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Explain revenge as a theme in literature
Iago character study
Iago character study
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Recommended: Explain revenge as a theme in literature
At some point or another, everyone is passed over. It might have been a younger sibling getting the last piece of pie or someone less experienced getting a pay raise or promotion. Whatever it may have been everyone has the possibility to become an Iago from Othello by William Shakespeare. The difference is Iago has certain traits that makes him the villain. Iago possesses a need for justice that reveals his true character: bitter/hateful, deceptive, and manipulative. His commitment to himself and his sense of justice reveals the theme: if bitterness is left unchecked it can evolve into a vengeful perspective on life. In the beginning of the play, the reader can sympathize with Iago’s need for justice. The reader learns that Othello has passed …show more content…
As he is seething about not getting a promotion, bitterness begins to set in. Continuing his rant, Iago says, “Why, there’s no remedy; tis the curse of service, / Preferment goes by letter and affection, / And not by old graduation” (1.1.35-37). Iago’s indignation arises from knowing that someone with no experience received the position. The bitterness is left unchecked and quickly turns into hate. Instead of going to Othello, he whined and pined over it and eventually he says, “...I hate the Moor” (1.3.369). His hatred toward Othello drives him to become deceptive and manipulative. Iago advises Cassio: “confess yourself freely to her; importune her to help you put you in your place again” (2.3.282-284). Although this seems to be sound advice, Iago plans to deceive Othello by leading him to believe that Cassio and Desdemona are in love. In an aside, Iago says, “I’ll pour this pestilence into his ear, / ...So I will turn her virtue into pitch, / And out of her own goodness make the net / That shall enmesh them all” (2.3.316,320-322). Through deception Iago aspires to bring Othello and Cassio to their knees and achieve the position he so desired. With the first step of his plan complete, Iago now has to manipulate Othello into action. In an aside, Iago sneers, “O, you are well tuned now! / But I’ll set down the pegs that make this music” (2.1.194-195). Essentially, Iago is going to manipulate Othello in such a way that Othello
In Othello, Iago is Shakespeare’s most malicious character and serves as a vehicle to these two themes. Iago despises Othello; he has a strong will to destroy Othello’s life, yet the motive behind his plan goes unexplained. Iago is a great manipulator of the tongue and lies to everyone in order to advance his plan; however, every character in the play considers Iago an honest character, and Othello even associates Iago with light and eyesight. Othello continuously asks Iago to explain or make something clearer. Until the very end, Iago appears to be honest and helpful to the other characters, but underneath this seemingly harmless façade, Iago is a demon with the strongest will; he will stop at nothing until he ruins Othello’s life. Iago uses a positive appearance to enact his
Implicitly targeting Othello’s doubts about marrying Desdemona and insecurities about her actions with infidelity, Iago eventually impacts Othello enough that the General himself confides in Iago about his own wife. Earlier in the play, ‘honest Iago’ needs to first gain Othello’s confidence and he does so by expressing his loyalty to Cassio, “I had rather have this tongue cut from my mouth/ Than it should do offence to Michael Cassio”, while Othello is present in a conflict (2.3. 203-204). Then, later in the play Iago baits Othello by suggesting that Desdemona and Cassio are having an affair. Immediately, Othello wants more information; however, Iago nervously responds with, “…vicious in my guess-/ As I confess…” and tries to calm Othello by saying, “My noble lord-” (3.3 46-47, 93). When voicing his devotion to Cassio, Iago immediately begins to play on his false reputation as ‘honest Iago’. He enables Othello, and his fellow characters, to think highly of him and to respect that even when his partner, Cassio, has not been following orders, Iago would even endure physical pain and have his “tongue cut from [his] mouth” and proves his locality (2.3. 203). This leads to when Iago responds to Othello’s queries, about
Iago is a twenty- eight years old Caucasian married man and he is soldier in the Venetian army. Iago is viewed as modest, honest, and a good friend to people in public. People refer to him as “honest Iago” which lead them to trust him. Iago plans to destroy Othello by manipulating him to believe that his wife is being unfaithful to him with his promoted lieutenant Cassio, a position Iago wanted to have. Although the scandal that Iago came up with is a complete lie, Othello ends up believing him. Iago uses his ability to talk to people in order to accomplish his plan of destroying Othello because he wasn’t granted the position of the Venice army. (Sorto 1)
Through out the play jealousy is a ruler over Iago’s thoughts and actions, influencing the way he feels about himself. Iago’s jealousy is exhibited while speaking with Roderigo “One Michael Cassio, a Florentine/ (A fellow almost damned in a fair wife)/ That never set a squadron in the field, / Nor the division of a battle knows/ More than a spinster—unless the bookish theoric, / Wherein the toged consuls can propose/ As masterly as he. Mere prattle without practice/ Is all his soldiership. But he, sir, had th' election/ And I, of whom his eyes had seen the proof/ At Rhodes, at Cyprus, and on other grounds/ Christian and heathen, must be belee’d and calmed/ By debitor and creditor./ This counter-caster/ He (in good time) must his lieutenant be/ And I, bless the mark, his Moorship’s ancient”(I.i.18-32) . Through Iago’s tone his enraged anger and discomfort is exhibited. Iago speaks with a sense of shame toward himself, “And I, bless the mark, his Moorship’s ancient” (I.i.32). exposing his loss of respect for himself. When Iago loses respect for himself it is certain he has lost all respect for others, bein...
In William Shakespeare’s The Tragedy of Othello, Iago demonstrates a mastery of manipulation over people who had previously trusted and confided in him. His sudden turn from Othello’s loyal ensign to rage-filled villain seems indicative of a man who can no longer accept his position in life. Iago’s plotting of Othello’s demise starts as idle talk of a disgruntled 28 year-old career military man passed over for promotion. Iago believes that such a promotion may never come after Othello rejects his candidacy and makes it clear that he did not believe him suitable. He sees Othello is only concerned with personal and political gain with his choice of Cassio as lieutenant. When Iago teams with love-scorned and desperate Roderigo, he begins to construct Othello’s downfall. Iago is declaring an all-out covert war on Othello, Cassio, and anyone else who gets in his way. In Iago’s first speech in Act I Scene II, he proclaims hatred for Othello and lays out his plan for seeking vengeance. “After some time, to abuse Othello’s ears that he is too familiar with his wife (Shakespeare 1473).”
Iago’s hatred of Othello and Cassio causes him to seek revenge and he is able to succeed because his victims are too innocent to suspect him. Iago is a Machiavellian Shakespearean character who cunningly convinces his victims of his full moral support and proves his innocence in a way that his victims do not suspect him. When Cassio finishes his conversation with Desdemona about how he will not have his job back, Iago unfolds his mischievous plan against Desdemona when he says that, “so will I turn her virtue into pitch, And out of her own goodness make the net that shall enmesh them all” (Shakespeare, 49). Iago plans to destroy Othello and Desdemona’s marriage by using Desdemona’s kindness toward Cassio against her and make her look unfaithful in front of her noble hu...
This allows the audience to see the thinking and truth behind Iago’s actions. The main aspect of the soliloquy regards Iago’s cunning plans to slowly convince Othello that “[Cassio] is too familiar,” or too intimate “with [Othello’s] wife” (I.iii.439). After this, Iago plots to finally bring Othello to his knees through taking advantage of his “free and open nature,” and his view of Iago as an honest man (I.iii.442). This part of the soliloquy allows the audience to have a deeper look into what holds for the future of the play, and creates a feeling of anticipation of what will happen next, keeping the audience at the edge of their
In Shakespeare’s Othello, Iago is the antagonist and villain who causes all the trouble and disorder. Othello is the protagonist, and is the main person Iago’s destruction and revenge is aimed towards. Othello is nave and gives everybody his trust even though he may not know them or they haven’t earned his trust yet. He often refers to Iago as “Honest” Iago, which is a direct showing of irony because Iago is not honest at all (Shakespeare, I, iii. 289).
Iago tormented and played around with Othello's mind, and he enjoyed this immensely, it was his goal and he achieved it.
Othello has had Iago as his ensign for many years. They have gone to battle many times over. In war, every little thing can affect the outcome, everything is vital information. During this time, Othello, when he was upset or unsure of what to do, has learned to trust and listen to Iago’s insights about strategy and war. Othello shows that his trust in Iago extends beyond the battlefield when he asks Iago to take care of his wife during the voyage to Cyprus. It’s this trust that backfires on him. When Othello hears Iago’s off hand remark about Cassio, he trusts that Iago would not have said anything if it wasn’t something to worry about. Then, Iago, knowing how Othello thinks of his character, makes Othello think there is more to his thoughts than he is willing to speak of. Iago knows just what to say and how to articulate it to make Othello think the worst. He even manages to look like a friend who wants to keep...
Iago is a powerful predator who exploits those around him by infecting their perceptions of truth with carefully chosen fallacy. His skill in finding the proverbial chinks in others' armor allows him to skillfully weave his machinations of destroying Othello into their minds and actions; by manipulating character's perceptions of Desdemona, Iago gains the leverage he needs to exploit each character. No one is impervious to Iago's seething purpose; even Othello falls prey to Iago's suggestions and insinuations about Desdemona. Iago's constant presence as the stager, as well as his ceaseless - but subtle - reinforcement of events through narration, allows him to be the pivotal force that directs Shakespeare's Othello.
Iago has a sophisticated way of deceiving the characters of the play, making him a very intelligent person. Early in the play Othello introduces Iago to the Duke of Venice as, “My ancient / A man he is of honesty and trust” (!. iii. 284-85). This is but one of the times in the play that Iago is referred to as honest and true. Throughout the play Iago is considered to be honest, but is actuality the villain. In order to maintain this false image one has to have a beguiling character. After Othello and his lieutenant, Michael Cassio, return from the war against the Ottomans, there is a celebration. At this celebration Iago puts his manipulation to work. He knows that Othello and Desdemona’s love for each other is very true, but he tells Rodrigo that Desdemona had love for Cassio: “With as little a web as this will I ensnare as great a fly as Cassio. / Ay, smile upon her, do…” (II. I. 164-65). This quote shows that Iago deceives Roderigo into believing that Desdemona loves Cassio, when in Roderigo’s eyes it is virtually impossible. Iago basically controls Rodrigo because Iago deceives him into believing that he can have Desdemona, by both Cassio and Othello.
Iago has been excellent at saying the what is needed to get to people, he misleads them to get a reaction he wants out of them. He is clever with his words to avoid confrontation that can easily happen. “Othello 's confusion is the human experience of language. In other words, language itself, not the outside world, determines meaning” (Christofides 2). Iago uses his words against Othello to get him to do Iago’s doings. Iago has an eloquence with
Iago’s first plot is to somehow get this position no matter what so he can get closer to Othello. He stated how far he will go by saying, "I will wear my heart upon my sleeve for daws to peck at; I am not what I am."(I.i.64-65) Iago feels that since he fought with Othello in battles before that he should have received the title. Throughout the play Iago gets the job he dreamed of by stealing and killing. Iago begins to express his opinion to Roderigo by stating, “In personal suit to make me his lieutenant, off-capp’d to him: and, by the faith of man, I know my price, I am worth no worse a place.”(I.i.8-10)
Iago can be viewed as the narrator of this play. He is left alone on stage several times trough out the play to more or less speak to the audience. One such instance is the last part of the first act where Iago devisee’s his plan of attack on every character in the play. At this point the only reason we have seen for his anger is that he has not been appointed Othello’s lieutenant, despite his recommendations. “But for my sport and profit, I hate the moor…”(1.3.365). It is obvious that Iago is the villain in the play. But this line is very important. Iago hates Othello it seems because of his unapointed position. This line asks us, the audience, a good question: does Iago hate Othello enough to go trough all the trouble creating enemies of the entire cast? There could have been much simpler ways to get at Othello without dragging everyone else into the picture. Also after Rodrigo lost his luetiency it would have been simple for Iago to fill the newly vacant position. I believe, as the line says, Iago hates Othello only for amusement. “But for my sport and profit…” (1.3.365) Iago engages in the act of hating not because he has a disregard for Othello. Iago engages in the act of hating only to hate, whether it be Othello or his own mother. Iago hates for his own “sport and profit.” thus understand this concept of Iago puts a whole new spin on the evil which consumes him.