To begin with, "It dropped so low-in my Regard" is one of the most mystifying and obscured poems Emily Dickinson has ever written. This free verse poem is about the disheartening realization that someone relatively close, in either spirit or in life, is not who you thought. A person would never have to know what exactly lost the regard of Dickinson; it is quite easy to substitute your own "it" for what once lost your own respect or love to feel akin to what Dickinson meant when she wrote this poem. Dickinson wrote this poem in the "I" perspective, which doesn't doesn't neccesarily mean it was about her, nonetheless, I'm considering this poem to be written about her personal eperience with disillusionment. By examining the choice of words that Dickinson uses to convey her feelings, I will demonstrate that beneath the seemingly obscurity of her words this poem is a story of anguish.
First, to understand this poem, the reader would have to first understand Emily. She lived a reclusive life mostly, speckled with brief abnormalities such as talking to guests through doors
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Dickinson could have purposely used an object like plated silverware that is impossible to break by falling to show how unquestionable her belief in this concept was, and how its final demise was unexpected and utterly crushing in its betrayal. In contrast, the lusterware could represent how believable the concept was, but it turned out to just be false and cheap. Anyone would be upset about valuing something that didn't deserve to be so valued-or held in such high regard.Expanding on scenario 1, lines 7-8 can be explained as Dickinson entertaining the thought that she could finally have someone who cared about her stick around in her life, and placed that thought very highly on a "silver shelf". In any case, the wares, or concepts, didn't live up to what they were advertised
For years Miss Emily was rarely seen out of her house. She did not linger around town or participate in any communal activities. She was the definition of a home-body. Her father was a huge part of her life. She had never...
Although, Emily Dickinson physically isolated herself from the world she managed to maintain friendships by communicating through correspondence. Ironically, Dickinson’s poetry was collected and published after her death. Dickinson explores life and death in most of her poems by questioning the existence of God. Dickinson applies common human experiences as images to illustrate the connection from the personal level of the human being, to a universal level of faith and God. This can be seen in Dickinson’s Poem (I, 45).
Growing up Emily was an all-around vibrant girl. Over time, she becomes a secretive old woman. In a “A Rose for Emily, “she was described as shuttered, dusty, and dark just like the outside of her home. She inherited mental illness from her father side. “She exhibits the qualities of the stereotypical southern “eccentric”: unbalanced, excessively tragic, and subject of a bizarre behavior” (SparkNotes Editors 2007, pg 4). When her father passed away, she refused to give up his body. In all, Emily is a scared soul whose loneliness and co-dependent upbringing let her to remain socially unfit, and unable to make healthy human connections (Enotes, 2016 pg 1). Her upbringing slowly affected her ability to function like the rest of the townspeople. The townspeople never labeled her with a mental illness, but she was constantly talked about because of the relationship she had with Homer, and curiosity of the way Emily was living got the best of the
Emily Dickinson was an intricate and contradictory figure who moved from a reverent faith in God to a deep suspicion of him in her works. (Sherwood 3) Through her own intentional choice she was, in her lifetime, considered peculiar. Despite different people and groups trying to influence her, she resisted making a public confession of faith to Christ and the Church. (Sherwood 10) She wanted to establish her own wanted to establish her own individuality and, in doing so, turned to poetry. (Benfey 27) Dickinson’s poems were a sort of channel for her feelings and an “exploration” of her faith (Benfey 27).
She chooses this arrangement of verse in order to ordain a religious aspect into the poem, which does well to suite the theme and what she is fond of. As the recollection of the speaker’s death progresses, Dickinson uses the stanzas to mark the stages of the
Dickinson’s Christian education affected her profoundly, and her desire for a human intuitive faith motivates and enlivens her poetry. Yet what she has faith in tends to be left undefined because she assumes that it is unknowable. There are many unknown subjects in her poetry among them: Death and the afterlife, God, nature, artistic and poetic inspiration, one’s own mind, and other human beings.
The poetic work penned by Emily Dickinson is often viewed cryptically mainly due to the aspects of less punctuation and presence of destructive language that aligns imagery. For the purpose of analysis, the poem selected is Dickinson’s 754, ‘My Life has Stood – A Loaded Gun’ which was published in 1999. The poem has eluded critics and the interpretation of this work was carried out in a number of ways including frontier romanticism and a spirituality expression. On the other hand, the poem is underpinned with an extensive metaphor, in the light of which the life of the speaker becomes a loaded gun. The beginning of the poem depicts a typical American scene with the existence of a gun, a hunter, and a trip to the woods for hunting. The poem
Emily Dickinson, who achieved more fame after her death, is said to be one of the greatest American poets of all time. Dickinson communicated through letters and notes and according to Amy Paulson Herstek, author of “Emily Dickinson: Solitary and Celebrated Poet,” “Writing was the way she kept in touch with the world” (15). Dickinson’s style is unique and although unconventional, it led to extraordinary works of literature. Dickinson lived her life in solitude, but in her solitude she was free to read, write and think which led to her nonconformity and strong sense of individualism. Suzanne Juhasz, a biographer of Dickinson, sums up most critics’ idea of Dickinson ideally: “Emily Dickinson is at once the most intimate of poets, and the most guarded. The most self-sufficient, and the neediest. The proudest, and the most vulnerable. These contradictions, which we as her readers encounter repeatedly in her poems, are understandable, not paradoxical, for they result from the tension between the life to which she was born and the one to which she aspired” (1). Dickinson poured her heart and soul into over 1,700
In Emily Dickinson’s poem #336, the narrator feels a strong sense of despair and laments at having lost the physical ability to see in one eye. The narrator reflects upon the importance of sight in experiencing nature and finds a better appreciation for it now that she has lost her sight. By the end of the poem however, the narrator experiences transcendence, as she comes to the realization that through the act of imagination she is able to see far more than the limited view her eyes provided her with. Through the act of poetic writing, the narrator is able to capture the beauty of nature and engrave in into her soul. In Ralph Waldo Emerson’s excerpt from “Nature”, he alludes to the significance in sight when it comes to it being able to merge the human soul with nature to create perfect unity, and as such he lays the groundwork for Dickinson’s ideas that are presented within her poem. Though Dickinson’s poem may initially seem transcendental, it can also be interpreted as a mixture of Emerson’s transcendental ideas and those that support the notion of imagination. Dickinson’s poem serves as a response to Emerson’s ideas because she adds on to his thoughts and unites his idea that there is oneness present in the world with the notion that imagination and sight serve as a bridge that connects human consciousness with nature to create this oneness that Emerson believes in.
Emily had a servant so that she did not have to leave the house, where she could remain in solitary. The front door was never opened to the house, and the servant came in through the side door. Even her servant would not talk to anyone or share information about Miss Emily. When visitors did come to Emily’s door, she became frantic and nervous as if she did not know what business was. The death of Emily’s father brought about no signs of grief, and she told the community that he was not dead. She would not accept the fact that she had been abandoned because of her overwhelming fear. Emily’s future husband deserted her shortly after her father’s death. These two tragic events propelled her fear of abandonment forward, as she hired her servant and did not leave the house again shortly after. She also worked from home so that she never had a reason to leave. Emily did not have any family in the area to console in because her father had run them off after a falling out previously. She also cut her hair short to remind her of a time when she was younger and had not been deserted. Even though people did not live for miles of Emily Grierson, citizens began
Emily’s isolation is evident because after the men that cared about her deserted her, either by death or simply leaving her, she hid from society and didn’t allow anyone to get close to her. Miss Emily is afraid to confront reality. She seems to live in a sort of fantasy world where death has no meaning. Emily refuses to accept or recognize the death of her father, and the fact that the world around her is changing.
Emily Dickinson’s poems, “I” and “VIII”, are both three verses long and convey the irony and anguish of the world in different ways. By paraphrasing each of Dickinson’s poems, “I” and “VIII”, similarities and differences between the two become apparent. Putting the poem into familiar language makes it easier to comprehend.
Emily did not enjoy the popularity and excitement of the public life, unlike her father. So she began to pull away from it. In the presence of strangers Emily could be shy, silent or even depreciating. Emily felt that she did not fit in with her and her father’s religion in Amherst especially when he father started to censor the books she read because of their potential to draw her away from faith.
Dickinson was unique and the “exception” in creating a private relationship with her self and her soul. In “Emily Dickinson and Popular Culture”, David S. Reynolds, a new historicism critic, wrote that it 's no surprise that the majority of Dickinson 's poetry was produced between 1858-1866, “It was a period of extreme consciousness about proliferation of varied women 's role in American culture.” It was a time where women were actively searching for more “literary” ways of self expression” (Reynolds 25). Dickinson was able to express her ideas and beliefs as a woman, something that was scandalous during this time period.
In the other hand, Emily, despite having an unusual self-imposed private life, her poems were very conservative and structured. She mostly wrote ballad stanzas, which has four distinct lines with her own unique placement of punctuation and unusual grammar. She makes use exclusively of short, repetition, simple lines. An example of it is taken from a ballad poem “A still-Volcano-life”.