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Essay about Cormac McCarthy
Character analysis essay for the the road
Character analysis essay for the the road
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The pages 276-278 begin with a confrontation between the man and the thief. This extract presents a harsh and unforgiving side to the man's character which differs to his portrayal in earlier parts of the novel. He is previously presented as kind and morally upright which contrasts to the cruel and almost immoral way his character behaves in this moment of the novel. At the beginning of this extract, the thief pleads with the man to return his clothes and shoes which the man has taken from him, saying "[c]ome on man I'll die". The man flatly refuses and replies "I'm going to leave you the way you left us". The man’s tone here is blunt and measured as he is exacting what he believes is justice. The statement shows that the man feels no sympathy towards the thief even though his actions could lead to the thief's death. The persistent way he forces the thief to remove his clothing is so shocking because it is totally unnecessary. The man’s treatment of the thief is similar to the cruel and sometimes horrific ways other survivors treat each other, which is ironic because the man always refers to himself and the boy as “the good guys”. His harshness raises questions as to whether or not he really is a "good guy" and if it is possible to remain morally good in a world where true “goodness” is scarce. McCarthy uses literal and figurative language to describe the thief which creates a sympathetic image of him and positions the reader to pity him. The use of visual imagery in phrases such as "nude and slatlike creature" adds to the thief’s already pitiful image. By comparing the thief to a "creature", McCarthy stirs within the reader the natural compassion and desire to protect animals that humans have. The word “nude” also suggests a v... ... middle of paper ... ...in other parts of the novel, for example when he shot the man who threatened the boy’s life, those actions were always for the purpose of survival and to protect himself and his son. The pressure of living in a post-apocalyptic setting causes the man to always be in a highly strained emotional state and this is one of the main reasons why he reacted to the thief in such an outrageous manner. This suggests that the man is a product of his environment and so his behaviour is determined by external conditions, implying that the man lacks agency and autonomy to some extent. McCarthy’s representation of the man’s character in this extract encourages the reader to think about whether moral rules, which were established in a normal civilisation, can still exist in a world where all civilisation is destroyed and if they can how will people ensure that they are carried out.
In the short story “The Hunter” the author Richard Stark introduces Parker, the main character of this book. The main character is a rough man, he’s a criminal, a murderer, and even an escaped convict. He’s described as crude and rugged and though women are frightened by him, they want him. Parker is not the classic criminal, but rather he’s intelligent, hard, and cunning. In this story the author carefully appeals to his audience by making a loathsome criminal into a hero, or rather, an anti-hero. The author, Richard Stark uses ethical appeal to make his audience like Parker through the use of phronesis, arête, altruism and lastly the ethos of his audience.
Human nature has many elements that reveal the growth and personality of a person. In Markus Zusak’s “The Book Thief”, the author successfully portrays various aspects of human nature through Hans’ conflicts that originate from the tough reality that he lives in. Elements of human nature can be seen as a result of Hans’ constant struggles with guilt, kindness, and love.
Apart from the novel's thematic development, McCarthy's setting and his detailed description of the ornate beauty of the desert southwest is deserving of praise. A lyrical quality and refined beauty are apparent in the novel's description. McCarthy's extended accounts of the pristine beauty of the desert can be seen as an artistic and visually appealing piece work apart from the plot of the novel. Such memorable accounts seem to be a lone highlight in a shockingly disturbing book (Moran 37).
In Harry Mulisch’s novel The Assault, the author not only informs society of the variance in perception of good and evil, but also provides evidence on how important it is for an innocent person experiencing guilt to come to terms with their personal past. First, Mulisch uses the characters Takes, Coster, and Ploeg to express the differences in perspective on the night of the assault. Then he uses Anton to express how one cannot hide from the past because of their guilt. Both of these lessons are important to Mulisch and worth sharing with his readers.
These characters, however different they lie on the morality scale, all share the sinful trait of greed. They all ask, and take too much, ruining what the good that they had in their lives. Understanding their mistakes offers its useful readers a lesson, not to demand too much of the things we are offered. The characters struggle with their desires, each of them succombing to their passions.
What prompts Sarty to betray his own moral character is his fear of Abner, who he describes as the “black, flat, and bloodless . . . voice harsh like tin and without heat like tin”(279). Time and again, Sarty has witnesse...
SparkNotes Editors. “SparkNote on The Book Thief.” SparkNotes.com. SparkNotes LLC. 2013. Web. 9 Apr. 2014.
McCarthy’s use of biblical allusions help to create a setting in which all the characters have more complex parts to play than what it seems like at first glance. The allusions also create the tone, which is somber, and almost dream like. The protagonist had his “palms up” while sleeping, which could mean that he fell asleep as he was praying, or in other words pleading. Yet when he woke up “it was still dark”, this creates a hopeless ton because even after all of the begging, the world he woke up to was a dark one. When the wolf dies, the protagonist imagines her “running in the mountains” with different
In Night, he informs his reader of many examples on how a myriad of good people turn into brutes. They see horrific actions, therefore, they cannot help by becoming a brute. They experience their innocent family members being burned alive, innocent people dieing from starvation due to a minuscule proportion of food, and innocent people going to take a shower and not coming out because truly, it is a gas chamber and all f...
Stylistically, the book is arranged in rotating chapters. Every fourth chapter is devoted to each individual character and their continuation alo...
People always like to refer to themselves as “independent”. Independence may seem like a great ideal in modern society, but in a post-apocalyptic world, a sense of dependence is unavoidable. Maslow’s Hierarchy of needs help us to understand what people depend on. In Cormac McCarthy’s The Road, survival of the boy and the man is due to their dependence on their human nature and ability to support one another.
McCarthy’s novel clarifies the affects isolation made for the traveler’s in the story. In particular to the son, isolation affected him in a more discrete way than the father. Everything he sees and experiences goes into great affect in what makes
The narrator wrestles with conflicting feelings of responsibility to the old man and feelings of ridding his life of the man's "Evil Eye" (34). Although afflicted with overriding fear and derangement, the narrator still acts with quasi-allegiance toward the old man; however, his kindness may stem more from protecting himself from suspicion of watching the old man every night than from genuine compassion for the old man.
Throughout the book, “Crime and Punishment,” by Fyodor Dostoevsky, we see key words that play major roles in the plot and development of the story. Five words, in particular, act as front-runners in symbolic themes; they are crime, punishment, poverty, suffering, and child. There is no doubt that these words play a major factor in the novel because not only do we see these words often, but also we experience the words as they are lived through by many of the major characters. What some readers might not realize is that Dostoevsky does not let only one of the words dominate a scene in the book; they are intermingled concepts. Where there is one of the five major words of the novel, Dostoevsky usually accompanies it with another. All five of the words are dependent of each other and without one of them, the novel would not demonstrate the story and powerful themes that Dostoevsky was looking to present.
Christ, Carol T., Catherine Robson, Stephen Greenblatt, and M. H. Abrams. The Prisoner. A Fragment. The Norton Anthology of English Literature. Vol. E. New York, NY: W.W. Norton &, 2006. 1315-316. Print.