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Hamlet's character development
Hamlet's character development
Morality in Hamlet
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In the play, Hamlet, Shakespeare has shown that the loss of relationships, death, and betrayal are some of the outcomes of a person’s hypocrisy. Hypocrisy is a main factor that has driven the a lot because almost the characters are hypocritical. Hamlet has lost a few relationships with people that are dear to him because of the two-face side that people have shown him. Hamlet and Ophelia were a great lover in the play till Ophelia showed her other face. Hamlet noticed that he is being spied on through Ophelia. So, Hamlet wonders where is Ophelia’s father, but Ophelia lies to Hamlet about Polonius’s whereabouts. Hamlet is enraged by this act and wonders “why wouldst thou be a breeder a sinners?”(Hamlet, 111). Hamlet lost almost all his love, respect, and trust for Ophelia. Because of Ophelia’s hypocrisy, the connections between Ophelia and Hamlet has been severed due to the fact she remained loyal to her father and continued to lie to Hamlet even though she loved Hamlet. “God hath given you one face, …show more content…
For this reasoning, the final thing that happened to the characters in Hamlet when they have shown hypocrisy was death. For instance, Hamlet’s hypocrisy killed Ophelia. In other words, Hamlet faking his madness killed Ophelia. In the beginning, Ophelia may have felt disappointed when she started rejecting Hamlet’s love letters, gifts and visits. Later on when Hamlet showed his madness to Ophelia, Ophelia must have felt scared and sad due to Hamlet. She might have thought that she was the reason for “O, what a noble mind is here o’erthrown!” (Ophelia, 111). Finally, Hamlet killing Ophelia’s father must have triggered a mental breakdown in Ophelia because of the problems that have been caused. Because of the mental breakdown, she died by drowning “mermaid-like a while they bore her up:/ which time she chanted snatches of old lauds,” (Gertrude,
Living in an environment of deception and hostility, the reader can easily identify with Hamlet's anger. Most all compassionate audiences will be sympathetic to his plight. However, the origins of Hamlet's vehement actions toward his once beloved Ophelia can be debated from several different points of view. Whatever his reasoning may be, it is probably correct to assume that he regrets deeply every harsh world spoken toward Ophelia. He only realizes again what a beautiful and kind person she was- after her death.
Hamlet believes that he must have a false character, this will help him in his plan to kill the king. This sense of false character that Hamlet conveys, however, is a fatal flaw that would ultimately lead him to be a tragic hero. This false sense of character is later when realized when Ophelia exclaims, “Lord Hamlet, with his doublet all unbraced...with a look so piteous in purport/ As if he had been loosed out of hell”(2.1.80-85). Ophelia implies here that she cannot beleive the overall state of Hamlet, she believes that Hamlet no longer loves her.
As the play opened, Hamlet and Ophelia appeared as lovers experiencing a time of turbulence. Hamlet had just returned home from his schooling in Saxony to find that his mother had quickly remarried her dead husband's brother, and this gravely upset him. Hamlet was sincerely devoted to the idea of bloodline loyalty and sought revenge upon learning that Claudius had killed his father. Ophelia, though it seems her relationship with Hamlet is in either the developmental stage or the finalizing stage, became the prime choice as a lure for Hamlet. Laertes inadvertently opened Ophelia up to this role when he spoke with Ophelia about Hamlet before leaving for France. He allowed Polonius to find out about Hamlet's courtship of Ophelia, which led to Polonius' misguided attempts at taking care of Ophelia and obeying the king's command to find the root of Hamlet's problems. Ophelia, placed in the middle against her wishes, obeyed her father and brother's commands with little disagreement. The only time she argued was when Laertes advised her against making decisions incompatible with the expectations of Elizabethan women. Ophelia tells him, in her boldest lines of the play:
Hamlet’s apparent antics with Ophelia prove that their relationship begins to fall apart and become unhealthy. Hamlet mistreats Ophelia when she attempts to return the gifts he has given her, and he responds in a harsh manner, asking about her chastity and beauty, saying “that if [she] be honest and fair, [her] honesty/should admit no discourse to [her] beauty” (3.1.117-118). Hamlet continues to belittle her, calling her two-faced and admitting that he “did love [her] once” (3.1.125), his feelings for her now absent. Hamlet’s facade becomes personal through this. The entire exchange shows how Hamlet prioritizes his revenge, over his love because he eventually figures out that Polonius and Claudius spy on him. Hamlet soon speculates Ophelia’s association in their plan and decides to put on a facade for her too. Claudius’s facade also affects his relationship with Gertrude and Hamlet. After his speech to the court, Claudius approaches Hamlet in a way that appears as if he cares about him, even addressing him as “my cousin Hamlet and my son” (1.2.66), despite being aware of Hamlet’s sensitive and depressive state because of his father’s death. Moreover, Claudius expresses his deceitful love when he admits to Laertes that he won’t put Hamlet on trial because he mentions how much he loves Gertrude, and that she “is so conjunctive to my life and soul/that, as the
Hamlet, Ophelia’s lover, accidentally kills her father and “confesses” he never loved her, Hamlet toys with Ophelia's emotions intentionally and unintentionally to solidify his madness. Even though she was the who initiated the “breakup”, her sorrows of the relationship are much more public than Hamlets. Hamlet’s madness scares Ophelia away which he used as a defense mechanism to not be hurt anymore. His madness looks as though he had been "loosed out of hell to speak of horrors" (2.1.83-84) and she "truly [did] fear it"(2.1. 86). His insanity and rudeness suffocated any love she had for him. She admits that their "their perfume [has been] lost" (3.1. 99). This helped Hamlet solidify his insanity by cutting ties with the ones he loves, and having them tell others he is mad. This comes with the cost of discontinuing his relationships: especially with Ophelia. Both have hinted around in the text of an intimate affair. This makes the emotions and breakup even more difficult for both of them. Their relationship was a love, not an innocent crush or courtship. Poor Ophelia initially thought she caused Hamlet's madness due to the abrupt ending of their affair. But because of her naivety, she lacks to see his other internal struggles. Ophelia’s trust in Hamlet left her heartbroken. Hamlet’s agenda of or getting justice for his father occupied his mind more than Ophelia did. Which left her feeling
Upon learning that Ophelia has allied herself with Polonius and Claudius, he loses his head and has an incredibly dramatic episode. He is initially honest and open with Ophelia, but his mood quickly changes when he learns they are being spied on. He questioned Ophelia’s motives by asking whether she was honest and fair. He breaks her heart upon the realization she is not on his side. He tells her that he once loved her, then their conversation spirals into nothing more than Hamlet hurling insults at his former love before storming out.
In hamlet, Ophelia is in love with Hamlet and she wants to be with him. Her dad poloniuss does not want her to be with him, and he merely tells her that she is not good enough to be with hamlet because he will have to marry an heir to the crown. Poloniuss tells Ophelia to stop talking to hamlet and to let him go. She does obey her father and from this she stays away from Hamlet. Until Hamlet comes storming into her room one night and stares her straight into her eyes and
Hamlet treats Ophelia like property and because he does not care for her. This is proven because he insults Ophelia, uses her to get his revenge on Claudius and uses her as a way to get attention. To begin with, Hamlet abuses Ophelia by accusing her of having impure motives. To him she “jig[s]… amble and …lisp” (3.1.145) to seduce other men. He also accuses her of being deceitful because she changes the “one face [that]…God hath given” to her by putting on cosmetics. Hamlet verbally abuses Ophelia because he believes that she is worthless. Hamlet is not concerned about the effect that these insult have on Ophelia’s psyche. In addition to verbally abusing Ophelia, Hamlet uses Ophelia as a pawn. Hamlet uses Ophelia as a way to get to Claudius by also physically abusing her. Ophelia description of Hamlet’s abuse exhibits Hamlet’s unruly behaviour towards her: “He took me by the wrist and held me hard; then goes he to the length of all his arm” (2.1.88-89). Hamlet physically abuses Ophelia because he knows that Ophelia will report it to her father who in turn will tell Claudius. By doing this, Claudius will think Hamlet is insane and will then lower his guard and will not suspect that Hamlet intents to kill him. Hamlet does not stop to consider what kind mental toll will take on Ophelia, all he cares about is to finishing what his father asked of him. It is apparent
Throughout the play Hamlet by William Shakespeare, the constant question of whether or not the main character Hamlet truly loves his supposed interest Ophelia becomes apparent. Hamlet is the son of King Hamlet, the King of Denmark, when his father unexpectedly dies due to a murder performed by Hamlet’s uncle Claudius. In the midst of struggle and emotional turmoil, Hamlet’s “love” for Ophelia comes under fire, and the Prince of Denmark’s genuineness is questioned as he starts to show the public signs of madness. Though madness clouds some decisions and remarks, Hamlets love for Ophelia remains true and honest on the basis of telling her to go to a nunnery to protect her and professing his love while in her grave.
At first, Hamlet is successful, and society is convinced Ophelia is the reason for his madness, thus granting Hamlet more time to plot Claudius’s murder. This is achieved in Hamlet’s “to be or not to be speech” [3,1,57] when Claudius and Polonius spy on the conversation between Hamlet and Ophelia. During the Act, Ophelia displays traits of dishonesty and Hamlet uses this to his benefit and appears to go insane to convince Ophelia, Claudius and Polonius that Ophelia is responsible for his madness. Hamlet insists his madness is an “antic disposition” [1,5,179] and that “Thou this be madness, yet there is method in it”. [2,2,204] In the play, Hamlet uses his “antic disposition” [1,5,179] to refuse Ophelia’s affections, which is powerfully portrayed when he exclaims to her “get thee to a nunnery.” [3,1,138] By denying Ophelia’s love, Hamlet’s power in the relationship is effectively demonstrated, and it is shown he is in control of their relationship. In addition, this is reflected in Ophelia’s self-destruction, as she has no purpose to live a life without Hamlet or a man. Overall, Hamlet is successful in using his power over Ophelia for the sake of his
The story of Hamlet is a morbid tale of tragedy, commitment, and manipulation; this is especially evident within the character of Ophelia. Throughout the play, Ophelia is torn between obeying and following the different commitments that she has to men in her life. She is constantly torn between the choice of obeying the decisions and wishes of her family or that of Hamlet. She is a constant subject of manipulation and brain washing from both her father and brother. Ophelia is not only subject to the torture of others using her for their intentions but she is also susceptible to abuse from Hamlet. Both her father and her brother believe that Hamlet is using her to achieve his own personal goals.
Throughout Hamlet, Ophelia is represented as a pure and obedient woman to the men in her life who all live a life of deceit. Ophelia’s father, Polonius, uses his authority over her to tell her what her emotions and thoughts should be towards the love of her life, Hamlet. Ophelia tells her father “I do not know, my Lord, what I should think” (1.3.104). In response to her feeling lost and helpless her father says “Marry I’ll teach you. Think yourself a baby/ That you have ta’en these tenders for true pay,/ Which are not sterling. Tender yourself more dearly.” (1.3.105-107). Polonius is explaining to his daughter that she need not to lose her purity and dignity to a mad fool, even if she does love him. Polonius believes that Hamlet is just using his daughter for what she sees as affection, and is lying to Ophelia of his love for her. Ophelia is blind to all of the lying that is
The Deceit of Hamlet & nbsp;& nbsp; Deceit is often used in politics and everyday life to acquire power and success. The theme of deceit is often repeated in Shakespeare’s Hamlet. Hamlet’s hesitation in killing Claudius, and Hamlet’s eventual death, are a direct result of deceit in the court. Hamlet tries to deceive everyone into thinking that he is crazy. He believes that with this "antic disposition" he can kill Claudius without any consequences, and avenge his father’s death.
Two of Ophelia’s difficulties arise from her father and brother. They believe that Hamlet is using her to take her virginity and throw it away because Ophelia will never be his wife. Her heart believes that Hamlet loves her although he promises he never has (“Hamlet” 1). Hamlet: “Ay, truly, for the power of beauty will sooner transform honesty from what it is to a bawd than the force of honesty can translate beauty into his likeness. This was sometime a paradox, but not the time gives it proof. I did love you once.” Ophelia: “Indeed, my lord, you made me believe so.” Hamlet: “You should not have believed me, for virtue cannot so inoculate our old stock ...
The perfection of Hamlet’s character has been called in question - perhaps by those who do not understand it. The character of Hamlet stands by itself. It is not a character marked by strength of will or even of passion, but by refinement of thought and sentiment. Hamlet is as little of the hero as a man can be. He is a young and princely novice, full of high enthusiasm and quick sensibility - the sport of circumstances, questioning with fortune and refining on his own feelings, and forced from his natural disposition by the strangeness of his situation.