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Tricksters in literature
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Humankind rose to the top of the animal kingdom throughout history because of superior intelligence. The ability to overcome a stronger foe with cunning and intelligence is often reflected in our culture. One popular form of cleverness in stories is trickery. Trickery is the ability to deceive someone, which often requires the trickster to be clever. Trickster tales often correlate with each other because common literary elements are shared. “How Stories Came to Earth” by Kaleki, “Coyote Steals Fire” by Alfonso Ortiz, and “Master Cat or Puss in Boots” by Charles Perrault are all cultural trickster tales that have similar literary elements. “Coyote Steals Fire”, “How Stories Came to Earth”, and “Master Cat, or Puss in Boots” all share anthropomorphism …show more content…
One of the cat’s most apparent and visible traits is that he wears wears boots like humans. The cat shows an ability to construct and make social relations, which lets him lead to the success of his master by taking advantage of certain people such as the king to make Marquis de Carabas become nobility. The cat also displays an element of cleverness in his trickery. The cat’s attempt to steal the ogre’s castle is successful because of his cleverness. The cat knows the ogre will not accept a request to transform to a small susceptible mouse, so he first request the ogre to become something powerful and large. “[He] was so terrified at seeing a lion before him that he instantly scurried up to the gutters on the roof”(Perrault 50). This display of fear shows the ogre that the cat is not curious and not looking for the ogre’s weakness, so when the cat requests for him to be a mouse, he accepts to becomes a mouse. Then the cat eats him and steals the castle. The cleverness to trick the ogre is a quality of anthropomorphism that helps the cat steal the castle. The purpose of the cat actions is out of greed and self preservation.“[The] cat became a great lord and never again had to run after mice”(Perrault 50). The cat’s greed is a human quality, and the purpose out of the his actions are only to live a better life for him, and he does not show sympathy …show more content…
The cat threatens peasants by telling them “each one of you will be cut into little pieces until you look like chopped meat”(Perrault 49) unless they comply with is terms. The cat steals a castle from an ogre by making the ogre shape-shift into a mouse and eating the mouse. By stealing and eventually taking advantage of the stolen goods, he is able to make a prosperous life for him and his master. He and his master are the sole beneficiaries to the crimes the cat commits. Unlike the other stories, the only gains made were selfish. The actions are much less justifiable because he stole with no benefit to
Curiosity always kills the cat, and these children’s curiosity wasn’t that extreme, but it definitely wasn’t helpful. In the book, the boys curiousness about hunting and finding the ‘beastie’ is what started the blood thirsty urge to kill (Holding 35). Once they had succeeded in hunting pigs and became rather good at it, they didn’t want to stop. In the poem, the kids curiosity about what the handicapped boy was ...
Speech: Many of the words spoken by the cat at the beginning of the story have an upbeat connotative meaning. For instance, the cat says to the children. “But we can have/ Lots of fun that is funny!” (7). Explaining that it reveals that the cat’s character is an upbeat character that likes to have fun.
In Native American literature, both creation myths and trickster tales were frequently told and passed down through generations upon generations orally, and then eventually written down. A creation myth is a tale that tells of how the world began or how people first came to live here, while a trickster tale is a short story that tells of a “trickster” with vacuous behavior, whose actions are meant to teach a lesson. Both types of literature are still relevant in modern society, whether it’s through pop-culture or re-told stories, and continue to guide individuals through their life, teach lessons about life on earth, morals, and human nature.
In How Stories Came to Earth, the spider Anansi says “I tell you that my wife, Aso, is a liar, for she says that you are longer than this palm branch and I say that you are not.” This shows how clever Anansi is because the python will also become curious and lay next to the branch to find out the answer. Therefore, he had the chance to tie the python to the branch and capture him. Another example of how clever tricksters are is when the coyote in Coyote Steals Fire takes off the outer part of his body and tricks Thunder into thinking he was still in it. He spoke in a voice that sounded close, but was truly far away. Thunder threw the rock of fire at the coyote attempting to kill him, but it was just his skin as his spirit was elsewhere. The rock shattered and the coyote won the fire as he had wanted. In Master Cat, the cat shows his cleverness by playing dead in a field of wheat with a pouch around his neck. The pouch contains food, and young animals will crawl in thinking the cat is dead. After they enter the pouch, he had the opportunity to trap them and use the animals to his advantage . Tricksters are unquestionably clever and it is easily seen throughout stories containing
Paul Rodin has said that a trickster “is at one and the same time creator and destroyer, giver and negator, he who dupes others and who is always duped himself…He possesses no values moral or social, is at the mercy of his passions and appetites.” Trickster tales feature character types that can be found in the literature of many different cultures throughout history. The coyote is often portrayed in Native American myths as being a trickster. This is revealed in Morning Dove’s “Coyote and the Buffalo.
What is a trickster? A trickster typically breaks the creeds of the divine or nature, most of the time this is doomed maliciously, but sometimes with positive results. More frequently than not, the rule-breaking will capture the pattern of tricks, or thievery. Tricksters are generally cunning, foolish, or perhaps both. They are usually very funny even when they are scared. In diverse cultures the trickster and humanizing hero are often merged in one. Tricksters are particular to their own cultures. However, tricksters are naturally bound by undeniable attributes no matter what their religion is or what culture they have come from. It is thought that all of us have some type of trickster within us, whether it may be conscious or subconscious. One of today’s best known tricksters is perhaps the infamous Wile E. Coyote. Even though Wile E. Coyote is a trickster whose tricks never seem to work, he is considered to be a modern-day fictional trickster because he is always plotting and cheating to catch the road runner, two of the most common attributes of a trickster. However, there are many other common elements to a trickster.
In the story of The Thief of Always by Clive Barker, Harvey follows Rictus into the Holiday House and sees that there is dark magic there within Hood, and as the plot goes on Harvey goes to defeat Hood with the help of some special. Those are the roles of three cats, Blue-Cat, Clue-cat, and Stew-cat, where are though they are minor characters, the are vital to the story.As we go through the book the cats play a big part that helps the story make it to the end. The roles of the three cats are so important because they together advance the plot, foreshadow, and advance the themes.
Trickster tales “Don't be upset master”! This is what master car says in “Master cat” when the master finds out that all his dad leaves him after dying was a cat. Shorty after finding out that the cat can talk the cat says he can help the poor miller's son. The cat is very sneaky and tricks the king in believing that the poor miller’s son is a wealthy man so he can marry the king's daughter and inherit wealth and royalty.
Hence, the image of the trickster Coyote is the focal point in these two cultures, because of his/her never-ending desire to start the next story for the creation of the world and have everything right. Native American culture has a lot of dialogic perspectives in it; in the form of stories and conversations in which all humans and non-humans communicate (Irwin,2000, p39) and writers often highlight the importance of the oral cultural inheritance both as the notion of their being and as method for their writing. Coyote in traditional oral culture reminds us the semiotic component of sufferings of
However, this was not even the worst part of their treatment. The cook who was supposed to give them the scraps from their master's meal would sell them and replace their food with rotten bits of meat that was meant for the cats instead. The Master’s wife adored the cats to no end; many of the felines had their portraits taken and were even feed roasted fowl for dinner. However, the final straw for the workers came during the night when all of the alley cats howl into the night just above the apprentice's bedroom, making it impossible to get a full night’s sleep. That following day, Léveillé came up with an idea that if they could not get a good night sleep then neither could their master. Léveillé who was skilled in mimicry made his way up to the roof of their master's house and howled all night just like a cat and the plan worked better than he had expected. After several nights of this treatment, the claimed they were bewitched and order the apprentices and journeymen to get rid of the cats. With
Paul is not happy with the society that he is in because people no longer have control over the machines. The cat’s purpose in this novel, in Paul’s eyes, is to be “a mouser for the plant” (Vonnegut 2). This cat has only one purpose, and when it tries to deviate from that plan, it dies. The cat trying to escape symbolizes that death is the only way for mankind to leave this perfect, dystopian society.
Kind and selfish, deep and shallow, male and female, and foolish and wise aren’t always words that are associated with each other, quite the opposite in fact. However, when it comes to the trickster tales of Native Americans, each word is associated with the other and describes more or less the same person or animal. To Native American people a trickster affects the world for an infinite number of reasons, including instruction and enjoyment. A trickster, like the name implies, is a cunning deception. A trickster can be a hero. However, at the same time he could introduce death. How is that heroic? Why would a group of people want to remember a person that brings punishments such as death? The function the trickster tales have/ had on Native American communities is still powerful today quite possibly because of their context, the lessons they reap, and the concerns they address. As the tales are told, the stories unravel showing the importance of a trickster and the eye-opening experiences they bring.
...at the hands of his master. The mutilation of its eye, hanging it to death from a tree and killing his wife, which had shown the cat love. There are two interpretations you can take away from this story, the logic of guilt or supernatural fantasy. Which conclusion will you take?
In the stories, “The Tell Tale Heart” and “The Black Cat,” both narrators have a misguided perception that induces their senses to confuse reality with delusions. This misguided perception is brought on by the abnormal psychology of both men. This is a common theme in Poes’ stories. In “The Black Cat” the narrator feels a sense of fright and disgust when reviewing the attached behavior of the second cat. Poe’s description of the second cat is eerily similar to that of the first cat, Pluto. As author Magdalen Wing-Chi Ki states, “the narrator is convinced that it ‘must be’ Pluto on account of two things: it follows him around in the hope of becoming his absolute partner, and one of its eyes is gone.” A rational person understands that it is impossible for the second cat to be Pluto, but the narrator is so misguided that he believes this inconceivable delusion. This mistaken fantasy fuels the narrator’s madness, giving him more evidence that mu...
Along the novel the symbolic figures of the cat and the mouse, are named constantly. The cat mainly represents the persecutor, the repressor, while the mouse represents the victim. The cat in the novel represents, for instance, the Nazis and the mouse the occupied and humiliated Poland. Pilenz and Mahlke also represent both animals: Pilenz the cat as direct or indirectly contributes to Mahlke's destruction, and the mouse that burden in his conscience plus the love and hate relationship that he feels towards Mahlke creates in him such a dependence on the latter, that turns him into the mouse. Mahlke is the mouse -an animal which is also represented by Mahlke's apple of his throat- because he is the eternal humiliated even though he keeps all the time trying to be accepted by the Nazi society, making all kind of feats to pay people's attention. Mahlke is also a cat because of the feelings of dependence and of inferiority that he awakes in Pilenz.