason to be jealous. In Act III, Scene I Iago is describing to Othello, Desdemona and Cassio’s imagined relationship, “It is impossible you should see this/ were they as prime as goats, as hot as monkeys, as salt as wolves in pride, and fools as gross as ignorance made drunk.” These images planted themselves inside Othello’s mind and haunted him until he did something about it. These images led to Othello believing Desdemona really did love Cassio.
Though her world was fall apart with Iago creating false images of an affair between her and Cassio to Othello, Desdemona strangely remains kind, innocent, and willing to grant grace. When Cassio approaches her for help, she quickly agrees to help her old friend. While she discusses relationships with Emilia, she rejects all thoughts of infidelity. She had every reason to fight Othello when Othello carries out her murder, yet she resist only a little, She responses, “The Lord have mercy on me…[and] mercy on you too” to Othello’s “Thou diest” (Othello 5.2.50; 71-74). When she is briefly revived and quested by Emilia as to who her murderer is, Desdemona only replies, “I myself” (Othello 5.2.152).
Throughout the play Othello is convinced by Iago that Desdemona has had an affair with Cassio, when really Iago is trying to bring as much misery into Othello’s life as he possibly can. At one point Othello, Desdemona, and a few others are talking with Desdemona’s cousin and everything that Desdemona says helps to convince Othello that she is in love with Cassio. Eventually Othello gets mad enough and slaps her in which she reacts in a much different manner than most women of that time period would have. “Othello: I am glad to see you mad. Desdemona: Why, sweet Othello - Othello:Devil! [Strikes her.] Desdemona: I have not deserved this (4,1,217-220).” This is not the only time we see Desdemona tell Othello that he is wrong in his actions. Later, in act four, he calls her a “whore” and accuses her of sleeping around and rather than taking the heat and dealing with the verbal abuse Desdemona speaks out. “Othello:...Impudent strumpet! Desdemona: By heaven, you do me wrong! (4,2,81-82).” Desdemona tries throughout the rest of the play to convince Othello that she is faithful to him and loves him, but as hard much as she tries Othello does not believes any of it and ends up killing her. Shakespeare has made this very vocal female character to show women that even if they were to speak their mind and try to defend themselves no man would ever believe
When Iago first sets out to deceive Othello, he tells him, "look at your wife; observe her well with Cassio" (3.3.196). He knows that if he can plant enough doubt and jealousy in Othello's mind, Othello only needs to look at Desdemona being friendly with Cassio to suspect infidelity. After this, when Desdemona asks for Cassio's reinstatement, it looks as though she is trying to get something better for her lover, as opposed to just helping a friend.
Emilia, while lying next to her best friend on her deathbed, began to suppress her passive nature and attempts persecute the murderer. Nonetheless, the only woman who stood up for herself got killed in the end by her own husband. Othello and Iago’s wives were thought to be disloyal to their husband, while only one of them was correct in this accusation, Desdemona and Emilia were both murdered by the people they pledged their allegiance to. But, Emilia was the only woman who denounced the authority men had over women and compares the qualities of both men and women. She is fully aware of the gender
Throughout the novel, up until his insanity, Othello is described as a temperate man whose honor does not allow him to believe assumptions unless he has been shown proof. Firstly, when the men of Brabantio, Desdemona’s father, confront Othello’s men, Othello calmly says, “Keep up your bright swords, for the dew will rust them.” (10). Othello is confronted on the matter of his elopement with Desdemona with force and with words. Not only is he very cool about his dealings with violence, but also when he is asked to tell the story of how he had Desdemona fall in love with him he states the truth, and he doesn’t leave out any details of how he accomplished it. He openly admits that had any other man told his story, that man also would have won her heart. Only a truly honorable man can admit that it was a story, and not his personality that truly won the woman’s heart. Othello’s honor is shown by his trust in the people he knows and loves. When Iago tells Othello that he believes Cassio and Desdemona are having an affair, Othello does not believe Iago initially.
Iago controls Emilia and treats her as less when she does not act as a submissive wife. Therefore, Emilia follows to keep Iago satisfy. Further, Iago tells Emilia to steal the handkerchief; which she follows without knowing his intentions, to then be insulted by Iago calling her a “foolish wife” (3.3.313), and demanding her, “Go, leave me” (3.3.330). Apparently, Iago makes Emilia lesser, and she accepts her role as a submissive wife. Moreover, although Othello proclaims loving Desdemona, he perceives her as inferior as a result of jealousy. As in Act 5, Scene 2 where Othello says to Desdemona, “Down, strumpet!” (89), suggesting that he puts her in an inferior position to kill her reflecting his true perception of Desdemona. And likewise Emilia, Desdemona accepts the role of an obedient wife by using her last breath to take the fault off Othello
Although Othello and Desdemona are deeply in love at the start as evident in them holding each others’ hands tenderly. Iago can easily manipulate Othello to think that Desdemona has an affair with Cassio. This is due to the fact that Othello does not have enough confidence himself. He is not totally...
Othello being a soldier had only ever had formal relationships based mostly around work until he met Desdemona who he formed his first relationship controlled only by emotion and love that they held for each other. The fact this was his first personal relationship with a woman made him naive in this new experience. Othello's lack of experience made him vulnerable to Iago's falsehoods "In Venice they do let God see the pranks they dare not show their husbands; their best conscience, Is not to leave't undone, but keep't unknown." Iago says to Othello planting a false idea of Venetian woman in Othello's mind. Othello having little knowledge of Venetian woman is easily persuaded to believe Desdemona is unfaithful to him. If Othello had of been a little wiser in lo...
Throughout the drama, Othello let Iago control him as if he was a puppet under his master’s hands. When Iago first brought up the idea that Desdemona and Cassio might be having an affair, Othello did not believe him, he had faith in his wife. After many lies that Iago planted in Othello’s ears, Othello started to believe him and he dropped most of the faith that he had in Desdemona. Iago told Othello that in his sleep, Cassio said “Sweet Desdemona, let us be wary, let us hide our love”. Cursed fate that gave thee the Moor” (III.iii.416-417).
Iago uses the implications of gender roles throughout the play. He creates doubt about Othello’s masculinity, and feeds off of the anxiety these observations create. Iago is not immune to the negative impact of gender standards that cannot be fulfilled. Mark Breitenberg describes these feelings as “…male, heterosexual jealousy – the anxiety and violence engendered in men by a patriarchal economy that constructs masculine identity” and explains these anxieties are “…dependent on the coercive and symbolic regulation of women’s sexuality” (377). Iago’s hatred of Othello is due to the insecurity he feels about his own masculinity and it causes him to feel jealousy towards Othello. As Karen Newman opines, “Othello both figures monstrosity and at the same time represents the white male norms the play encodes through Iago” (153). He is as a brutish, savage monster, but these negative traits can be warped into desirable ones by means of masculine stereotypes. Othello is large, strong, and a warrior. ...
Although, each woman varies in roles and personality, they all had a common trait: they lived in a patriarchal society and suffered together. Each of them lived in a society where it was ideal to think women were psychologically and physiologically inferior to men, however in reality each of them knew their role in society. At first, Emilia's character is the ideal submissive wife. Iago treats Emilia rather badly during the first scenes of the play. He refers to her as a nagging housewife and Emilia is submissively unresponsive to his harsh allegations.
For examples, Iago States “You evil whore!” (295) and Iago claiming women talk too much(71). This shows Iago views and beliefs on women. It is clear to the reader that the women in the story do not have any choice. Iago states he wished that “he would have evened with his, wife for wife.
While she does have good intentions through out parts of the play and is a kind hearted woman, she never defends herself to her diabolical husband. Iago constantly makes hateful and degrading insults towards Emilia. "Come on, come on. You are pictures out of door, bells in your parlors, wild-cats in your kitchens, saints in your injuries, devils being offended, players in your housewifery, and housewives in your beds." (Act 2 scene 1 line 119) Not once does she ever defend herself. In fact, she is nothing but eager to please her husband to win his affection. "I nothing but to please his fantasy" (Act 3 scene 3 Line 343) She betrays her friendship with by stealing her handkerchief and gives it to Iago hoping to satisfy him. This utterly fails leaving Emilia with the desire to continue to try to please him. "Who would not make her husband a cuckold to make him a monarch? I should venture purgatory for 't" (Act 4, Scene 3, line 85) She is a representation of an abused woman who does not have enough self respect to defend herself. It is evident she makes herself a slave to Iago by consistently trying to make him happy despite his malevolent behaviour. Emilias lack of self confidence and passiveness proves that the women in Othello are powerless and